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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 1-2 |
Creating and Performing in Creative Arts and Sports
|
Basketball - Introduction to passing
Basketball - Video analysis Basketball - Chest pass Basketball - Bounce pass |
By the end of the
lesson, the learner
should be able to:
- Identify different passes in Basketball - Explain the purpose of passing - Show interest in Basketball skills - Demonstrate proper chest pass technique - Execute stance, grip, and follow-through - Show interest in passing fundamentals |
In groups, learners are guided to:
- Observe pictures of Basketball passes - Discuss ball movement techniques - Watch video clip of Basketball game - Learn chest pass technique - Practice stance and grip - Execute preparatory, execution, and follow-through phases |
How can the ball be moved from one player to another in Basketball?
What is the proper technique for a chest pass? |
- KLB Top Scholar (pg. 112)
- Digital resources - Pictures of Basketball passes - Basketball videos - KLB Top Scholar (pg. 113) - Basketball game videos - Passing technique guides - KLB Top Scholar (pg. 114) - Basketballs - Open space for practice - Technique demonstrations - KLB Top Scholar (pg. 115) |
- Observation
- Oral questions
- Written assignments
- Observation - Practical assessment - Technique evaluation |
|
| 1 | 3 |
Creating and Performing in Creative Arts and Sports
|
Basketball - Overhead pass
Basketball - Pass demonstrations |
By the end of the
lesson, the learner
should be able to:
- Demonstrate proper overhead pass technique - Execute stance, grip, and follow-through - Show interest in passing variations |
In groups, learners are guided to:
- Learn overhead pass technique - Practice stance and grip - Execute preparatory, execution, and follow-through phases |
When would you use an overhead pass in a game?
|
- KLB Top Scholar (pg. 116)
- Basketballs - Open space for practice - Technique demonstrations - KLB Top Scholar (pg. 117) - Feedback guidelines |
- Observation
- Practical assessment
- Technique evaluation
|
|
| 1 | 4 |
Creating and Performing in Creative Arts and Sports
|
Basketball - Passing practice
Basketball - Passing games |
By the end of the
lesson, the learner
should be able to:
- Perform passing drills for skill development - Apply proper technique in practice - Show interest in skill refinement |
In groups, learners are guided to:
- Perform chest pass activity in pairs - Execute bounce pass activity in groups - Practice partner passing with moving targets |
How do passing drills improve game performance?
|
- KLB Top Scholar (pg. 117)
- Basketballs - Open space for practice - Drill instructions - KLB Top Scholar (pg. 118) - Game instructions |
- Observation
- Practical assessment
- Drill execution
|
|
| 1 | 5 |
Creating and Performing in Creative Arts and Sports
|
Basketball - Dribbling introduction
Basketball - Low dribble |
By the end of the
lesson, the learner
should be able to:
- Define dribbling in Basketball - Identify low and high dribble techniques - Show interest in ball control |
In groups, learners are guided to:
- Learn definition of dribbling - Discuss purpose of low and high dribble - Observe dribbling demonstrations |
What is the purpose of dribbling in Basketball?
|
- KLB Top Scholar (pg. 118)
- Basketballs - Digital resources - Dribbling demonstrations - KLB Top Scholar (pg. 119) - Open space for practice - Technique demonstrations |
- Observation
- Oral questions
- Written assignments
|
|
| 2 | 1-2 |
Creating and Performing in Creative Arts and Sports
|
Basketball - High dribble
Basketball - Dribble demonstrations Basketball - Dribbling practice |
By the end of the
lesson, the learner
should be able to:
- Demonstrate high dribble technique - Apply proper stance and hand position - Show interest in speed dribbling - Demonstrate both dribbling techniques - Provide feedback on dribbling form - Show interest in skill improvement |
In groups, learners are guided to:
- Learn high dribble technique - Practice upright stance - Execute higher bounce control - Demonstrate low and high dribble - Take turns performing different dribbles - Provide constructive feedback to others |
When is a high dribble most effective?
What are the key differences between low and high dribbles? |
- KLB Top Scholar (pg. 119)
- Basketballs - Open space for practice - Technique demonstrations - KLB Top Scholar (pg. 120) - Basketballs - Open space for practice - Feedback guidelines - Cones for zigzag path |
- Observation
- Practical assessment
- Technique evaluation
- Observation - Practical assessment - Peer feedback |
|
| 2 | 3 |
Creating and Performing in Creative Arts and Sports
|
Basketball - Logo introduction
Basketball - Logo research |
By the end of the
lesson, the learner
should be able to:
- Define logo and identification symbols - Identify logos for sports teams - Show interest in visual design |
In groups, learners are guided to:
- Study sample logos - Identify teams represented by symbols - Discuss logo design principles |
How can you design a symbol for a sports team?
|
- KLB Top Scholar (pg. 121)
- Sample logos - Digital resources - Sports team logos - KLB Top Scholar (pg. 122) - Logo design tutorials - Logo samples |
- Observation
- Oral questions
- Written assignments
|
|
| 2 | 4 |
Creating and Performing in Creative Arts and Sports
|
Basketball - Logo characteristics
Basketball - Logo sketching |
By the end of the
lesson, the learner
should be able to:
- Explain characteristics of effective logos - Identify logo elements and symbolism - Show interest in logo meaning |
In groups, learners are guided to:
- Discuss logo definition and purpose - Analyze elements in sample logos - Explore color symbolism in logos |
What do you consider when designing a logo for a team?
|
- KLB Top Scholar (pg. 123)
- Sample logos - Color symbolism guides - Design elements charts - Drawing paper - Pencils and rulers - Design sketching guides |
- Observation
- Oral questions
- Written assignments
|
|
| 2 | 5 |
Creating and Performing in Creative Arts and Sports
|
Basketball - Logo finalization
Basketball - Logo critique |
By the end of the
lesson, the learner
should be able to:
- Create final logo design - Apply color to enhance design - Show pride in completed artwork |
In groups, learners are guided to:
- Select and improve chosen sketch - Add color to the logo design - Create final polished version |
How does color affect logo impact and meaning?
|
- KLB Top Scholar (pg. 124)
- Drawing paper - Colored pencils/paint - Brushes - Completed logo designs - Display space - Critique guidelines |
- Observation
- Final design quality
- Technical execution
|
|
| 3 | 1-2 |
Creating and Performing in Creative Arts and Sports
Creating and Performing |
Basketball - Mini game
Indigenous Kenyan Crafts - Pottery in coil technique Indigenous Kenyan Crafts - Preparing clay |
By the end of the
lesson, the learner
should be able to:
- Apply passing and dribbling in game - Use team logos in uniforms - Show sportsmanship in play - Source clay from the environment - Prepare clay by removing impurities - Demonstrate responsibility in clay preparation |
In groups, learners are guided to:
- Form teams with logo uniforms - Play mini Basketball game - Apply passes and dribbling skills - Observe safety and fair play - Source clay from the environment - Remove impurities from clay (stones, sticks, plant materials) - Dry, crush, and sieve clay - Mix clay with water and prepare for modeling |
How can Basketball skills be effectively applied in a game?
How is clay prepared for pottery? |
- KLB Top Scholar (pg. 125)
- Basketballs - Team logos - Playing area - Safety equipment - KLB Top Scholar (pg. 124) - Digital resources - Sample pottery items - Pictures and videos - KLB Top Scholar (pg. 126) - Digital resources - Clay samples - Tools for clay preparation |
- Observation
- Game performance
- Skill application
- Teamwork assessment
- Observation - Practical assessment - Group work evaluation |
|
| 3 | 3 |
Creating and Performing
|
Indigenous Kenyan Crafts - Modeling vessels
Indigenous Kenyan Crafts - Decorating vessels |
By the end of the
lesson, the learner
should be able to:
- Make coils of uniform thickness - Join clay coils to form a vessel - Create vessel shapes using coil technique |
In groups, learners are guided to:
- Make a sketch of intended vessel shape - Roll clay coils of uniform thickness - Create the base of the vessel - Join coils systematically to build the vessel walls |
How are coils fixed to model a vessel?
|
- KLB Top Scholar (pg. 129)
- Digital resources - Clay - Modeling tools - KLB Top Scholar (pg. 132) - Clay vessels - Decorating tools |
- Observation
- Practical assessment
- Product evaluation
|
|
| 3 | 4 |
Creating and Performing
|
Indigenous Kenyan Crafts - Firing pottery
Indigenous Kenyan Crafts - Weaving introduction |
By the end of the
lesson, the learner
should be able to:
- Describe the firing process for pottery - Fire completely dry vessels using an open pit kiln - Apply safety measures during firing |
In groups, learners are guided to:
- Prepare an open pit kiln for firing - Arrange vessels for firing - Build and light the fire for the kiln - Monitor the firing process and observe safety protocols |
Why is firing important in pottery making?
|
- KLB Top Scholar (pg. 133)
- Digital resources - Dry clay vessels - Firewood and safety equipment - KLB Top Scholar (pg. 134) - Woven fabric samples - Twill weave diagrams |
- Observation
- Practical assessment
- Group work evaluation
|
|
| 3 | 5 |
Creating and Performing
|
Indigenous Kenyan Crafts - Frame loom making
Indigenous Kenyan Crafts - Twill weaving |
By the end of the
lesson, the learner
should be able to:
- Make a wooden mitre joint frame loom - Space nails evenly on the frame loom - Demonstrate precision in loom construction |
In groups, learners are guided to:
- Measure and cut timber pieces for the frame - Join pieces to create a mitre joint frame - Fix nails at equal spacing on opposite sides - Ensure proper alignment of the frame and nails |
How is a frame loom made for weaving?
|
- KLB Top Scholar (pg. 136)
- Digital resources - Timber pieces - Nails, hammer, and measuring tools - KLB Top Scholar (pg. 139) - Frame loom - Weaving threads |
- Observation
- Practical assessment
- Product evaluation
|
|
| 4 | 1-2 |
Creating and Performing
|
Indigenous Kenyan Crafts - Display and critique
Indigenous Kenyan Crafts - Self-assessment Swimming - Standing dive technique Swimming - Standing dive practice |
By the end of the
lesson, the learner
should be able to:
- Display own and others' crafted items - Critique woven fabrics constructively - Value indigenous crafting techniques - Describe the body position in standing dive - Identify the phases of standing dive - Show interest in learning standing dive |
In groups, learners are guided to:
- Display completed pottery and woven items - Discuss techniques used in creating the items - Provide constructive feedback on displayed works - Appreciate the cultural value of indigenous crafts - Study pictures of standing dive positions - Identify body positioning and alignment - Watch demonstrations of standing dive phases - Discuss safety measures for diving |
How can we evaluate the quality of indigenous crafts?
How can swimming skills be performed safely? |
- KLB Top Scholar (pg. 140)
- Digital resources - Completed craft items - Display materials - Self-assessment forms - Reflection journals - KLB Top Scholar (pg. 141) - Digital resources - Pictures and videos - Safety guidelines - KLB Top Scholar (pg. 143) - Swimming pool (if available) - Safety equipment |
- Observation
- Oral presentations
- Peer assessment
- Observation - Oral questions - Written assignments |
|
| 4 | 3 |
Creating and Performing
|
Swimming - Land dive activity
|
By the end of the
lesson, the learner
should be able to:
- Perform standing dive while observing safety - Apply correct technique in dive execution - Show confidence in diving skills |
In groups, learners are guided to:
- Practice standing dive on land - Perform standing dive in groups - Share constructive feedback on performance - Demonstrate proper entry technique |
How can standing dive technique be improved?
|
- KLB Top Scholar (pg. 144)
- Digital resources - Practice area - Safety equipment |
- Observation
- Practical assessment
- Self-evaluation
|
|
| 4 | 4 |
Creating and Performing
|
Swimming - Butterfly stroke introduction
Swimming - Butterfly body position |
By the end of the
lesson, the learner
should be able to:
- Describe the butterfly stroke movement - Identify the body position for butterfly stroke - Show interest in learning butterfly stroke |
In groups, learners are guided to:
- Watch video clips on butterfly stroke - Observe the body movement in butterfly stroke - Identify key features of the stroke - Discuss coordination required for butterfly stroke |
Why is synchrony important in butterfly stroke?
|
- KLB Top Scholar (pg. 145)
- Digital resources - Swimming videos - Diagrams and charts - KLB Top Scholar (pg. 146) - Swimming pool - Floating aids |
- Observation
- Oral questions
- Written assignments
|
|
| 4 | 5 |
Creating and Performing
|
Swimming - Butterfly arm action
Swimming - Butterfly leg action |
By the end of the
lesson, the learner
should be able to:
- Demonstrate butterfly stroke arm action - Perform the pull and recovery phases - Coordinate arm movements effectively |
In groups, learners are guided to:
- Practice arm action for butterfly stroke - Perform the pull phase in semi-circular motion - Practice arm recovery over water - Apply proper hand entry technique |
How is arm action performed in butterfly stroke?
|
- KLB Top Scholar (pg. 147)
- Digital resources - Swimming pool - Demonstration videos - Kick boards |
- Observation
- Practical assessment
- Peer evaluation
|
|
| 5 | 1-2 |
Creating and Performing
|
Swimming - Butterfly coordination
Swimming - Complete stroke practice Kenyan Indigenous Games - Board games introduction Kenyan Indigenous Games - Bao game |
By the end of the
lesson, the learner
should be able to:
- Coordinate breathing, arm and leg actions - Apply proper timing in stroke execution - Perform complete butterfly stroke technique - Identify types of indigenous board games in Kenya - Explain the cultural significance of board games - Show interest in indigenous board games |
In groups, learners are guided to:
- Coordinate leg kick, breathing and arm action - Apply two leg kicks for each arm pull - Coordinate breathing with arm recovery - Practice rhythm in stroke execution - Study pictures of indigenous board games - Watch demonstrations of board games - Discuss the skills observed in the games - Identify various board game types |
How are the components of butterfly stroke coordinated?
How do indigenous board games enhance mental relaxation? |
- KLB Top Scholar (pg. 148)
- Digital resources - Swimming pool - Demonstration videos - KLB Top Scholar (pg. 149) - Safety equipment - KLB Top Scholar (pg. 150) - Digital resources - Pictures and videos - Sample board games - KLB Top Scholar (pg. 152) - Bao boards or improvised materials - Seeds or stones |
- Observation
- Practical assessment
- Group evaluation
- Observation - Oral questions - Written assignments |
|
| 5 | 3 |
Creating and Performing
|
Kenyan Indigenous Games - Shisima game
Kenyan Indigenous Games - Draughts game |
By the end of the
lesson, the learner
should be able to:
- Describe the Shisima board game structure - Explain the rules of playing Shisima - Apply strategic skills in Shisima game |
In groups, learners are guided to:
- Study the structure of Shisima boards - Learn the rules of Shisima game - Practice playing Shisima in pairs - Develop winning strategies |
How is Shisima different from other board games?
|
- KLB Top Scholar (pg. 154)
- Digital resources - Shisima boards or improvised materials - Game pieces - KLB Top Scholar (pg. 157) - Draughts boards |
- Observation
- Practical assessment
- Peer evaluation
|
|
| 5 | 4 |
Creating and Performing
|
Kenyan Indigenous Games - Improvising board games
|
By the end of the
lesson, the learner
should be able to:
- Create improvised board games using local materials - Demonstrate creativity in game design - Apply problem-solving skills in resource utilization |
In groups, learners are guided to:
- Improvise various boards for indigenous games - Use sand, wood, paper or other materials - Create game pieces from available materials - Test improvised board games |
How can we create board games using local materials?
|
- KLB Top Scholar (pg. 156)
- Digital resources - Local materials (wood, sand, paper) - Tools for improvisation |
- Observation
- Practical assessment
- Creativity evaluation
|
|
| 5 | 5 |
Creating and Performing
|
Kenyan Indigenous Games - Games with music
Kenyan Indigenous Games - Mental health benefits |
By the end of the
lesson, the learner
should be able to:
- Play indigenous board games to background music - Explain how music enhances game experience - Appreciate the integration of music and games |
In groups, learners are guided to:
- Create suitable indoor settings for games - Use music system for rhythmical accompaniment - Play board games with background music - Experience emotional aspects of game playing |
How does music enhance the board game experience?
|
- KLB Top Scholar (pg. 157)
- Digital resources - Music system - Board games - Indoor game setting - KLB Top Scholar (pg. 158) - Flashcards of benefits - Art materials for posters |
- Observation
- Practical assessment
- Group evaluation
|
|
| 6 | 1-2 |
Creating and Performing
Appreciation in Creative Arts and Sports |
Kenyan Indigenous Games - Extended activities
Kenyan Indigenous Games - Self-assessment Analysis of Creative Arts and Sports - Play performance Analysis of Creative Arts and Sports - Ethical practices in sports |
By the end of the
lesson, the learner
should be able to:
- Organize board game competitions - Demonstrate mastery of indigenous games - Promote indigenous games in the community - Explain the concept of analyzing a play performance - Identify criteria for evaluating a play - Show interest in examining theatrical performances |
In groups, learners are guided to:
- Organize and participate in board game competitions - Teach peers indigenous board games - Discuss ways to promote indigenous games - Document traditional games from community members - Research on the criteria for evaluating a play - Study the criteria table for play analysis - Discuss elements including theme, story, conflict, language, and characters - Create an analytical checklist for play evaluation |
What is the importance of preserving indigenous games?
Why is analysis an important skill in Creative Arts and Sports? |
- KLB Top Scholar (pg. 158)
- Digital resources - Board games - Documentation materials - Self-assessment forms - Reflection journals - KLB Top Scholar (pg. 159) - Digital resources - Sample analytical criteria - Play performance videos - KLB Top Scholar (pg. 162) - Anti-doping materials - Analytical criteria table |
- Observation
- Practical assessment
- Project evaluation
- Observation - Oral questions - Written assignments |
|
| 6 | 3 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Music analysis
Analysis of Creative Arts and Sports - Artwork critique |
By the end of the
lesson, the learner
should be able to:
- Identify elements for analyzing vocal music - Analyze a solo vocal piece using criteria - Appreciate the value of musical analysis |
In groups, learners are guided to:
- Study criteria for analyzing solo vocal music - Examine elements like key, meter, tempo, dynamics, and phrases - Analyze the score "Ten Little Indians" - Listen to solo vocal performances and apply analytical skills |
How do musical elements contribute to a quality performance?
|
- KLB Top Scholar (pg. 164)
- Digital resources - Music scores - Audio recordings - KLB Top Scholar (pg. 166) - Artwork samples - Critiquing checklists |
- Observation
- Practical assessment
- Written analysis
|
|
| 6 | 4 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Creating art catalogues
Analysis of Creative Arts and Sports - Ethical issues |
By the end of the
lesson, the learner
should be able to:
- Explain the purpose of art catalogues - Create a catalogue for exhibited artwork - Organize artistic information systematically |
In groups, learners are guided to:
- Study the concept and function of art catalogues - Gather information about artworks (artist, type, materials, theme) - Design and create catalogues for sample artworks - Present completed catalogues to the class |
How does a catalogue enhance art appreciation?
|
- KLB Top Scholar (pg. 167)
- Digital resources - Sample catalogues - Design materials - KLB Top Scholar (pg. 169) - Case studies - Ethical guidelines |
- Observation
- Project assessment
- Peer evaluation
|
|
| 6 | 5 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Value of analysis
|
By the end of the
lesson, the learner
should be able to:
- Appreciate the role of analysis in Creative Arts and Sports - Reflect on personal growth through analytical skills - Evaluate own progress in analytical competencies |
In groups, learners are guided to:
- Discuss the value of analysis in enhancing appreciation - Study flashcards on benefits of analysis - Complete self-assessment on analytical skills - Create personal development goals for continued growth |
How does analysis add value to Creative Arts and Sports?
|
- KLB Top Scholar (pg. 171)
- Digital resources - Self-assessment forms - Reflection journals |
- Observation
- Self-assessment
- Written reflections
|
|
| 7 |
END TERM EXAM |
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