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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 1 |
REPORTING AND REVISION |
||||||||
| 2 | 1 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Introduction to Passing
Basketball and Logo Design - Chest Pass |
By the end of the
lesson, the learner
should be able to:
- Identify the three types of passes in Basketball: overhead pass, bounce pass and chest pass. - Describe when each type of pass is most effectively used in a game of Basketball. - Appreciate passing as a fundamental skill for creating team scoring opportunities in Basketball. |
In groups, learners are guided to:
- Watch a live or virtual Basketball game and observe how players pass the ball then discuss what an overhead pass, bounce pass and chest pass are. - Research from sports materials what each type of pass is, when it is used and how it is executed. - Discuss the general rules for passing in Basketball and record key findings in exercise books. |
Why is it important to combine passing and dribbling in Basketball?
|
- Oxford CAS Today Grade 9 pg. 93
- Digital devices - Sports reference materials - Basketball - Open court |
- Oral questions
- Observation
|
|
| 2 | 2 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Bounce Pass
Basketball and Logo Design - Overhead Pass |
By the end of the
lesson, the learner
should be able to:
- Describe the bounce pass as a pass used when opponents have hands raised over the ball carrier making an air pass impossible. - Demonstrate the bounce pass by bouncing the ball with force using two hands to reach a teammate stepping forward with the release. - Value the bounce pass as a skill for bypassing high defensive hands and delivering the ball safely to a teammate. |
In groups, learners are guided to:
- Discuss when the bounce pass is used and how it differs from the chest pass in execution and purpose. - Practise the bounce pass by bouncing the ball with force using two hands stepping forward and following through with fingers pointing to the bounce point. - Take turns practising the bounce pass in pairs focusing on force, target point and follow-through. |
Why is it important to combine passing and dribbling in Basketball?
|
- Oxford CAS Today Grade 9 pg. 93
- Basketball - Open court |
- Observation
- Practical demonstration
|
|
| 2 | 3 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Pass Demonstrations and Practice
Basketball and Logo Design - Passing Games |
By the end of the
lesson, the learner
should be able to:
- Perform all three pass types — chest, bounce and overhead — in a combined passing drill. - Apply passing skills with accuracy, correct technique and effective communication with teammates. - Value teamwork and clear communication as essential components of effective passing in Basketball. |
- Combine all three pass types in a structured passing drill practising chest, bounce and overhead passes in sequence.
- Communicate effectively with teammates to coordinate passes during the drill ensuring ball direction and height are accurate. - Observe all safety rules during the drill and ensure all learners participate actively. |
Why is it important to combine passing and dribbling in Basketball?
|
- Oxford CAS Today Grade 9 pg. 93
- Basketball - Open court |
- Observation
- Practical demonstration
|
|
| 2 | 4 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Dribbling Introduction and Low Dribble
|
By the end of the
lesson, the learner
should be able to:
- Describe dribbling in Basketball as a skill allowing a player to move while maintaining ball possession, shield the ball from defenders and create break-away opportunities. - Demonstrate low dribbling by keeping the ball close to the ground for maximum protection from defenders. - Value dribbling as a key skill for individual and team offensive play in Basketball. |
In groups, learners are guided to:
- Discuss what dribbling is in Basketball identifying when low dribbling and high dribbling are used in a game. - Demonstrate low dribbling by keeping the ball close to the ground protecting it from defenders while moving. - Practise low dribbling in pairs moving across the court while maintaining ball control and observing safety. |
Why is it important to combine passing and dribbling in Basketball?
|
- Oxford CAS Today Grade 9 pg. 98
- Basketball - Open court |
- Observation
- Practical demonstration
|
|
| 2 | 5 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - High Dribble and Demonstrations
Basketball and Logo Design - Dribbling Practice |
By the end of the
lesson, the learner
should be able to:
- Describe high dribbling as bouncing the ball at waist height while moving quickly to advance down the court. - Demonstrate high dribbling while moving past opponents on the court at speed. - Appreciate the difference between high and low dribbling and know when each is best applied in a game situation. |
In groups, learners are guided to:
- Discuss the differences between high and low dribbling and identify game situations where each is most appropriate. - Demonstrate high dribbling by bouncing the ball at waist height while moving quickly along the court. - Practise high dribbling in pairs moving at increasing speed and compare performance with the low dribble technique. |
Why is it important to combine passing and dribbling in Basketball?
|
- Oxford CAS Today Grade 9 pg. 98
- Basketball - Open court |
- Observation
- Practical demonstration
|
|
| 3 | 1 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Logo Introduction and Research
Basketball and Logo Design - Logo Characteristics and Sketching |
By the end of the
lesson, the learner
should be able to:
- Describe what a logo is and explain what a good logo consists of including symbol, colour, text and emotional connection with fans. - Research actual and virtual samples of Basketball team logos to identify features that make them effective. - Appreciate the role of a logo in representing a team's identity, spirit and values. |
In groups, learners are guided to:
- Study sample team logos in Figure 2.9.8 and discuss what each logo communicates about the team's identity. - Research actual and virtual team logos discussing the features that make each effective including colour, symbol and text. - Identify the logos of at least five sports teams and explain how the design elements support the team's identity. |
How can a poster be made an effective means of communicating?
|
- Oxford CAS Today Grade 9 pg. 101
- Digital devices - Sample team logos - Drawing materials, paper, ruler, marker pens |
- Oral questions
- Observation
|
|
| 3 | 2 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Logo Finalization and Critique
|
By the end of the
lesson, the learner
should be able to:
- Develop and finalise a Basketball team logo by refining the sketch, selecting final colours and completing the design on paper. - Display the completed logo in the classroom and present it to other groups explaining design choices. - Appreciate peer critique as a constructive tool for evaluating and improving visual communication design. |
In groups, learners are guided to:
- Develop the logo by refining the sketch based on feedback selecting final colours and completing the design on paper with letters, symbol and colour fill. - Display the completed logo in the classroom and present it to other groups explaining the team name, symbol, colour choices and what the logo communicates. - Evaluate peers' logos using the effectiveness criteria discussed earlier and provide polite and constructive feedback. |
How can a poster be made an effective means of communicating?
|
- Oxford CAS Today Grade 9 pg. 101
- Drawing materials, paper, ruler, marker pens |
- Practical demonstration
- Peer review
|
|
| 3 | 3 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Mini Basketball Game
Indigenous Kenyan Crafts - Pottery Coil Technique and Clay Preparation |
By the end of the
lesson, the learner
should be able to:
- Apply passing and dribbling skills learnt in Basketball in a mini-Basketball game in teams displaying their designed logos. - Observe safety measures during the mini game and demonstrate fair play and team spirit. - Appreciate each other's skills in Basketball and value unity, integrity and fair play during the game. |
- Organise learners into teams with each team displaying their designed logo during the game.
- Apply all passing and dribbling skills in the mini-Basketball game observing safety rules and fair play. - Celebrate each other's efforts and skills during the game and reflect on individual and team performance. |
Why is it important to combine passing and dribbling in Basketball?
|
- Oxford CAS Today Grade 9 pg. 101
- Basketball, open court - Team logos - Oxford CAS Today Grade 9 pg. 104 - Clay soil, stone, fine cloth or sieve, water |
- Observation
- Practical demonstration
|
|
| 3 | 4 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Modelling Vessels
Indigenous Kenyan Crafts - Decorating Vessels |
By the end of the
lesson, the learner
should be able to:
- Make clay coils of uniform thickness using the coil technique. - Join clay coils using slurry to build the walls of a vessel and smoothen the inside surface. - Value patience and craftsmanship in building a clay vessel using the traditional coil technique. |
In groups, learners are guided to:
- Make clay coils of uniform thickness by rolling prepared clay on a flat surface. - Join coils using slurry to form the walls of a vessel building upward and smoothening the inside surface at each level. - Review the vessel shape and walls for uniformity and make corrections before the clay dries further. |
Why is clay the preferred material for pottery?
|
- Oxford CAS Today Grade 9 pg. 104
- Prepared clay, wooden surface, slurry - Slightly dried clay vessel, incising tool |
- Observation
- Practical demonstration
|
|
| 3 | 5 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Firing Pottery
Indigenous Kenyan Crafts - Weaving Introduction |
By the end of the
lesson, the learner
should be able to:
- Describe the process of open pit kiln firing including the preparation of dry fuel, placement of vessels and monitoring of the firing process. - Collaboratively fire a completely dry clay vessel using an open pit kiln observing all safety and hygiene precautions. - Value safety, responsibility and patience in the firing process as essential to producing a strong and durable pottery vessel. |
In groups, learners are guided to:
- Discuss the steps for open pit kiln firing: preparing dry fuel, arranging vessels, lighting the kiln and monitoring the fire. - Collaboratively fire the completely dry vessel using an open pit kiln observing safety and hygiene throughout. - Allow the vessel to cool completely before removing it and discuss the changes in texture, colour and strength after firing. |
Why is clay the preferred material for pottery?
|
- Oxford CAS Today Grade 9 pg. 104
- Completely dry clay vessel, open pit kiln, dry fuel - Actual woven articles - Digital devices - Coloured string |
- Observation
- Practical demonstration
|
|
| 4 | 1 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Frame Loom Making
|
By the end of the
lesson, the learner
should be able to:
- Describe the process of making a wooden mitre joint frame loom with equal spacing of nails. - Collaboratively construct a wooden mitre joint frame loom following the correct procedure and ensuring equal nail spacing. - Value responsibility and self-discipline in constructing craft tools and handling materials safely during loom making. |
In groups, learners are guided to:
- Explore actual and virtual resources to study how a wooden mitre joint frame loom is made with equal spacing of nails. - Collaboratively construct the frame loom following the correct procedure ensuring equal spacing of nails throughout. - Test the completed loom for stability and equal nail spacing before beginning to set the warps. |
How is a fabric woven?
|
- Oxford CAS Today Grade 9 pg. 109
- Wooden frame, nails, hammer, string |
- Observation
- Practical demonstration
|
|
| 4 | 2 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Twill Weaving
Indigenous Kenyan Crafts - Twill Weaving continued |
By the end of the
lesson, the learner
should be able to:
- Describe the 2/1 twill weaving technique by explaining how warps and wefts are interlaced on the loom following a 2/1 pattern. - Secure warps on the completed frame loom and begin interlacing wefts using the 2/1 twill technique. - Appreciate the disciplined pattern of twill weaving as a craft technique that creates a strong and visually interesting fabric. |
In groups, learners are guided to:
- Secure the warps on the completed frame loom ensuring even tension throughout. - Begin interlacing the wefts using the 2/1 twill technique: the weft passes over two warps then under one repeating across the row. - Review the weaving progress checking for consistent tension, even spacing and correct pattern repetition. |
How is a fabric woven?
|
- Oxford CAS Today Grade 9 pg. 109
- Frame loom, string or yarn in various colours |
- Observation
- Practical demonstration
|
|
| 4 | 3 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Display Critique and Self-Assessment
Swimming - Standing Dive Technique and Practice |
By the end of the
lesson, the learner
should be able to:
- Display completed pottery vessels and woven fabrics and describe own work to classmates focusing on technique, design and cultural significance. - Critique own and peers' craft articles providing constructive and polite feedback on technique and quality. - Appreciate the value of self-assessment and peer critique in improving craft skills and acknowledging cultural heritage. |
In groups, learners are guided to:
- Display completed pottery vessels and woven fabrics and talk about own work describing the technique used, design decisions and cultural connections. - Use the craft characteristics studied earlier as evaluation criteria to give structured constructive feedback on peers' articles. - Complete a self-assessment of pottery and weaving skills identifying what was mastered and what needs further practice. |
How is a fabric woven?
|
- Oxford CAS Today Grade 9 pg. 109
- Completed pottery and woven articles - Oxford CAS Today Grade 9 pg. 112 - Swimming pool - Appropriate swimwear |
- Peer review
- Observation
|
|
| 4 | 4 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Land Dive Activity
|
By the end of the
lesson, the learner
should be able to:
- Describe the phases of a standing dive: stance, entry and gliding identifying the correct body position at each phase. - Demonstrate the phases of a standing dive on land as a preparatory activity before entering the water. - Value land-based practice as a safe and effective way to build confidence and correct technique before entering the pool. |
In groups, learners are guided to:
- Practise the complete standing dive sequence on land in slow motion: stance, forward lean, arm extension, chin tuck and entry position. - Perform the land dive activity several times reviewing body position at each phase. - Observe peers performing the land dive and give feedback on arm extension, body arch and chin position. |
How can swimming skills be performed safely?
|
- Oxford CAS Today Grade 9 pg. 113
- Open space for land practice - Appropriate sports wear |
- Observation
- Practical demonstration
|
|
| 4 | 5 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Butterfly Stroke Introduction and Body Position
Swimming - Butterfly Stroke Arm Action |
By the end of the
lesson, the learner
should be able to:
- Describe the butterfly stroke as a swimming style involving simultaneous circular arm movement and a dolphin-like leg kick. - Identify the correct body position in the butterfly stroke including face down in the water, hips near the surface and body undulating in a wave-like motion. - Appreciate the butterfly stroke as a demanding but disciplined swimming style that requires synchrony and coordination. |
In groups, learners are guided to:
- Watch a live or virtual demonstration of the butterfly stroke and note the key arm and leg movements. - Discuss the butterfly stroke body position: face down in the water, hips near the surface and body moving in a wave-like undulation. - Identify the phases of the butterfly stroke and describe the correct body position at each phase. |
Why is synchrony important in butterfly stroke?
|
- Oxford CAS Today Grade 9 pg. 117
- Swimming pool - Appropriate swimwear |
- Oral questions
- Observation
|
|
| 5 |
MID TERM ASSESSMENTS |
||||||||
| 6 | 1 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Butterfly Stroke Leg Action
Swimming - Butterfly Stroke Coordination and Complete Practice |
By the end of the
lesson, the learner
should be able to:
- Describe the butterfly stroke leg kick as both legs moving together in a simultaneous up-and-down motion resembling a dolphin's tail. - Demonstrate the butterfly stroke leg kick in the water focusing on simultaneous leg movement and a wave-like body undulation. - Appreciate that simultaneous leg movement is what distinguishes the butterfly stroke from all other swimming styles. |
In groups, learners are guided to:
- Discuss the butterfly stroke leg kick and how it differs from freestyle kick: both legs move together simultaneously rather than alternately. - Practise the leg kick holding the pool edge or a kickboard focusing on simultaneous movement and wave-like body undulation. - Observe peers performing the leg kick and give feedback on whether both legs move simultaneously and the body undulates correctly. |
Why is synchrony important in butterfly stroke?
|
- Oxford CAS Today Grade 9 pg. 117
- Swimming pool, kickboard - Appropriate swimwear - Oxford CAS Today Grade 9 pg. 118 - Swimming pool |
- Observation
- Practical demonstration
|
|
| 6 | 2 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Indigenous Games - Board Games Introduction
Kenyan Indigenous Games - Bao Game |
By the end of the
lesson, the learner
should be able to:
- Identify types of indigenous board games played in Kenya including Ajua, Bao, Shisima, Olubimbi, Uthi and Draughts. - Describe the general features of indigenous board games including the use of a board, counters, rules and critical thinking. - Appreciate indigenous board games as a meaningful part of Kenyan cultural heritage that promotes mental development. |
In groups, learners are guided to:
- Use digital devices or QR codes to identify and discuss different indigenous board games played in Kenya. - Observe pictures and video clips of board games and identify the key features including board, counters, rules and strategy. - Discuss the significance of indigenous board games to participants and communities in Kenya. |
How do indigenous board games enhance mental relaxation?
|
- Oxford CAS Today Grade 9 pg. 124
- Digital devices - QR code references - Bao board or improvised version - Counters or stones |
- Oral questions
- Observation
|
|
| 6 | 3 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Indigenous Games - Shisima Game
|
By the end of the
lesson, the learner
should be able to:
- Describe the Shisima game and its rules explaining how it is played on an octagonal board with counters. - Demonstrate the correct procedure for setting up and playing Shisima following the rules. - Appreciate Shisima as a traditional Kenyan game that develops strategic thinking and cultural pride. |
In groups, learners are guided to:
- Discuss what the Shisima game is, where it originates, what it looks like and how it is played. - Set up the Shisima game and demonstrate the correct procedure for play. - Play Shisima in pairs following the rules and taking turns to observe and participate. |
Why are board games considered an indigenous game?
|
- Oxford CAS Today Grade 9 pg. 124
- Shisima board or improvised version - Counters |
- Observation
- Practical demonstration
|
|
| 6 | 4 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Indigenous Games - Draughts Game
Kenyan Indigenous Games - Improvising Board Games |
By the end of the
lesson, the learner
should be able to:
- Describe the Draughts game as a board game played on a chequered board using pieces that move diagonally to capture opponents' pieces. - Demonstrate the correct procedure for setting up and playing Draughts following the rules. - Value Draughts as a game that builds strategic thinking, patience and decision-making skills. |
In groups, learners are guided to:
- Discuss what Draughts is, how the board is set up and the rules for moving and capturing pieces. - Set up the Draughts board and demonstrate the correct procedure for play including diagonal movement and capturing rules. - Play Draughts in pairs following rules keenly and alternating opponents. |
Why are board games considered an indigenous game?
|
- Oxford CAS Today Grade 9 pg. 124
- Draughts board or improvised version - Draughts pieces - Locally available materials (paper, stones, seeds) |
- Observation
- Practical demonstration
|
|
| 6 | 5 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Indigenous Games - Games with Music
Kenyan Indigenous Games - Mental Health Benefits and Extended Activities |
By the end of the
lesson, the learner
should be able to:
- Describe how background music can enhance the experience of playing indigenous board games by providing rhythm and cultural ambiance. - Play indigenous board games with appropriate background music maintaining game rules and rhythm simultaneously. - Appreciate the integration of music and indigenous games as a holistic expression of Kenyan cultural heritage. |
In groups, learners are guided to:
- Discuss how music has traditionally been incorporated into game-playing in Kenyan communities and the type of music used. - Play indigenous board games such as Bao with appropriate background musical rhythm as described in the textbook. - Reflect on how the background music affected the pace, enjoyment and cultural feel of the game. |
How do indigenous board games enhance mental relaxation?
|
- Oxford CAS Today Grade 9 pg. 124
- Bao or other board game - Music source (drum or recorded music) - Various board games - Digital devices |
- Observation
- Practical demonstration
|
|
| 7 | 1 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Indigenous Games - Self-Assessment
|
By the end of the
lesson, the learner
should be able to:
- Evaluate personal ability to identify, play and explain the rules of each indigenous board game studied. - Complete a self-assessment of knowledge and skills in Kenyan Indigenous Games identifying areas of strength and areas needing improvement. - Value self-assessment as a tool for honest personal reflection and setting goals for further learning and improvement. |
In groups, learners are guided to:
- Complete a self-assessment table evaluating personal ability to: identify types of indigenous board games, perform different board games, play games with background music and appreciate their mental health benefits. - Discuss self-assessment results with a partner identifying shared strengths and common areas for improvement. - Set personal learning goals for continued engagement with indigenous board games and cultural heritage activities. |
How do indigenous board games enhance mental relaxation?
|
- Oxford CAS Today Grade 9 pg. 124
- Self-assessment table - Exercise books |
- Written assignments
- Oral questions
|
|
| 7 | 2 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Introduction and Criteria
Analysis of Creative Arts and Sports - Music Analysis |
By the end of the
lesson, the learner
should be able to:
- Identify the criteria used to analyse and evaluate performances and artworks in Creative Arts and Sports. - Distinguish between criteria for analysing Sports (skill, technique, physical fitness, fair play, tactics) and Creative Arts (use of stage, creativity, improvisation, context, originality). - Appreciate analysis as a systematic skill that adds value to Creative Arts and Sports by supporting constructive feedback and improvement. |
In groups, learners are guided to:
- Read the analysis scenarios on evaluating a Rugby game and acting as a play competition juror then discuss measurable and non-measurable aspects in each. - Discuss Table 3.2 criteria for analysing Sports and Creative Arts comparing what is evaluated in each domain. - Present findings on analysis criteria to the class and reflect on how systematic evaluation enhances the quality of performances. |
Why is analysis an important skill in Creative Arts and Sports?
|
- Oxford CAS Today Grade 9 pg. 131
- Exercise books - Digital devices - Oxford CAS Today Grade 9 pg. 135 - Music exercise books - Descant recorder or wind instrument |
- Oral questions
- Written assignments
|
|
| 7 | 3 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Ethical Practices in Sports
Analysis of Creative Arts and Sports - Artwork Critique |
By the end of the
lesson, the learner
should be able to:
- Identify and describe ethical practices in Sports including fair play, respect, teamwork, integrity, responsibility, inclusivity, sportsmanship and empathy. - Examine the issue of anti-doping in Sports by discussing the health effects of performance-enhancing substances and their impact on the integrity of competition. - Appreciate the importance of upholding ethical conduct in Sports for the protection of players and the credibility of sport. |
In groups, learners are guided to:
- Scan QR codes or use reference materials to identify ethical practices that should be upheld in Sports then discuss each and how it can be achieved. - Discuss whether a player who uses performance-enhancing substances to win a marathon is acting ethically sharing views on health and fair play impacts. - In groups discuss how sports professionals can consistently uphold ethical practices and share personal examples of ethical conduct in sports. |
Why is analysis an important skill in Creative Arts and Sports?
|
- Oxford CAS Today Grade 9 pg. 134
- Digital devices - QR code references - Oxford CAS Today Grade 9 pg. 136 - Printed artwork samples |
- Oral questions
- Written assignments
|
|
| 7 | 4 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Creating Art Catalogues
Analysis of Creative Arts and Sports - Ethical Issues in Creative Arts and Sports |
By the end of the
lesson, the learner
should be able to:
- Describe the components of an art catalogue including title or description, artist's name, date completed, size or dimensions and medium or materials. - Create a personal art catalogue by printing, organising and captioning 2D and 3D artworks in a plain exercise book with cover, table of contents and description. - Value the art catalogue as a tool for documenting, organising and sharing knowledge about artworks for inspiration and mentorship. |
In groups, learners are guided to:
- Search for and print pictures of various 2D and 3D artworks in A5 size noting each artwork's title, artist's name, date completed, size and medium. - Create an art catalogue with a cover picture and captivating title, name and class on the first page, table of contents, brief catalogue description and artworks one per page with information on the back. - Ask classmates to review the completed catalogue and provide feedback then include a short personal bio on the last page. |
How can analysis of creative arts and sports enhance creativity?
|
- Oxford CAS Today Grade 9 pg. 136
- Plain exercise book, adhesive, scissors, ruler, pen - Printed artwork pictures (A5 size) - Oxford CAS Today Grade 9 pg. 131 - Digital devices - Reference books |
- Practical demonstration
- Peer review
|
|
| 7 | 5 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Value of Analysis and Self-Assessment
|
By the end of the
lesson, the learner
should be able to:
- Explain how analysis of Creative Arts and Sports leads to enhanced critical thinking, personal gratification, cultural understanding, skill development, decision-making and positive criticism. - Complete a self-assessment of learning across the entire Appreciation strand evaluating personal understanding and growth. - Appreciate the overall role of analysis in adding value to Creative Arts and Sports by deepening understanding and inspiring continuous improvement. |
In groups, learners are guided to:
- Discuss in groups how analysis leads to enhanced critical thinking, personal gratification, cultural understanding, skill development, understanding of art forms, decision-making and positive criticism. - Complete the self-assessment table evaluating personal ability to: examine analysis criteria, analyse a play performance, analyse a solo vocal piece, evaluate an exhibition, appreciate the role of analysis and embrace ethical issues. - Share experiences of Creative Arts and Sports learning with classmates and reflect on how analysis has enriched personal understanding throughout the strand. |
How can analysis of creative arts and sports enhance creativity?
|
- Oxford CAS Today Grade 9 pg. 131
- Self-assessment table - Exercise books |
- Written assignments
- Oral questions
|
|
| 8 |
END YEAR ASSESSMENTS |
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| 9 |
MARKING,FILING AND CLOSING |
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