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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Foundation of Creative Arts and sports
|
Careers in Creative Arts And Sports - Careers in Creative Arts
|
By the end of the
lesson, the learner
should be able to:
-Identify careers in creative arts and sports -Describe the careers in creative arts and sport -Research using digital devices to identify and discuss carriers in creative arts and sports -Recognize the careers in creative arts and sports |
In groups, learners are guided to:
-Research using digital devices or print material to identify careers in creative arts -Discuss the careers in creative arts -Prepare charts showing different careers in creative arts -Watch clips on careers in creative arts and sports |
What are the careers in creative arts and sports?
|
- MENTOR pg. 1
-Video clips -Digital devices -Internet -Learners' textbook -Teachers' notes -Textbook - MENTOR pg. 4 -Digital resources -Notebooks -Textbooks -Journals |
- Oral questions
-Oral discussions
-Written notes
-Observation
|
|
| 1 | 2 |
Foundation of Creative Arts and sports
|
Components of Creative Arts and Sports - Elements of a Play
|
By the end of the
lesson, the learner
should be able to:
-Identify elements in a play as a component of creative arts -Describe the element of play -Search for information on Internet of elements of play -Discussion the elements of play -Acknowledge elements of a play |
In groups or pairs, learners are guided to:
-Watch actual and virtual play performance to identify elements of a play -Discuss the basic elements of a play -Search for information on elements of play i.e. theme, characters, plot, etc. |
What is play? What are the basic elements of a play?
|
- MENTOR pg. 7
-Digital resources -Lesson notes -Textbooks |
- Observation
-Oral questions
-Assessment rubrics
-Written questions
|
|
| 1 | 3 |
Foundation of Creative Arts and sports
|
Components of Creative Arts and Sports - Elements of a Play
Components of Creative Arts and Sports - Physical Fitness |
By the end of the
lesson, the learner
should be able to:
-Perform or Role play to show elements of a play -Express conflict and resolution -Highlight characters -Identify the language to use -Enjoy performing a short play |
In groups, learners should be guided to:
-Perform the play as they use digital devices to record -Share responsibilities -Decide and practice on language to use -Examine the elements of a play from performance |
How do you perform to show the basic elements of a play?
|
- MENTOR pg. 8
-Digital resources -Costumes -Open space or class -Textbooks -Teachers notes -Video clips - MENTOR pg. 10 -Digital devices |
- Practical activity
-Assessment rubrics
-Observation
-Oral questions
|
|
| 1 | 4 |
Foundation of Creative Arts and sports
|
Components of Creative Arts and Sports - Physical Fitness
|
By the end of the
lesson, the learner
should be able to:
-Perform activities demonstrating the components of fitness -Observe actual or virtual activities on performance activities demonstrating fitness -Enjoy performing the activities |
In groups or pairs, learners are guided to:
-Demonstrate fitness exercise -Practice activities that enhance power and reaction time |
How do you perform activities demonstrating the components of fitness?
|
- MENTOR pg. 12
-Digital devices -Lesson notes |
- Assessment rubrics
-Checklist
-Oral questions
|
|
| 1 | 5 |
Foundation of Creative Arts and sports
|
Components of Creative Arts and Sports - Rhythm
|
By the end of the
lesson, the learner
should be able to:
-Define rhythm as a component of creative arts and sports -Explain dotted minim, dotted crotchet, quaver and their rests as components of rhythm -Demonstrate the dotted minim, dotted crotchet and the rests -Enjoy demonstration of dotted minim, dotted crotchet, quaver and their rests |
In groups or pairs, learners are guided to:
-Present the meaning of rhythm -Use digital or print resources to search for information on dotted minim, dotted crotchet, quaver and their rests -Discuss the dotted minim, dotted crotchet, quaver and their rests |
What is rhythm?
|
- MENTOR pg. 42
-Digital resources -Lesson notes -Descant recorder -Video clips |
- Assessment rubrics
-Checklist
-Oral questions
-Written questions
|
|
| 2 | 1 |
Foundation of Creative Arts and sports
|
Components of Creative Arts and Sports - Note Extension
Components of Creative Arts and Sports - Grand Staff |
By the end of the
lesson, the learner
should be able to:
-State or define note expression -Discuss notes and ties as components of note extension -Group music notes in 4/4 time including note extension -Acknowledge the importance of dots and ties in music |
In groups, learners are guided to:
-Use digital or print resources for search -Explain dot and ties as components of note extension -Write signs for tied notes -Collaborate in music notes 4/4 time incorporating note extension |
Why is note extension in music notation important?
|
- MENTOR pg. 44
-Lesson notes -Charts -Digital resources -Piano -Lesson notes -Digital devices -Textbooks - MENTOR pg. 16 -Music instruments |
- Assessment rubrics
-Checklist
-Written questionnaires
-Oral questions
|
|
| 2 | 2 |
Foundation of Creative Arts and sports
|
Components of Creative Arts and Sports - Scale of F Major
|
By the end of the
lesson, the learner
should be able to:
-Construct the scale F major on a staff -Play scales of F major ascending and descending and their tonic arpeggios -Have fun playing scales F major ascending and descending |
In groups or pairs or individually, learners are guided to:
-Construct a scale of F major on both treble and bass staff -Play or sing scales F major ascending and descending with or without key signatures -Sight read simple melodies in C, G, and F major for aural recognition |
How can you construct the scale F major on both treble and bass staff?
|
- MENTOR pg. 23
-Music instruments -Lesson notes -Digital devices |
- Class project
-Portfolio
-Assessment rubric
-Observation
|
|
| 2 | 3 |
Creating And Performing
|
Drawing and Painting - Texture, Colour, Unity and Harmony
|
By the end of the
lesson, the learner
should be able to:
-Identify textures in pictures -Describe how texture affects harmony -Create texture through drawing techniques -Value the role of texture in art |
In groups, learners are guided to:
-Examine artworks to identify different textures -Discuss how texture relates to color and unity -Practice creating different textures through drawing -Share observations about texture in artworks |
How do artists create texture in drawings?
|
- MENTOR pg. 30
-Sample drawings with textures -Drawing materials -Digital resources -Textbooks - MENTOR pg. 31 -Color samples -Paintings |
- Practical activity
-Observation
-Portfolio assessment
|
|
| 2 | 4 |
Creating And Performing
|
Drawing and Painting - Analogous Colors
|
By the end of the
lesson, the learner
should be able to:
-Define the term painting -Paint a color wheel to classify analogous colors -Study harmony -Search how to paint a color wheel from digital devices -Outline materials needed to paint a color wheel -Enjoy painting a color wheel |
In groups or pairs, learners are guided to:
-Paint a color wheel to classify analogous colors -Collaborate on the materials for coloring a color wheel -Watch video clips or digital devices for procedures of painting a color wheel |
How do you paint a color wheel to classify analogous colors?
|
- MENTOR pg. 33
-Digital devices -Lesson notes -Paint -Textbook -Manila papers -Color wheel -Analogous colors -Charts/manillas -Digital resources |
- Assessment rubrics
-Oral questions
-Practical activity
|
|
| 2 | 5 |
Creating And Performing
|
Drawing and Painting - Analogous Colors
Drawing and Painting - Analogous Colors and Color Harmony |
By the end of the
lesson, the learner
should be able to:
-Identify analogous colors on a color wheel -Explain the relationship between analogous colors -Select appropriate analogous color schemes -Value color harmony in painting |
In groups, learners are guided to:
-Examine completed color wheels -Identify and list sets of analogous colors -Discuss what qualities make colors analogous -Explore how artists use analogous colors |
What qualities make colors analogous?
|
- MENTOR pg. 34
-Color wheels -Sample artworks -Digital resources -Paintings - MENTOR pg. 36 -Digital devices -Lesson notes -Paint -Textbook -Manila colors |
- Oral questions
-Written work
-Observation
-Class discussion
|
|
| 3 | 1 |
Creating And Performing
|
Drawing and Painting - Color Harmony
|
By the end of the
lesson, the learner
should be able to:
-Create a color gradation strip -Demonstrate blending of analogous colors -Show color harmony through gradation -Value smooth color transitions |
In groups, learners are guided to:
-Paint color strips with pairs of analogous colors -Practice blending techniques for smooth gradation -Observe and discuss the results at color meeting points -Identify successful color harmony examples |
Why is smooth gradation important in color harmony?
|
- MENTOR pg. 37
-Paint supplies -Color strips -Brushes -Water containers -Sample gradations |
- Practical activity
-Portfolio assessment
-Peer critique
-Observation
|
|
| 3 | 2 |
Creating And Performing
|
Drawing and Painting - Scenery Composition
|
By the end of the
lesson, the learner
should be able to:
-Identify scenic points for composition -Study landscape and seascape compositions -Observe how artists use color and texture in scenery -Appreciate environmental beauty |
In groups, learners are guided to:
-Use digital devices to observe landscape/seascape pictures -Analyze how color, harmony, mood and texture are used -Take a field walk to identify scenic points -Discuss potential compositions based on observations |
What makes a compelling landscape or seascape composition?
|
- MENTOR pg. 38
-Sample landscape paintings -Digital resources -Field trip location -Drawing materials |
- Oral discussions
-Written notes
-Observation
-Field reports
|
|
| 3 | 3 |
Creating And Performing
|
Drawing and Painting - Scenery Composition
|
By the end of the
lesson, the learner
should be able to:
-Sketch a scenery composition -Apply composition principles to landscapes -Create a balanced composition -Value good composition in art |
In groups, learners are guided to:
-Sketch outlines of landscape compositions -Apply horizon line and perspective principles -Consider balance of elements in their sketches -Share sketches for peer feedback |
How can you create a balanced landscape composition?
|
- MENTOR pg. 39
-Drawing books -Pencils -Rulers -Sample sketches -Digital resources - MENTOR pg. 40 -Watercolors -Brushes -Water containers -Paper |
- Portfolio assessment
-Observation
-Peer critique
-Practical activity
|
|
| 3 | 4 |
Creating And Performing
|
Drawing and Painting - Scenery Composition
|
By the end of the
lesson, the learner
should be able to:
-Apply dabbing technique for texture -Create textural effects on forms -Add details to composition -Value texture in creating realism |
In groups, learners are guided to:
-Practice dabbing technique for texture effects -Apply color on prepared backgrounds -Create tonal variations with darker/lighter colors -Add textural effects to enhance details |
How can the dabbing technique create realistic textures?
|
- MENTOR pg. 40
-Partially completed paintings -Paint supplies -Brushes -Water containers -Samples of textured paintings |
- Practical activity
-Observation
-Portfolio assessment
-Peer critique
|
|
| 3 | 5 |
Creating And Performing
|
Drawing and Painting - Scenery Composition
Rhythm - Effects of Note Extension |
By the end of the
lesson, the learner
should be able to:
-Complete a scenery composition -Paint a scenery composition to express texture, harmony and unity -Display work for appreciation -Value the creative process in painting |
In groups, learners are guided to:
-Complete scenery compositions with final details -Apply finishing touches to paintings -Display completed works for peer feedback -Discuss achievements and challenges in the process |
How can you effectively express harmony and unity in a completed scenery composition?
|
- MENTOR pg. 41
-Nearly completed paintings -Paint supplies -Display area -Digital resources - MENTOR pg. 42 -Lesson notes -Charts -Piano |
- Portfolio project
-Exhibition
-Peer assessment
-Observation
|
|
| 4 | 1 |
Creating And Performing
|
Rhythm - Value Extension
|
By the end of the
lesson, the learner
should be able to:
-Explain how dots extend note values -Calculate the effect of dots on note values -Demonstrate correct timing of dotted notes -Value precision in rhythm |
In groups, learners are guided to:
-Study how dots extend note values by half -Calculate note values with dots (e.g., dotted minim = 3 crotchets) -Clap patterns with dotted notes -Compare dotted and undotted rhythms |
How does a dot affect the value of a note?
|
- MENTOR pg. 43
-Charts showing note values -Digital resources -Music notation examples -Percussion instruments |
- Written tests
-Practical demonstrations
-Observation
-Oral questions
|
|
| 4 | 2 |
Creating And Performing
|
Rhythm - Dictation
Rhythm - Time Signature |
By the end of the
lesson, the learner
should be able to:
-Listen to rhythmic patterns played by teacher -Write down rhythmic patterns on monotone -Indicate time signature and bar lines -Insert French rhythm names -Compare work with classmates |
In pairs, learners are guided to:
-Listen to rhythmic patterns played by the teacher -Write down the rhythmic patterns on monotone -Indicate the time signature and bar lines -Insert the French rhythm names |
How can various note combinations be used to form rhythms in simple time?
|
- MENTOR pg. 43
-Digital resources -Lesson notes -Music instruments -Video clips - MENTOR pg. 44 -Charts showing beat patterns -Music in 4/4 time -Percussion instruments |
- Assessment rubrics
-Checklist
-Oral questions
-Written questions
|
|
| 4 | 3 |
Creating And Performing
|
Rhythm - Compose Rhythmic Pattern
|
By the end of the
lesson, the learner
should be able to:
-Compose a four-bar rhythmic pattern in 4/4 time -Sing songs while marking strong and weak beats -Clap or tap rhythms -Appreciate rhythmic patterns in music |
In groups, learners are guided to:
-Sing songs with clear rhythmic patterns -Mark strong beats with a clap or tap while singing -Clap the song's rhythm while marking both strong and weak beats -Compose four-bar rhythmic patterns |
How can one improvise accompaniment patterns for sports?
|
- MENTOR pg. 44
-Digital resources -Music instruments -Video clips -Percussion instruments |
- Assessment rubrics
-Practical activity
-Checklist
|
|
| 4 | 4 |
Creating And Performing
|
Rhythm - Group Activity
Rhythm - Beat Numbering |
By the end of the
lesson, the learner
should be able to:
-Create rhythmic patterns using cards -Arrange rhythmic elements into patterns -Collaborate on rhythm creation -Value teamwork in music |
In groups, learners are guided to:
-Create cards with different note values -Place cards in a bowl and pick them -Arrange cards to form one-bar rhythmic patterns -Perform the created rhythms |
How can rhythm cards help in understanding rhythmic patterns?
|
- MENTOR pg. 45
-Cardboard -Markers -Scissors -Bowl -Digital resources -Rhythmic pattern examples -Music notation -Charts |
- Group activity assessment
-Observation
-Peer assessment
-Practical demonstration
|
|
| 4 | 5 |
Creating And Performing
|
Rhythm - Composition
|
By the end of the
lesson, the learner
should be able to:
-Compose a four-bar rhythmic pattern individually -Apply rules of rhythm writing -Ensure correct number of beats per bar -Share compositions with peers |
In groups, learners are guided to:
-Compose individual four-bar rhythmic patterns -Ensure each bar has four crotchet beats -End with a double bar line -Clap or tap the created rhythms |
What considerations are important when composing rhythms?
|
- MENTOR pg. 46
-Staff paper -Pencils -Digital resources -Percussion instruments |
- Portfolio assessment
-Peer review
-Practical demonstration
-Observation
|
|
| 5 | 1 |
Creating And Performing
|
Rhythm - Group Performance
|
By the end of the
lesson, the learner
should be able to:
-Perform composed rhythms in groups -Conduct rhythmic performances -Give constructive feedback -Value group rhythm creation |
In groups, learners are guided to:
-Share created rhythms with group members -Clap or tap each other's rhythms -Conduct the rhythms as others perform -Provide feedback on performances |
How can conducting help in maintaining rhythmic accuracy?
|
- MENTOR pg. 46
-Student compositions -Percussion instruments -Digital resources -Performance space |
- Group performance assessment
-Conducting assessment
-Peer evaluation
-Observation
|
|
| 5 | 2 |
Creating And Performing
|
Rhythm - Notating Rhythmic Pattern
Rhythm - Rhythm Writing Rules |
By the end of the
lesson, the learner
should be able to:
-Notate four-bar rhythms in 4/4 time from dictation -Identify rhythmic patterns -Write rhythmic patterns -Appreciate rhythmic patterns as a means of creating interest in creative arts and sports |
In groups, learners are guided to:
-Study rhythmic patterns -Number the beats in each bar -Write corresponding French rhythm names -Create rhythmic patterns -Clap or tap rhythmic patterns |
How can one notate four-bar rhythms in 4/4 time?
|
- MENTOR pg. 46
-Digital resources -Music instruments -Percussion instruments -Charts - MENTOR pg. 47 -Staff paper -Pencils -Charts showing notation rules |
- Assessment rubrics
-Practical activity
-Checklist
|
|
| 5 | 3 |
Creating And Performing
|
Rhythm - Body Percussion
|
By the end of the
lesson, the learner
should be able to:
-Create body percussion performances -Combine different percussion sounds -Perform rhythmically accurate patterns -Appreciate body percussion as expression |
In groups, learners are guided to:
-Identify body percussion techniques (clapping, snapping, etc.) -Create short rhythmic pieces using body percussion -Perform individually and as groups -Record performances for feedback |
How can body percussion enhance rhythmic expression?
|
- MENTOR pg. 48
-Video examples of body percussion -Digital recording devices -Performance space -Music with clear rhythms |
- Performance assessment
-Peer evaluation
-Video analysis
-Observation
|
|
| 5 | 4 |
Creating And Performing
|
Athletics and Mosaic - Triple Jump
Athletics and Mosaic - Approach and Take-off |
By the end of the
lesson, the learner
should be able to:
-Describe the phases in Triple jump -Identify the facility for Triple jump -Describe how Triple jump is similar to Long jump -Appreciate Triple jump as a field event |
In groups, learners are guided to:
-Observe a live or virtual performance of Triple jump to identify the phases -Discuss the execution of the skills -Analyze the photos of Triple jump facilities -Compare Triple jump and Long jump facilities |
What are the phases in Triple jump?
|
- MENTOR pg. 54
-Digital devices -Video clips -Open field - MENTOR pg. 55 -Cones -Markers -Digital resources |
- Oral questions
-Written questions
-Observation
|
|
| 5 | 5 |
Creating And Performing
|
Athletics and Mosaic - Hop and Step
|
By the end of the
lesson, the learner
should be able to:
-Demonstrate the hop phase in Triple jump -Execute proper step technique -Maintain balance and momentum -Value sequential execution of phases |
In groups, learners are guided to:
-Practice hopping with one leg from take-off -Execute cycling movement midair -Land on the same foot used for take-off -Practice stepping with power after hop |
What techniques help maintain momentum through the hop and step phases?
|
- MENTOR pg. 56
-Open field -Markers -Digital resources -Video clips |
- Practical activity
-Assessment rubrics
-Observation
-Peer feedback
|
|
| 6 | 1 |
Creating And Performing
|
Athletics and Mosaic - Jump and Landing
Athletics and Mosaic - Complete Triple Jump |
By the end of the
lesson, the learner
should be able to:
-Demonstrate the jump phase in Triple jump -Execute proper landing technique -Complete the full Triple jump sequence -Value proper technique and safety |
In groups, learners are guided to:
-Practice jumping from the opposite leg -Propel forward for maximum distance -Bring both legs together for landing -Practice the complete sequence (hop-step-jump) |
How can you maximize distance in the jump phase while maintaining control for landing?
|
- MENTOR pg. 56
-Sand pit -Open field -Markers -Digital resources - MENTOR pg. 57 -Digital recording devices |
- Practical activity
-Assessment rubrics
-Observation
-Peer feedback
|
|
| 6 | 2 |
Creating And Performing
|
Athletics and Mosaic - Long Distance Running
|
By the end of the
lesson, the learner
should be able to:
-Identify long distance races in athletics -Describe techniques used in long distance running -Recognize the importance of long distance running -Value Kenya's achievements in long distance |
In groups, learners are guided to:
-Discuss categories of long distance races -Research famous Kenyan long distance runners -Identify benefits of long distance running -Discuss Kenya's global standing in long distance |
How has long distance running benefitted Kenya?
|
- MENTOR pg. 58
-Digital resources -Textbooks -Pictures of famous runners -Videos of races |
- Oral discussions
-Written work
-Research presentations
-Group projects
|
|
| 6 | 3 |
Creating And Performing
|
Athletics and Mosaic - Starting Technique
|
By the end of the
lesson, the learner
should be able to:
-Demonstrate proper starting position -Execute proper body positioning -Apply correct foot placement -Value good foundation for running |
In groups, learners are guided to:
-Practice proper starting position -Position feet correctly behind the starting line -Bend knees slightly and lean forward -Practice starting on command |
How does proper starting technique affect long distance performance?
|
- MENTOR pg. 58
-Running track -Markers -Stopwatch -Digital resources |
- Practical activity
-Assessment rubrics
-Observation
-Peer feedback
|
|
| 6 | 4 |
Creating And Performing
|
Athletics and Mosaic - Arm Action and Stride
Athletics and Mosaic - Pacing and Breathing |
By the end of the
lesson, the learner
should be able to:
-Demonstrate proper arm action in running -Maintain consistent stride length -Coordinate arm and leg movements -Value efficient technique for endurance |
In groups, learners are guided to:
-Practice proper arm swing (hip to chest) -Maintain upright shoulders -Develop consistent stride pattern -Coordinate arm action with leg movement |
How do arm action and stride work together in long distance running?
|
- MENTOR pg. 58
-Running track -Markers -Stopwatch -Digital resources - MENTOR pg. 59 -Training plans |
- Practical activity
-Assessment rubrics
-Observation
-Peer feedback
|
|
| 6 | 5 |
Creating And Performing
|
Athletics and Mosaic - Practice Run
|
By the end of the
lesson, the learner
should be able to:
-Perform techniques for long distance running -Apply all learned techniques in practice -Demonstrate proper recovery -Value discipline in running |
In groups, learners are guided to:
-Carry out warm-up activities -Practice long distance running techniques -Implement proper finishing technique -Perform cool-down and recovery activities |
How can all techniques be integrated for effective long distance running?
|
- MENTOR pg. 59
-Running track -Stopwatch -Water -First aid kit |
- Complete performance assessment
-Observation
-Self-evaluation
-Recovery assessment
|
|
| 7 | 1 |
Creating And Performing
|
Athletics and Mosaic - Mosaic Characteristics
Athletics and Mosaic - Monomedia |
By the end of the
lesson, the learner
should be able to:
-Explore characteristics of mosaic in sample pictures -Define mosaic -Identify characteristic of mosaic -Appreciate mosaic as an art form |
In groups, learners are guided to:
-Source for actual and virtual samples of mosaic work to analyze characteristics with focus on mono media and spacing of materials -Discuss how the coil technique is used in mosaic -Discuss why clay is a suitable material for mosaic |
How can mosaic pictorial composition be used to improve the environment?
|
- MENTOR pg. 59
-Digital resources -Sample pictures -Textbooks - MENTOR pg. 60 -Sample mosaics -Collection of materials |
- Portfolio
-Observation
-Oral questions
|
|
| 7 | 2 |
Creating And Performing
|
Athletics and Mosaic - Materials Collection
|
By the end of the
lesson, the learner
should be able to:
-Collect materials for mosaic creation -Identify suitable support surfaces -Select appropriate adhesives -Value recycling and resource management |
In groups, learners are guided to:
-Brainstorm locally available materials -Collect materials for mosaic of a Kenyan athlete -Sort and prepare materials by color -Discuss sustainability in material selection |
What considerations are important when selecting materials for mosaic?
|
- MENTOR pg. 60
-Collected materials -Storage containers -Digital resources -Sample mosaics |
- Materials assessment
-Observation
-Group discussion
-Planning documents
|
|
| 7 | 3 |
Creating And Performing
|
Athletics and Mosaic - Planning and Sketching
Athletics and Mosaic - Creating Mosaic |
By the end of the
lesson, the learner
should be able to:
-Plan a mosaic composition -Sketch a design based on athletics -Consider color scheme for mosaic -Value planning in art creation |
In groups, learners are guided to:
-Sketch compositions of Kenyan athletes -Plan color schemes for mosaics -Transfer sketches to support surfaces -Discuss how the composition represents athletics |
How does planning enhance the final mosaic product?
|
- MENTOR pg. 60
-Drawing materials -Support surfaces -Color samples -Digital resources - MENTOR pg. 61 -Prepared materials -Adhesive -Work surfaces |
- Sketch assessment
-Planning document review
-Observation
-Peer feedback
|
|
| 7 | 4 |
Creating And Performing
|
Athletics and Mosaic - Completing Mosaic
|
By the end of the
lesson, the learner
should be able to:
-Complete the mosaic pictorial composition -Apply finishing techniques -Display the completed mosaic -Acknowledge own and others' efforts in creating mosaic pictorial composition |
In groups, learners are guided to:
-Complete their mosaic compositions -Apply finishing touches (trimming, mounting) -Allow work to dry completely -Display and talk about own and others' mosaic composition |
What techniques can be used to create texture in mosaic?
|
- MENTOR pg. 61
-Completed mosaic materials -Display area -Digital camera for documentation |
- Portfolio
-Project assessment
-Peer assessment
-Observation
|
|
| 7 | 5 |
Creating And Performing
|
Melody - Variation Techniques
|
By the end of the
lesson, the learner
should be able to:
-Describe the use of variation in composing a melody -Listen to melodies with variations -Identify different kinds of variations -Appreciate the role of variation in making music interesting |
In groups, learners are guided to:
-Sing familiar tunes and discuss how variation has been achieved in the different phrases of the melody -Listen to melody examples with variations -Identify rhythmic, melodic, and dynamic variations -Discuss what makes melodies appealing |
How can a melody be made interesting?
|
- MENTOR pg. 68
-Digital resources -Music recordings -Musical instruments |
- Oral questions
-Assessment rubrics
-Written questions
|
|
| 8 |
Midterm assessment |
||||||||
| 9 | 1 |
Creating And Performing
|
Melody - Analyzing Phrases
Melody - Rhythm Variation |
By the end of the
lesson, the learner
should be able to:
-Identify phrases in melodies -Analyze question and answer phrases -Recognize melodic shapes -Value structure in music |
In groups, learners are guided to:
-Listen to a melody and identify phrases -Discuss which phrases have the same melody, words and rhythm -Add dynamic variations to phrases -Sing songs with attention to phrasing |
What makes phrases work together in a melody?
|
- MENTOR pg. 69
-Music scores -Audio recordings -Digital resources -Musical instruments - MENTOR pg. 70 -Staff paper -Percussion instruments |
- Oral questions
-Written analysis
-Listening assessment
-Observation
|
|
| 9 | 2 |
Creating And Performing
|
Melody - Scale of F Major
|
By the end of the
lesson, the learner
should be able to:
-Perform the scale of F major and its tonic arpeggio -Sing the scale with sol-fa hand signs -Write the scale of F major -Appreciate the characteristic sound of F major |
In groups, learners are guided to:
-Perform the scale of F major and its tonic arpeggio -Sing the scale of F major both ascending and descending using sol-fa syllables -Study the music phrases and compare -Discuss the pitches and the rhythm |
What are the characteristics of the F Major scale?
|
- MENTOR pg. 71
-Digital resources -Musical instruments -Staff paper -Music notation software |
- Practical activity
-Assessment rubrics
-Observation
|
|
| 9 | 3 |
Creating And Performing
|
Melody - Scale Practice
Melody - Answering Phrases |
By the end of the
lesson, the learner
should be able to:
-Play or sing the F major scale fluently -Apply correct intervals in the scale -Produce clear tone quality -Value technical precision in music |
In groups, learners are guided to:
-Practice the F major scale ascending and descending -Focus on accurate pitches and intervals -Apply proper breath control or fingering -Provide feedback to peers on technique |
How does mastery of scales benefit musical performance?
|
- MENTOR pg. 72
-Musical instruments -Scale notation -Digital resources -Keyboard or piano - MENTOR pg. 73 -Staff paper -Example phrases |
- Performance assessment
-Peer evaluation
-Observation
-Technical assessment
|
|
| 9 | 4 |
Creating And Performing
|
Melody - Opening Phrases
|
By the end of the
lesson, the learner
should be able to:
-Analyze answering phrases -Create opening phrases for given answers -Apply compositional principles -Value creative problem-solving |
In groups, learners are guided to:
-Study example answering phrases -Identify features of the answering phrases -Create compatible opening phrases -Use melodic and rhythmic variations |
How can you create an effective opening phrase based on an answering phrase?
|
- MENTOR pg. 74
-Staff paper -Musical instruments -Digital resources -Example answer phrases |
- Composition assessment
-Creative process evaluation
-Performance of compositions
-Portfolio review
|
|
| 9 | 5 |
Creating And Performing
|
Melody - Composing Melodies
Melody - Notating Melodies |
By the end of the
lesson, the learner
should be able to:
-Compose a four-bar melody in F Major and 4/4 time -Write a 2-bar answering phrase in F major -Use melodic and rhythmic variations -Value the process of melody composition |
In groups, learners are guided to:
-Compose a four-bar melody in F Major in 4/4 time -Ensure bars 1-2 are question phrases with feeling of incompleteness -Make bars 3-4 answer phrases with feeling of completeness -Use melodic, rhythmic or dynamic variations |
How can phrases be constructed to create a complete melody?
|
- MENTOR pg. 76
-Digital resources -Musical instruments -Staff paper -Music notation software - MENTOR pg. 78 |
- Project
-Portfolio
-Assessment rubrics
-Observation
|
|
| 10 | 1 |
Creating And Performing
|
Melody - Performing Melodies
|
By the end of the
lesson, the learner
should be able to:
-Perform melodies in F major and 4/4 time -Demonstrate proper technique in performing -Follow performance directions -Value the use of melody in Creative Arts and Sports |
In groups, learners are guided to:
-Study melodies in F major -Identify the letter names of the notes -Practice sight singing using sol-fa syllables -Perform the melodies with proper interpretation |
How can melodies be performed with accurate expression?
|
- MENTOR pg. 80
-Digital resources -Musical instruments -Melody recordings -Performance space |
- Practical performance
-Assessment rubrics
-Observation
-Peer assessment
|
|
| 10 | 2 |
Creating And Performing
|
Rugby - Different Passes
Rugby - Basic Pass |
By the end of the
lesson, the learner
should be able to:
-Distinguish passes in Rugby -Identify the spin, pop and basic passes -Describe the execution of the passes -Appreciate passing as a fundamental skill in Rugby |
In groups, learners are guided to:
-Watch a live or virtual Rugby game to identify passes -Discuss how the passes are executed -Research using digital devices on different passes in Rugby |
What are the best ways to advance a ball in a game of Rugby?
|
- MENTOR pg. 84
-Digital resources -Rugby balls -Playing field -Video clips - MENTOR pg. 85 |
- Observation
-Oral questions
-Practical activity
|
|
| 10 | 3 |
Creating And Performing
|
Rugby - Spin Pass
|
By the end of the
lesson, the learner
should be able to:
-Describe the spin pass in Rugby -Demonstrate proper technique for spin pass -Execute passes with proper spin -Value specialized skills in sports |
In groups, learners are guided to:
-Study the technique for spin pass -Practice holding the ball with thumb on one side, fingers on other -Execute the flicking motion for proper spin -Practice the spin pass with partners |
How does the spin action improve pass effectiveness in Rugby?
|
- MENTOR pg. 86
-Rugby balls -Playing field -Digital resources -Video demonstrations |
- Practical activity
-Technical assessment
-Peer evaluation
-Observation
|
|
| 10 | 4 |
Creating And Performing
|
Rugby - Pop Pass
|
By the end of the
lesson, the learner
should be able to:
-Describe the pop pass in Rugby -Demonstrate proper technique for pop pass -Execute passes with proper timing -Value situational skills in sports |
In groups, learners are guided to:
-Study the technique for pop pass -Practice the short-range passing technique -Execute the pop pass with proper timing -Practice with partners to develop timing |
When is the pop pass most effective in Rugby gameplay?
|
- MENTOR pg. 87
-Rugby balls -Playing field -Digital resources -Video demonstrations |
- Practical activity
-Technical assessment
-Peer evaluation
-Observation
|
|
| 10 | 5 |
Creating And Performing
|
Rugby - Pass Demonstrations
Rugby - Group Practice |
By the end of the
lesson, the learner
should be able to:
-Perform passing skills in Rugby -Demonstrate all three pass types -Execute passes with proper technique -Value versatility in sports skills |
In groups, learners are guided to:
-Stand in pairs facing each other -Practice all three passes on command -Focus on proper technique for each pass -Take turns demonstrating each pass type |
How can you distinguish when to use each type of pass?
|
- MENTOR pg. 87
-Rugby balls -Playing field -Digital resources -Visual cue cards - MENTOR pg. 88 -Markers for positions |
- Practical demonstration
-Technical assessment
-Response time assessment
-Observation
|
|
| 11 | 1 |
Creating And Performing
|
Rugby - Kicking Techniques
|
By the end of the
lesson, the learner
should be able to:
-Identify different kicks in Rugby -Describe the drop and place kick -Understand kick applications -Value diverse skills in sports |
In groups, learners are guided to:
-Watch demonstrations of different kicks -Discuss the technique for drop and place kicks -Identify game situations for each kick type -Research Rugby kicking strategies |
What factors determine kick selection in Rugby?
|
- MENTOR pg. 89
-Rugby balls -Kicking tees -Digital resources -Video demonstrations |
- Oral questions
-Written assessment
-Research presentation
-Class discussion
|
|
| 11 | 2 |
Creating And Performing
|
Rugby - Performing Kicks
Rugby - Modified Game |
By the end of the
lesson, the learner
should be able to:
-Perform kick techniques in Rugby -Demonstrate the drop and place kick -Practice kicking skills -Value own and others' efforts in applying kicking skills |
In groups, learners are guided to:
-Demonstrate kicking skills in Rugby -Practice the drop and place kick techniques -Use the skills of kicking in modified games -Observe safety during practice |
When are different kicks used in Rugby?
|
- MENTOR pg. 90
-Rugby balls -Playing field -Kicking tees -Digital resources - MENTOR pg. 91 -Markers/cones -Safety equipment |
- Practical activity
-Assessment rubrics
-Observation
|
|
| 11 | 3 |
Creating And Performing
|
Rugby - Skill Review
|
By the end of the
lesson, the learner
should be able to:
-Evaluate personal skill development -Identify areas for improvement -Demonstrate selected skills for assessment -Value reflective practice in sports |
In groups, learners are guided to:
-Review all Rugby skills learned -Self-assess strengths and weaknesses -Demonstrate skills for peer feedback -Create personal improvement plans |
How can ongoing assessment improve Rugby skills?
|
- MENTOR pg. 92
-Rugby balls -Assessment checklists -Digital recording devices -Playing field |
- Self-assessment
-Peer evaluation
-Practical demonstrations
-Improvement plans
|
|
| 11 | 4 |
Creating And Performing
|
Photography - Normal Viewpoint
Photography - Bird's Eye Viewpoint |
By the end of the
lesson, the learner
should be able to:
-Describe normal eye viewpoint -Identify characteristics of normal viewpoint photos -Analyze sample photographs -Value perspective in visual communication |
In groups, learners are guided to:
-Study photographs taken from normal eye level -Discuss advantages and limitations of normal viewpoint -Identify subjects best photographed from eye level -Analyze composition elements in normal viewpoint |
How does normal viewpoint affect viewer perception of an image?
|
- MENTOR pg. 96
-Sample photographs -Digital resources -Digital cameras/smartphones -Display equipment - MENTOR pg. 97 |
- Photo analysis
-Written work
-Oral discussions
-Visual literacy assessment
|
|
| 11 | 5 |
Creating And Performing
|
Photography - Worm's Eye Viewpoint
|
By the end of the
lesson, the learner
should be able to:
-Describe worm's eye viewpoint -Identify characteristics of low-angle photos -Analyze sample photographs -Value creative perspectives in art |
In groups, learners are guided to:
-Study photographs taken from below subjects -Discuss how worm's eye view affects subject perception -Identify subjects best photographed from below -Analyze composition elements in low-angle shots |
How does worm's eye viewpoint create impact in photography?
|
- MENTOR pg. 97
-Sample photographs -Digital resources -Digital cameras/smartphones -Display equipment |
- Photo analysis
-Written work
-Oral discussions
-Visual literacy assessment
|
|
| 12 | 1 |
Creating And Performing
|
Photography - Taking Photographs
|
By the end of the
lesson, the learner
should be able to:
-Take photographs of a scenery in viewpoint for showcase -Apply different viewpoints in photography -Identify suitable scenic points -Value photography as an art form |
In groups, learners are guided to:
-Research/take a field walk to explore and identify scenic points -Take photographs inspired by the environment from different viewpoints -Discuss ethical issues in photography |
How can photography be used to showcase Kenya's beauty?
|
- MENTOR pg. 98
-Digital cameras/smartphones -Photography locations -Digital storage -Display equipment |
- Portfolio
-Project assessment
-Observation
|
|
| 12 | 2 |
Creating And Performing
|
Photography - Ethics
Photography - Presenting Photographs |
By the end of the
lesson, the learner
should be able to:
-Identify ethical issues in photography -Apply ethical principles when taking photos -Respect subjects' rights and dignity -Value responsible photography |
In groups, learners are guided to:
-Brainstorm ethical issues in photography -Discuss consequences of unethical photography -Research photography ethics guidelines -Role-play ethical decision-making scenarios |
What responsibilities do photographers have to their subjects?
|
- MENTOR pg. 99
-Digital resources -Ethics guidelines -Case studies -Role-play scenarios - MENTOR pg. 100 -Digital devices -Presentation software -Display equipment -Digital photographs |
- Written work
-Role-play evaluation
-Class discussion
-Ethical scenario resolution
|
|
| 12 | 3 |
Creating And Performing
|
Descant Recorder - Fingering of Notes
|
By the end of the
lesson, the learner
should be able to:
-Identify the fingering of notes in the scale of F major -Use correct finger positions -Produce clear sounds -Appreciate the importance of proper technique |
In groups, learners are guided to:
-Read and interpret fingering charts to play the notes of F major scale -Practice finger positions for each note -Observe proper recorder techniques while playing -Give feedback to peers |
What are the correct fingerings for notes in F major on the descant recorder?
|
- MENTOR pg. 102
-Descant recorders -Fingering charts -Digital resources -Music scores |
- Practical activity
-Assessment rubrics
-Observation
|
|
| 12 | 4 |
Creating And Performing
|
Descant Recorder - Playing Techniques
Descant Recorder - Scale of F Major |
By the end of the
lesson, the learner
should be able to:
-Demonstrate correct playing techniques -Apply pinching technique for high notes -Use proper breath control -Value proper technique in recorder playing |
In groups, learners are guided to:
-Watch actual or virtual instrumental tutorials to demonstrate and explain techniques of pinching on a descant recorder -Practice playing high notes using the pinching technique -Work on breath control exercises -Give feedback to peers |
What is the importance of applying technique when playing instrumental music?
|
- MENTOR pg. 104
-Descant recorders -Digital resources -Tutorial videos -Music scores - MENTOR pg. 106 -Staff paper |
- Practical activity
-Assessment rubrics
-Observation
|
|
| 12 | 5 |
Creating And Performing
|
Descant Recorder - Simple Melodies
|
By the end of the
lesson, the learner
should be able to:
-Play simple melodies in the scale of F major -Apply correct fingering and breathing -Follow notation accurately -Value musical expression |
In groups, learners are guided to:
-Play simple melodies in the scale of F major on staff notation -Focus on accurate pitch and rhythm -Apply proper breathing at phrase marks -Practice with attention to musicality |
How do you maintain accurate pitch and rhythm when playing melodies?
|
- MENTOR pg. 107
-Descant recorders -Simple melody scores -Digital resources -Metronome |
- Melody performance assessment
-Accuracy evaluation
-Observation
-Peer feedback
|
|
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