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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 2 | 1 |
Creating and Performing
|
Rhythm - The Crotchet as Principal Beat
|
By the end of the
lesson, the learner
should be able to:
- Describe the role of the crotchet as the principal beat in 4/4 time - Beat time to familiar tunes identifying accented and weak beats in 4/4 time - Show interest in understanding rhythmic patterns in music |
In groups, learners are guided to:
- Listen to music and tap along to identify the crotchet as the principal beat - Beat time to familiar tunes in 4/4 time clapping the first beat and snapping remaining beats per bar - Discuss how the pattern of tapping relates to the beats being played |
How can various note combinations be used to form rhythms in simple time?
|
- Grade 9 Creative Arts and Sports Learner's Book - Percussion instruments
- Audio recordings of music in 4/4 time |
- Oral questions
- Observation
- Practical demonstration
|
|
| 2 | 2 |
Creating and Performing
|
Rhythm - Accented and Weak Beats
|
By the end of the
lesson, the learner
should be able to:
- Distinguish between accented and weak beats in 4/4 time - Clap and play rhythmic patterns marking accented and weak beats accurately - Value the role of beat structure in creating a sense of rhythm in music |
In groups, learners are guided to:
- Clap familiar tunes and identify which beats are accented and which are weak in 4/4 time - Play two-part rhythmic patterns in 4/4 time using body percussion, one part on accented beats and the other on weak beats - Discuss how the distinction between accented and weak beats gives rhythm its character |
Why do accented beats give rhythm its character in 4/4 time?
|
- Grade 9 Creative Arts and Sports Learner's Book - Percussion instruments
- Music exercise books |
- Oral questions
- Observation
- Practical demonstration
|
|
| 2 | 3 |
Creating and Performing
|
Rhythm - Dotted Minim and Dotted Crotchet Values
Rhythm - Grouping Notes with Dotted Rhythms |
By the end of the
lesson, the learner
should be able to:
- Identify the dotted minim, dotted crotchet and quaver and state the duration of each - Write the values of dotted notes and their corresponding rests on a staff - Appreciate dotted notes as tools for creating rhythmic interest in music |
In groups, learners are guided to:
- Research and state the duration in beats of the dotted minim, dotted crotchet and quaver - Write signs for dotted notes and their rests on a staff in 4/4 time - Study given rhythmic patterns and identify which dotted notes appear and their effect on the rhythm |
How do dotted notes extend rhythm in 4/4 time?
|
- Grade 9 Creative Arts and Sports Learner's Book - Music exercise books
- Printed rhythmic pattern worksheets - Percussion instruments |
- Written assignments
- Oral questions
- Observation
|
|
| 2 | 4 |
Creating and Performing
|
Rhythm - Composing Two-Bar Rhythmic Patterns
|
By the end of the
lesson, the learner
should be able to:
- Compose two-bar rhythmic patterns involving dotted notes and their rests on monotone in 4/4 time - Improvise rhythmic accompaniment patterns for sports activities - Show creativity in composing original rhythmic patterns |
In groups, learners are guided to:
- Orally compose two-bar rhythmic patterns involving dotted notes and their rests in 4/4 time - Write the composed patterns on monotone in music exercise books - Improvise rhythmic accompaniment patterns to given tunes incorporating dotted notes and rests |
How can rhythmic patterns be improvised to accompany sports activities?
|
- Grade 9 Creative Arts and Sports Learner's Book - Music exercise books
- Percussion instruments |
- Written assignments
- Observation
- Peer feedback
|
|
| 2 | 5 |
Creating and Performing
|
Rhythm - Notating Four-Bar Rhythms
|
By the end of the
lesson, the learner
should be able to:
- Notate four-bar rhythms in 4/4 time from dictation incorporating dotted notes - Reproduce a rhythmic pattern heard by writing it in an exercise book grouped into bars - Appreciate music notation as a means of preserving rhythmic ideas |
In groups, learners are guided to:
- Listen to a piece of music played by the teacher and tap or clap the rhythm - Reproduce the rhythm by writing it in exercise books grouped into bars in 4/4 time - Present rhythms in class for peer review and discuss accuracy of notation |
Why is the ability to notate rhythm from dictation important for a musician?
|
- Grade 9 Creative Arts and Sports Learner's Book - Music exercise books
- Percussion instruments |
- Written assignments
- Observation
- Peer feedback
|
|
| 3 | 1 |
Creating and Performing
|
Rhythm - Composing Four-Bar Rhythmic Patterns
|
By the end of the
lesson, the learner
should be able to:
- Compose a complete four-bar rhythmic pattern in 4/4 time incorporating dotted notes and rests - Notate the composed pattern clearly on monotone using correct note grouping - Value originality and clarity in rhythmic composition |
In groups, learners are guided to:
- Compose a four-bar rhythmic pattern incorporating dotted minim, dotted crotchet, quaver and their rests in 4/4 time - Write the composed pattern on monotone in music exercise books observing correct grouping rules - Share composed patterns with classmates and give polite constructive feedback |
How does a four-bar rhythmic pattern create a complete musical phrase?
|
- Grade 9 Creative Arts and Sports Learner's Book - Music exercise books
- Percussion instruments |
- Written assignments
- Observation
- Peer feedback
|
|
| 3 | 2 |
Creating and Performing
|
Rhythm - Playing Two-Part Rhythmic Patterns
|
By the end of the
lesson, the learner
should be able to:
- Play two-part and imitative rhythmic patterns in 4/4 time using body percussion and percussion instruments - Coordinate with a partner to maintain separate rhythmic parts simultaneously - Show responsibility for their part in the ensemble while playing two-part music |
In groups, learners are guided to:
- Practise two-part rhythmic patterns in 4/4 time with one part on body percussion and the other on a percussion instrument - Play imitative rhythmic patterns where one part echoes the other with a slight delay - Perform two-part patterns before the class and discuss the effect of combining the two parts |
How does playing two-part rhythms develop musical coordination?
|
- Grade 9 Creative Arts and Sports Learner's Book - Percussion instruments
- Music exercise books |
- Observation
- Practical demonstration
- Peer feedback
|
|
| 3 | 3 |
Creating and Performing
|
Rhythm - Improvising Rhythmic Accompaniment
Melody - Rhythmic Melodic and Dynamic Variations |
By the end of the
lesson, the learner
should be able to:
- Improvise rhythmic patterns to accompany given tunes incorporating dotted notes in 4/4 time - Apply creativity in selecting combinations of dotted and undotted notes for accompaniment - Appreciate improvisation as a creative skill in music |
In groups, learners are guided to:
- Listen to a given tune and identify its rhythmic character - Improvise a rhythmic accompaniment pattern using dotted notes and rests that complements the tune - Perform the improvised accompaniment alongside the tune and give each other feedback |
How can improvised rhythm enhance the performance of a musical piece?
|
- Grade 9 Creative Arts and Sports Learner's Book - Percussion instruments
- Audio recording of a tune - Grade 9 Creative Arts and Sports Learner's Book - Musical instruments (keyboard or voice) - Music exercise books |
- Observation
- Practical demonstration
- Self-assessment
|
|
| 3 | 4 |
Creating and Performing
|
Melody - Rhythmic Variation
|
By the end of the
lesson, the learner
should be able to:
- Define augmentation and diminution as types of rhythmic variation - Apply rhythmic variation to a given melody by increasing or decreasing note values - Value rhythmic variation as a means of creating contrast in melody writing |
In groups, learners are guided to:
- Study examples of rhythmic variation applied to a melody phrase showing augmentation (notes doubled in value) and diminution (notes halved in value) - Apply rhythmic variation to a given opening phrase and write the varied version in exercise books - Perform both versions of the phrase and discuss the difference in character |
How does rhythmic variation change the character of a melody?
|
- Grade 9 Creative Arts and Sports Learner's Book - Music exercise books
- Musical instruments (keyboard or voice) |
- Written assignments
- Oral questions
- Practical performance
|
|
| 3 | 5 |
Creating and Performing
|
Melody - Melodic and Dynamic Variations
|
By the end of the
lesson, the learner
should be able to:
- Apply melodic variation by changing the pitch contour of a phrase while keeping the rhythm the same - Apply dynamic variation by marking one phrase forte and another piano - Show creativity in combining melodic and dynamic variation in a musical phrase |
In groups, learners are guided to:
- Study examples of melodic variation where the pitch of notes is altered while the rhythm remains unchanged - Discuss dynamic variation and mark dynamic directions on a sample melody: forte for one phrase and piano for another - Perform the varied melody observing the dynamic markings and discuss the expressive effect |
How do melodic and dynamic variations make a melody more expressive?
|
- Grade 9 Creative Arts and Sports Learner's Book - Music exercise books
- Musical instruments (keyboard or voice) |
- Written assignments
- Practical performance
- Peer feedback
|
|
| 4 | 1 |
Creating and Performing
|
Melody - F Major Scale and Tonic Arpeggio
|
By the end of the
lesson, the learner
should be able to:
- Perform the scale of F major and its tonic arpeggio ascending and descending - Apply the scale of F major as a foundation for melody composition - Show confidence in performing the F major scale and arpeggio in preparation for composition |
In groups, learners are guided to:
- Sing or play the scale of F major ascending and descending from staff notation - Sing or play the tonic arpeggio of F major (F-A-C-F ascending then F-C-A-F descending) - Practise the scale and arpeggio repeatedly until fluent then give each other performance feedback |
Why is fluency in the F major scale important for melody composition?
|
- Grade 9 Creative Arts and Sports Learner's Book - Musical instruments (keyboard or voice)
- Music exercise books |
- Practical performance
- Oral questions
- Peer feedback
|
|
| 4 | 2 |
Creating and Performing
|
Melody - Composing Two-Bar Phrases
|
By the end of the
lesson, the learner
should be able to:
- Compose a two-bar opening or answering phrase in F major and 4/4 time - Apply knowledge of dotted note values and variation when composing phrases - Value originality and integrity in music composition |
In groups, learners are guided to:
- Study an opening phrase and write a varied answering phrase in F major and 4/4 time - Improvise two-bar opening phrases with varied pitches to given answering phrases - Add phrase marks indicating dynamics as forte for the opening and piano for the answering phrase |
What makes a two-bar phrase sound like a complete musical idea?
|
- Grade 9 Creative Arts and Sports Learner's Book - Music exercise books
- Musical instruments (keyboard or voice) |
- Written assignments
- Practical performance
- Peer feedback
|
|
| 4 | 3 |
Creating and Performing
|
Melody - Creating a Four-Bar Melody
Melody - Phrase Marks and Dynamics |
By the end of the
lesson, the learner
should be able to:
- Create a complete four-bar melody in F major and 4/4 time with a question-and-answer structure - Incorporate extended notes and variation in the composed melody - Show integrity by producing original melodies free from plagiarism |
In groups, learners are guided to:
- Study a sample melody and identify the question-and-answer structure across its phrases - Create a four-bar melody in F major and 4/4 time incorporating extended notes and varied phrases - Sight read the melodies composed by self and classmates and give feedback |
How does the question-and-answer structure make a melody engaging?
|
- Grade 9 Creative Arts and Sports Learner's Book - Music exercise books
- Musical instruments (keyboard or voice) |
- Written assignments
- Observation
- Peer feedback
|
|
| 4 | 4 |
Creating and Performing
|
Melody - Notating Four-Bar Melodies
|
By the end of the
lesson, the learner
should be able to:
- Notate four-bar melodies in 4/4 time in F major with correct note placement on the staff - Apply knowledge of dotted notes, phrase marks and key signature in melody notation - Value accuracy and neatness in music notation |
In groups, learners are guided to:
- Practise writing notes of F major on both treble and bass staff with correct placement - Notate a complete four-bar melody in F major and 4/4 time including key signature, phrase marks and dynamic markings - Share notated melodies with classmates and check each other's notation for accuracy |
Why is accurate notation important when sharing musical compositions?
|
- Grade 9 Creative Arts and Sports Learner's Book - Music exercise books
- Printed staff paper |
- Written assignments
- Observation
- Peer feedback
|
|
| 4 | 5 |
Creating and Performing
|
Melody - Performing and Evaluating Melodies
|
By the end of the
lesson, the learner
should be able to:
- Perform melodies in F major and 4/4 time on an instrument of choice observing dynamics and phrase marks - Evaluate own and others' melody performances using structured criteria - Show confidence and self-efficacy when performing original compositions |
In groups, learners are guided to:
- Perform composed four-bar melodies on an instrument of choice observing all notation markings - Listen to and evaluate each other's performances commenting on pitch accuracy, dynamics and phrasing - Record performances on a digital device for future reference and self-reflection |
How does performing own compositions build musical confidence?
|
- Grade 9 Creative Arts and Sports Learner's Book - Musical instruments (keyboard, recorder or voice)
- Digital devices for recording |
- Practical performance
- Peer feedback
- Self-assessment
|
|
| 5 | 1 |
Creating and Performing
|
The Descant Recorder - F Major Scale Fingering
|
By the end of the
lesson, the learner
should be able to:
- Identify the fingering of each note in the scale of F major on the descant recorder - Read and interpret a fingering chart to play the notes of F major - Show interest in learning the descant recorder as a musical instrument |
In groups, learners are guided to:
- Read and interpret the fingering chart to identify which holes to cover for each note of F major - Practise playing individual notes of the F major scale ascending and descending using the fingering chart as a guide - Discuss the technique of pinching the thumb hole for high notes and share observations |
Why is correct fingering technique important when playing the descant recorder?
|
- Grade 9 Creative Arts and Sports Learner's Book - Descant recorders
- Fingering charts for F major |
- Observation
- Oral questions
- Practical demonstration
|
|
| 5 | 2 |
Creating and Performing
|
The Descant Recorder - Playing F Major from Staff Notation
|
By the end of the
lesson, the learner
should be able to:
- Play the scale of F major ascending and descending from staff notation on the descant recorder - Apply the pinching technique correctly when playing higher notes - Value precision and self-discipline in instrumental performance |
In groups, learners are guided to:
- Study the staff notation of the F major scale and identify the notes and their positions on the recorder - Play the scale of F major ascending and descending from staff notation observing the pinching technique for higher notes - Watch actual or virtual tutorials demonstrating the pinching technique and apply it in practice |
How does reading staff notation improve recorder playing?
|
- Grade 9 Creative Arts and Sports Learner's Book - Descant recorders
- Staff notation of F major scale |
- Practical performance
- Observation
- Peer feedback
|
|
| 5 | 3 |
Creating and Performing
|
The Descant Recorder - Playing Simple Melodies in F Major
|
By the end of the
lesson, the learner
should be able to:
- Play simple melodies in F major from staff notation on the descant recorder - Apply correct fingering and breath control when playing melodies - Show confidence in performing simple recorder pieces |
In groups, learners are guided to:
- Study simple melodies written in F major and identify all notes and their fingerings before playing - Play simple melodies in F major from staff notation at a slow tempo observing correct fingering throughout - Give each other feedback on tone quality, fingering accuracy and breath control |
How does practising simple melodies develop recorder technique?
|
- Grade 9 Creative Arts and Sports Learner's Book - Descant recorders
- Printed simple melodies in F major |
- Practical performance
- Observation
- Peer feedback
|
|
| 5 | 4 |
Creating and Performing
|
The Descant Recorder - Dynamics Crescendo and Diminuendo
Play - Elements of a Play |
By the end of the
lesson, the learner
should be able to:
- Define crescendo and diminuendo as performance directions for dynamics - Identify crescendo and diminuendo markings on a music score and apply them when playing - Appreciate the effect of dynamics on musical expression in recorder performance |
In groups, learners are guided to:
- Explore virtual demonstrations of crescendo and diminuendo on the descant recorder - Identify crescendo and diminuendo markings on a printed score and discuss how they should be performed - Play a short melody applying crescendo and diminuendo as marked and discuss the expressive effect |
What effect do crescendo and diminuendo have on recorder performance?
|
- Grade 9 Creative Arts and Sports Learner's Book - Descant recorders
- Printed melodies with dynamic markings - Grade 9 Creative Arts and Sports Learner's Book - Sample play scripts - Reference books on drama |
- Practical performance
- Observation
- Oral questions
|
|
| 5 | 5 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Criteria for Evaluating a Play
|
By the end of the
lesson, the learner
should be able to:
- Identify the criteria used to evaluate a play performance including theme, setting, conflict, resolution, voice, body movement and use of props - Interpret and discuss a marking guide for evaluating a play performance - Show interest in developing analytical skills for evaluating Creative Arts |
In groups, learners are guided to:
- Study the marking guide provided and discuss an interpretation of each criterion - Identify and correct any misplaced criteria and add any missing explanations in the 'What to look for' column - Discuss in groups how each criterion contributes to the overall quality of a play performance |
Why is analysis an important skill in Creative Arts and Sports?
|
- Grade 9 Creative Arts and Sports Learner's Book
- Sample play evaluation criteria/marking guide - Digital devices with video content |
- Oral questions
- Written assignments
- Observation
|
|
| 6 | 1 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Analysing a Play Performance
|
By the end of the
lesson, the learner
should be able to:
- Analyse a play performance using established criteria covering theme, voice, body movement, internalisation, audience involvement and overall impression - Record and present analytical comments on each component of the play criterion - Appreciate the role of analysis in improving play performance standards |
In groups, learners are guided to:
- Watch a live, recorded or virtual play performance - Using the criterion from the previous lesson, analyse the play performance and note comments on each component including what was good and what needs improvement - Present analytical findings in class and give polite feedback on each other's responses |
How can analysis of a play performance enhance creativity and performance quality?
|
- Grade 9 Creative Arts and Sports Learner's Book
- Recorded or virtual play performance - Play evaluation criterion sheet |
- Written assignments
- Oral presentation
- Peer feedback
|
|
| 6 | 2 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Analysing a Solo Vocal Piece
|
By the end of the
lesson, the learner
should be able to:
- Identify the elements of a solo vocal piece including key, time signature, dynamics, tonic sol-fa and form - Analyse a given solo vocal music piece by responding to specific analytical questions - Show interest in using music analytical skills as part of Creative Arts appreciation |
In groups, learners are guided to:
- Study the solo vocal piece Doe a Deer and identify the key in which it is written - Identify the tonic sol-fas of the first four bars and name the dynamics and time signature used in the piece - Discuss findings in groups and present responses in class for peer feedback |
How does analysis of a solo vocal piece deepen musical understanding?
|
- Grade 9 Creative Arts and Sports Learner's Book
- Printed or projected copy of Doe a Deer music piece - Music reference books |
- Oral questions
- Written assignments
- Observation
|
|
| 6 | 3 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Music Elements in Analysis
|
By the end of the
lesson, the learner
should be able to:
- Analyse the key, time signature, dynamics and musical form of a solo vocal piece - Identify and describe the structure and phrasing of a piece of music from a score - Value the ability to read and interpret music notation as part of musical appreciation |
In groups, learners are guided to:
- Study the music piece further and identify the time signature, key signature and dynamic markings used - Describe the musical form by identifying repeated sections, contrasting phrases and cadences - Discuss how the use of dynamics and musical form contributes to the expressive quality of the piece |
Why is it important for a performer to understand musical form and dynamics?
|
- Grade 9 Creative Arts and Sports Learner's Book
- Printed or projected music score - Music reference books |
- Written assignments
- Oral questions
- Observation
|
|
| 6 | 4 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Criteria for Evaluating Solo Vocal Music
Analysis of Creative Arts and Sports - Evaluating a Solo Vocal Piece |
By the end of the
lesson, the learner
should be able to:
- Brainstorm and interpret a criterion for evaluating a solo vocal piece of music - Apply the criterion to prepare for evaluating songs in a music competition context - Appreciate the importance of fair and structured criteria in music evaluation |
In groups, learners are guided to:
- Study the solo vocal evaluation criterion provided and discuss an interpretation of each component - Note interpretations in exercise books and discuss how to apply the criterion fairly and consistently - Identify any gaps in the criterion and suggest additions that would improve its comprehensiveness |
What criteria should be used to fairly evaluate a solo vocal performance?
|
- Grade 9 Creative Arts and Sports Learner's Book
- Solo vocal evaluation criterion sheet - Music reference books - Recorded or virtual solo vocal performance |
- Written assignments
- Oral questions
- Peer discussion
|
|
| 6 | 5 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Criteria for Evaluating 2D Art
|
By the end of the
lesson, the learner
should be able to:
- Brainstorm and interpret a criterion for evaluating 2D artworks including photography and other visual art pieces - Identify how each criterion component guides the selection and evaluation of artworks - Show interest in developing Visual Arts analytical skills |
In groups, learners are guided to:
- Study the 2D artwork evaluation criterion provided for a school art competition and discuss an interpretation of each component - Note interpretations in exercise books and discuss how the criterion can be adapted to evaluate other types of 2D artworks - Brainstorm additional components that could strengthen the evaluation criterion |
Why is a structured criterion important when evaluating artworks?
|
- Grade 9 Creative Arts and Sports Learner's Book
- 2D artwork evaluation criterion sheet - Sample 2D artworks (photographs, mosaics, paintings) |
- Oral questions
- Written assignments
- Peer discussion
|
|
| 7 | 1 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Evaluating 2D Artworks
|
By the end of the
lesson, the learner
should be able to:
- Evaluate 2D artworks including photographs and mosaics using the established criterion - Create an art catalogue documenting the name of gallery, artist's name, type of artwork, medium, subject matter and function - Value honest and principled assessment when critiquing exhibited artworks |
In groups, learners are guided to:
- Apply the 2D artwork criterion to evaluate a selection of photographs or mosaic compositions displayed in class - Record evaluation comments on each criterion component and adapt the criterion to evaluate other types of 2D artworks - Create an art catalogue for the exhibited artworks and share evaluations in class for reflection and inspiration |
How can critiquing artworks inspire creativity and improve artistic standards?
|
- Grade 9 Creative Arts and Sports Learner's Book
- 2D artwork evaluation criterion sheet - Displayed artworks: photographs and mosaic compositions |
- Written assignments
- Observation
- Portfolio assessment
|
|
| 7 | 2 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Anti-Doping in Sports
|
By the end of the
lesson, the learner
should be able to:
- Define doping and anti-doping and explain their significance in sports - Describe the importance of anti-doping regulations in ensuring fair competition - Show awareness of the ethical responsibility of athletes regarding banned substances |
In groups, learners are guided to:
- Research and define doping and anti-doping using relevant resource materials - Discuss in pairs the importance of anti-doping, the effects of doping on athletes and the role of anti-doping bodies in sports - Share findings with classmates and discuss why doping is classified as an unethical behaviour in sports |
Why is anti-doping regulation important for fair competition in sports?
|
- Grade 9 Creative Arts and Sports Learner's Book
- Digital devices with internet access - Sports ethics reference materials |
- Oral questions
- Written assignments
- Observation
|
|
| 7 | 3 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Effects of Doping
|
By the end of the
lesson, the learner
should be able to:
- Describe the physical, psychological and social effects of doping on an athlete - Identify actions that constitute anti-doping violations such as possession, trafficking and administering prohibited substances - Value clean sport and personal integrity in athletic competition |
In groups, learners are guided to:
- Discuss in pairs the physical effects of doping on athlete performance and long-term health - Identify and list actions that are classified as anti-doping violations including possession of a prohibited substance, trafficking and administering prohibited substances to another athlete - Reflect on how doping violations affect an athlete's career and the reputation of sport |
How does doping undermine the integrity and spirit of sport?
|
- Grade 9 Creative Arts and Sports Learner's Book
- Digital devices with internet access - Sports ethics reference materials |
- Oral questions
- Written assignments
- Observation
|
|
| 7 | 4 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Effects of Doping
|
By the end of the
lesson, the learner
should be able to:
- Describe the physical, psychological and social effects of doping on an athlete - Identify actions that constitute anti-doping violations such as possession, trafficking and administering prohibited substances - Value clean sport and personal integrity in athletic competition |
In groups, learners are guided to:
- Discuss in pairs the physical effects of doping on athlete performance and long-term health - Identify and list actions that are classified as anti-doping violations including possession of a prohibited substance, trafficking and administering prohibited substances to another athlete - Reflect on how doping violations affect an athlete's career and the reputation of sport |
How does doping undermine the integrity and spirit of sport?
|
- Grade 9 Creative Arts and Sports Learner's Book
- Digital devices with internet access - Sports ethics reference materials |
- Oral questions
- Written assignments
- Observation
|
|
| 7 | 5 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Ethical Practices in Sports
|
By the end of the
lesson, the learner
should be able to:
- Examine ethical and unethical practices in sports using a structured comparison table - Distinguish between acceptable and unacceptable behaviour in sports competition - Show commitment to upholding ethical standards in Creative Arts and Sports |
In groups, learners are guided to:
- Study the table of sports practices and copy it into exercise books, ticking whether each practice is ethical or unethical - Discuss in groups the reasoning behind classifying each practice and share responses with the class - Reflect on how ethical practices in sports contribute to fair play and respect among athletes |
Why is it important to maintain ethical standards in sports competition?
|
- Grade 9 Creative Arts and Sports Learner's Book
- Ethical practices comparison table - Sports ethics reference materials |
- Written assignments
- Oral questions
- Observation
|
|
| 8 | 1 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Research on Anti-Doping
|
By the end of the
lesson, the learner
should be able to:
- Research the meaning and scope of anti-doping in sports from relevant resource materials - Present findings on anti-doping clearly and confidently to peers for review - Appreciate the role of analysis and research in addressing ethical issues in sports |
In groups, learners are guided to:
- Research from relevant resource materials the meaning of anti-doping, its regulations and its importance in maintaining fair sport - Discuss why anti-doping is classified as an unethical behaviour and compile findings into a brief presentation - Present findings in class for peer review, give and receive constructive feedback respectfully |
How does research on anti-doping contribute to ethical awareness in sports?
|
- Grade 9 Creative Arts and Sports Learner's Book
- Digital devices with internet access - Sports ethics and anti-doping reference materials |
- Oral presentation
- Written assignments
- Peer feedback
|
|
| 8 | 2 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Research on Anti-Doping
|
By the end of the
lesson, the learner
should be able to:
- Research the meaning and scope of anti-doping in sports from relevant resource materials - Present findings on anti-doping clearly and confidently to peers for review - Appreciate the role of analysis and research in addressing ethical issues in sports |
In groups, learners are guided to:
- Research from relevant resource materials the meaning of anti-doping, its regulations and its importance in maintaining fair sport - Discuss why anti-doping is classified as an unethical behaviour and compile findings into a brief presentation - Present findings in class for peer review, give and receive constructive feedback respectfully |
How does research on anti-doping contribute to ethical awareness in sports?
|
- Grade 9 Creative Arts and Sports Learner's Book
- Digital devices with internet access - Sports ethics and anti-doping reference materials |
- Oral presentation
- Written assignments
- Peer feedback
|
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