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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 2 |
Creating and Execution
|
Composing Melody - Introduction to melody
Composing Melody - Sol-fa syllables and ladder |
By the end of the
lesson, the learner
should be able to:
- Sing a lullaby - Hum the melody of a song - Identify high and low sounds in a song |
- Sing the song "Go to sleep"
-Hum the song -Compare singing and humming the song -Identify parts of the song that sound high -Identify parts of the song that sound low -Learn about pitch in music |
How are high and low sounds identified in a melody?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 65
-Song charts - Mentor Creative Arts Grade 4 Learner's Book, pg. 66 -Sol-fa ladder chart |
- Observation
-Performance assessment
-Oral questions
|
|
| 1 | 3 |
Creating and Execution
|
Composing Melody - Performing melodies
|
By the end of the
lesson, the learner
should be able to:
- Perform simple melodies using sol-fa syllables - Work together in group performances - Give constructive feedback on performances |
- Perform three given melodies
-Sing in groups -Comment on each group's performance -Discuss challenges faced during performance -Suggest ways to improve |
How can melodies be performed effectively?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 66
-Charts showing melodies |
- Observation
-Performance assessment
-Peer assessment
|
|
| 1 | 4 |
Creating and Execution
|
Composing Melody - Sol-fa in "Go to sleep"
Composing Melody - Sol-fa in "Hot cross bun" |
By the end of the
lesson, the learner
should be able to:
- Identify sol-fa syllables in "Go to sleep" - Sing the song using sol-fa syllables - Hum the melody of the song |
- Study the sol-fa syllables for "Go to sleep"
-Sing the song -Sing the sol-fa syllables for the song -Hum the song -Discuss patterns in the sol-fa syllables |
How are sol-fa syllables used in lullabies?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 67
-Song charts with sol-fa syllables - Mentor Creative Arts Grade 4 Learner's Book, pg. 68 -Digital devices -Song charts |
- Observation
-Performance assessment
-Oral questions
|
|
| 1 |
Labour day |
||||||||
| 2 | 1 |
Creating and Execution
|
Composing Melody - Hand signs for sol-fa syllables
|
By the end of the
lesson, the learner
should be able to:
- Watch a video of Kodaly hand signs - Imitate hand signs for sol-fa syllables - Show correct hand signs to friends |
- Watch a video of Kodaly hand signs
-Imitate the hand signs for sol-fa syllables d, r, m -Show friends the hand signs for sol-fa syllables -Learn the correct hand position for each sol-fa syllable |
How do hand signs help in learning sol-fa syllables?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 69
-Digital devices -Charts showing hand signs |
- Observation
-Demonstration
-Peer assessment
|
|
| 2 | 2 |
Creating and Execution
|
Composing Melody - Practicing sol-fa with hand signs
Composing Melody - Hand signs in "Mary had a little lamb" |
By the end of the
lesson, the learner
should be able to:
- Practice singing sol-fa syllables with hand signs - Perform hand signs for given sol-fa patterns - Work with others in musical activities |
- Practice singing d, r, m with hand signs
-Sing up and down the sol-fa ladder with hand signs -Perform hand signs for given sol-fa patterns -Write sol-fa syllables for given hand signs -Work in pairs to practice |
How can hand signs enhance learning of sol-fa syllables?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 69
-Charts showing hand signs - Mentor Creative Arts Grade 4 Learner's Book, pg. 70 -Song charts with sol-fa syllables |
- Observation
-Performance assessment
-Peer assessment
|
|
| 2 | 3 |
Creating and Execution
|
Composing Melody - Free hand lettering of sol-fa
|
By the end of the
lesson, the learner
should be able to:
- Study artwork showing lettering - Write letters neatly in exercise book - Value neatness in written work |
- Study artwork showing lettering
-Identify what is shown in the pictures -Write letters neatly in exercise book -Practice writing sol-fa syllables using free hand lettering |
How can free hand lettering be applied to sol-fa syllables?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 71
-Writing materials |
- Observation
-Written work
-Peer assessment
|
|
| 2 | 4 |
Creating and Execution
|
Composing Melody - Identifying sol-fa in songs
Composing Melody - Steps to identify sol-fa |
By the end of the
lesson, the learner
should be able to:
- Sing a simple song to classmates - Identify sol-fa syllables in the song - Record self using digital device |
- Sing a simple song to classmates
-Let friends identify the sol-fa syllables -Sing the sol-fa pitches using hand signs -Record self using a digital device -Share recording with teacher |
How can sol-fa syllables be identified in songs?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 71
-Digital devices - Mentor Creative Arts Grade 4 Learner's Book, pg. 72 -Song recordings |
- Observation
-Performance assessment
-Project work
|
|
| 2 | 5-6 |
Creating and Execution
|
Composing Melody - Stepwise motion
Composing Melody - Sound duration in melody Composing Melody - Starting and ending melodies |
By the end of the
lesson, the learner
should be able to:
- Sing a song with stepwise motion - Identify how sol-fa syllables are connected - Identify repeated sol-fa syllables - Identify short and long sounds in a song - Clap the rhythm of a song - Understand sound duration in melody |
- Sing the song "All through the night"
-Identify how sol-fa syllables are connected -Identify which sol-fa syllables are repeated -Show sol-fa syllables following each other using hand signs -Learn about stepwise motion in melody - Study the words of "Pease porridge hot" -Sing the first line of the song -Clap the rhythm of the song while reading the words -Identify short and long sounds in the song -Learn about sound duration in melody |
What is stepwise motion in a melody?
How does sound duration affect melody? |
- Mentor Creative Arts Grade 4 Learner's Book, pg. 72
-Song charts with sol-fa syllables - Mentor Creative Arts Grade 4 Learner's Book, pg. 73 -Song charts - Mentor Creative Arts Grade 4 Learner's Book, pg. 74 -Song charts with sol-fa syllables |
- Observation
-Performance assessment
-Oral questions
|
|
| 3 | 1 |
Creating and Execution
|
Composing Melody - Creating short melodies
|
By the end of the
lesson, the learner
should be able to:
- Follow guidelines for creating melodies - Complete given melody patterns - Create original melodies using d, r, m |
- Learn guidelines for creating melodies using d, r, m
-Complete given melody patterns -Compose original melodies using d, r, m -Ensure melodies start and end on 'd' -Share melodies with classmates |
How can short melodies be created using d, r, m?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 75
-Writing materials |
- Observation
-Project work
-Peer assessment
|
|
| 3 | 2 |
Creating and Execution
|
Composing Melody - Creating melodies with rhythm
Composing Melody - Making clay slabs (1) |
By the end of the
lesson, the learner
should be able to:
- Use rhythm patterns to create melodies - Combine rhythm and pitch in melodies - Show creativity in melody composition |
- Use given rhythm patterns to create melodies
-Create melodies using d, r, m with various rhythms -Ensure melodies start and end on 'd' -Perform created melodies -Give feedback on each other's compositions |
How can rhythm and pitch be combined in melody creation?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 75
-Writing materials - Mentor Creative Arts Grade 4 Learner's Book, pg. 76 -Clay -Polythene paper -Ruler |
- Observation
-Project work
-Peer assessment
|
|
| 3 | 3 |
Creating and Execution
Performance and Display |
Composing Melody - Making clay slabs (2)
Athletics - Introduction to sprint starts and sprinting techniques |
By the end of the
lesson, the learner
should be able to:
- Roll clay to create even slabs - Mark out rectangular shapes of different sizes - Cut out clay slabs neatly |
- Take a rolling pin and roll clay
-Mark out rectangular shapes of different sizes -Cut out the shapes carefully -Ensure the slabs are of even thickness -Set aside to partially dry |
How are clay slabs prepared for making sol-fa models?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 76
-Clay -Rolling pin -Cutting tools - Mentor Creative Arts pg. 80 - Digital devices for video demonstrations - Open space for practical activities |
- Observation
-Project work
-Peer assessment
|
|
| 3 | 4 |
Performance and Display
|
Athletics - Medium sprint start technique demonstration
Athletics - Medium sprint start technique practice |
By the end of the
lesson, the learner
should be able to:
- Describe the steps of medium sprint start - Demonstrate "on your marks" position in medium sprint start - Appreciate the importance of proper body positioning in sprinting |
- Watch video clip/demonstration of medium sprint start
- Observe body positioning, foot placement, and hand positioning - Practice the "on your marks" position with proper stance and body alignment - Discuss safety measures when practicing sprint starts |
What is the importance of proper positioning in "on your marks" command?
|
- Mentor Creative Arts pg. 82
- Open space with marked lines - Digital devices for recording performances - Mentor Creative Arts pg. 83 - Open space with marked starting line - Whistle - Mentor Creative Arts pg. 84 - Open space with marked starting and finishing lines |
- Observation
- Skill progression chart
- Peer assessment
|
|
| 3 | 5-6 |
Performance and Display
|
Athletics - Elongated sprint start technique demonstration
Athletics - Elongated sprint start technique practice Athletics - Body posture, acceleration, transition, and finish in sprinting Athletics - Sprinting techniques practice Athletics - Reading and understanding the Kenya National Anthem |
By the end of the
lesson, the learner
should be able to:
- Identify the characteristics of elongated sprint start - Explain the body positioning in elongated sprint start - Appreciate different sprint start techniques - Demonstrate proper body posture during sprinting - Apply acceleration techniques during sprint - Value the importance of practice in mastering sprinting |
- Study pictures of elongated sprint start position
- Discuss the hand and body position, eye focus, and foot placement - Compare elongated sprint start with medium sprint start - Watch demonstration of elongated sprint start - Practice proper upper body position when sprinting - Make longer steps and increase step frequency - Practice maintaining maximum speed to the finish line - Perform sprinting technique in pairs |
How does elongated sprint start differ from medium sprint start?
Why is proper finishing technique important in sprinting? |
- Mentor Creative Arts pg. 85
- Digital devices for video demonstrations - Open space for practice - Mentor Creative Arts pg. 86 - Open space with marked starting and finishing lines - Whistle - Mentor Creative Arts pg. 87 - Digital devices for video clips - Open space for demonstration - Mentor Creative Arts pg. 88 - Open space with marked lines - Stopwatch - Mentor Creative Arts pg. 91 - Chart with Kenya National Anthem words - Audio recording of Kenya National Anthem |
- Observation
- Oral questions
- Written assignments
- Observation - Performance analysis - Peer assessment |
|
| 4 | 1 |
Performance and Display
|
Athletics - Singing the Kenya National Anthem in groups
Athletics - Studying the Kenyan flag colors and arrangement |
By the end of the
lesson, the learner
should be able to:
- Sing the Kenya National Anthem with proper pronunciation - Apply appropriate tempo when singing the anthem - Show respect while singing the national anthem |
- Practice singing the Kenya National Anthem in groups
- Focus on accuracy in tune and proper pronunciation - Maintain appropriate tempo during singing - Observe appropriate etiquette during anthem performance |
How does singing the national anthem promote patriotism?
|
- Mentor Creative Arts pg. 91
- Audio recording of Kenya National Anthem - Chart with Kenya National Anthem words - Mentor Creative Arts pg. 90 - Digital devices for searching images - Chart showing the Kenyan flag |
- Observation
- Performance analysis
- Peer assessment
|
|
| 4 | 2 |
Performance and Display
|
Athletics - Sketching and painting the Kenyan flag
|
By the end of the
lesson, the learner
should be able to:
- Sketch the Kenyan flag on paper - Paint the flag using the correct colors - Value the importance of neatness in artwork |
- Sketch the Kenyan flag on paper
- Paint the flag observing the correct color arrangement - Apply proper painting techniques for neat results - Display completed flags for peer feedback |
How should colors be arranged on the Kenyan flag?
|
- Mentor Creative Arts pg. 91
- Paper, pencils, rulers - Paints (black, red, green, white) - Brushes |
- Observation
- Project assessment
- Peer critique
|
|
| 4 | 3 |
Performance and Display
|
Athletics - Attaching the flag to a suitable handle
Athletics - Practicing medium starts in pairs |
By the end of the
lesson, the learner
should be able to:
- Select suitable material for a flag handle - Attach the painted flag to the handle securely - Demonstrate pride in creating a national symbol |
- Collect suitable materials for flag handles
- Apply glue on one end of the flag paper - Attach the flag to the handle securely - Test the flag by waving it gently |
Why is proper attachment of the flag to the handle important?
|
- Mentor Creative Arts pg. 92
- Completed painted flags - Materials for handles (sticks, dowels) - Glue - Mentor Creative Arts pg. 89 - Open space with marked starting lines - Whistle |
- Observation
- Project assessment
- Peer critique
|
|
| 4 | 4 |
Performance and Display
|
Athletics - Practicing sprinting technique in pairs
|
By the end of the
lesson, the learner
should be able to:
- Execute sprinting technique with proper body alignment - Maintain maximum speed during a sprint - Value the role of practice in improving performance |
- Practice proper sprinting technique in pairs
- Focus on start, arm and leg action, and finish - Mark lines to practice sprinting for short distances - Provide feedback to partners on technique |
What are the key elements of proper sprinting technique?
|
- Mentor Creative Arts pg. 89
- Open space with marked lines - Stopwatch |
- Observation
- Performance analysis
- Peer assessment
|
|
| 4 | 5-6 |
Performance and Display
|
Athletics - Participating in sprint competitions
Athletics - Recording and critiquing sprint performances |
By the end of the
lesson, the learner
should be able to:
- Apply sprint start and sprinting techniques in competition - Participate actively in organized sprint events - Demonstrate sportsmanship during competition - Record sprint performances using digital devices - Critique application of sprint techniques in recordings - Appreciate the use of technology in improving performance |
- Organize sprint competitions in groups
- Apply learned sprint starts and running techniques - Participate in hurray, back and forth activity - Practice two push-ups and run activity - Use digital devices to record sprint performances - Play back recordings for analysis - Critique application of starting and sprinting techniques - Identify areas for improvement based on recordings |
How does competition enhance learning of athletic skills?
How can recording performances help improve athletic technique? |
- Mentor Creative Arts pg. 89
- Open space with marked track - Whistle - Stopwatch - Mentor Creative Arts pg. 90 - Open space with marked lines - Stopwatch - Whistle - Mentor Creative Arts pg. 90 - Digital devices for recording - Open space for sprint activities - Playback equipment |
- Observation
- Performance analysis
- Competition results
- Observation - Performance analysis - Self-assessment |
|
| 5 | 1 |
Performance and Display
|
Athletics - Importance of the flag and anthem during events
Athletics - Sprint competition with flag and anthem |
By the end of the
lesson, the learner
should be able to:
- Explain why the flag is raised during athletic events - Describe the importance of singing the anthem at events - Value national symbols during sporting events |
- Study pictures of flag raising during athletic events
- Discuss the significance of raising the flag during events - Explore the importance of singing the anthem at events - Role-play a flag raising and anthem singing ceremony |
Why is flying the flag important during athletics events?
|
- Mentor Creative Arts pg. 92
- Pictures of athletic events with flag raising - Painted flags with handles - Audio recording of Kenya National Anthem - Open space with marked track - Kenyan flags - Audio equipment for anthem - Stopwatch |
- Observation
- Oral questions
- Written assignments
|
|
| 5 | 2 |
Performance and Display
|
Athletics - Athletic event appreciation
|
By the end of the
lesson, the learner
should be able to:
- Identify the sprint starts learned in sprinting - Describe the sprinting techniques learned - Appreciate the value of athletics in physical development |
- Review different sprint starts learned (medium, elongated)
- Summarize sprinting techniques learned throughout the unit - Discuss the importance of recovery after athletic activities - Share experiences from participating in sprint events |
What have we learned about sprint techniques that can help us in future athletic activities?
|
- Mentor Creative Arts pg. 92
- Charts showing sprint techniques - Digital devices with recorded performances |
- Observation
- Oral questions
- Written assignments
|
|
| 5 | 3 |
Performance and Display
|
Athletics - Sprint skills assessment
Gymnastics - Introduction to balances and rolls in gymnastics |
By the end of the
lesson, the learner
should be able to:
- Demonstrate mastery of sprint starts and techniques - Explain the symbolism of the Kenyan flag - Show pride in national symbols during athletic events |
- Demonstrate medium and elongated sprint starts
- Show proper sprinting technique in short races - Explain the importance of the flag and anthem in athletics - Demonstrate proper flag handling and anthem etiquette |
How do athletics and national symbols connect to form a complete sporting experience?
|
- Mentor Creative Arts pg. 92
- Open space with marked track - Kenyan flags - Assessment sheets - Mentor Creative Arts pg. 94 - Digital devices for video demonstrations - Pictures of gymnastic positions - Safe practice area with mats |
- Observation
- Performance assessment
- Oral evaluation
|
|
| 5 | 4 |
Performance and Display
|
Gymnastics - Crab balance demonstration and practice
|
By the end of the
lesson, the learner
should be able to:
- Describe the steps of performing crab balance - Demonstrate initial positioning for crab balance - Appreciate the importance of balance in gymnastics |
- Watch video clip/demonstration of crab balance
- Observe body positioning of head, hands, and feet - Discuss how to maintain balance during the pose - Practice sitting position with knees bent for crab balance |
How is weight distributed in the crab balance position?
|
- Mentor Creative Arts pg. 95
- Digital devices for video demonstrations - Safe practice area with mats |
- Observation
- Skill progression chart
- Peer assessment
|
|
| 5 | 5-6 |
Performance and Display
|
Gymnastics - Crab balance technique practice
Gymnastics - Side roll demonstration and practice Gymnastics - Side roll technique practice |
By the end of the
lesson, the learner
should be able to:
- Demonstrate pushing up into crab balance position - Maintain the crab balance position for several seconds - Show confidence in performing gymnastic skills - Demonstrate shifting weight to shoulders during side roll - Execute complete side roll with proper technique - Show perseverance in mastering gymnastic skills |
- Practice placing hands below shoulders with fingers pointing to feet
- Practice lifting hips up into full crab position - Maintain the position while shifting weight to hands and legs - Practice lowering from the position safely - Practice lowering shoulder and head to either side - Practice shifting body weight to shoulders - Execute full side roll with proper technique - Practice standing back to starting position after roll |
What muscles are engaged during the crab balance?
What is the importance of sequence in performing side roll? |
- Mentor Creative Arts pg. 95
- Safe practice area with mats - Demonstration charts - Mentor Creative Arts pg. 96 - Digital devices for video demonstrations - Safe practice area with mats - Mentor Creative Arts pg. 97 - Safe practice area with mats - Demonstration charts |
- Observation
- Performance analysis
- Self-assessment
|
|
| 6 |
Madaraka day |
||||||||
| 6 | 2 |
Performance and Display
|
Gymnastics - Singing patriotic songs during warm-up
Gymnastics - Playing rhythmic percussion instruments |
By the end of the
lesson, the learner
should be able to:
- Identify patriotic songs suitable for warm-up - Sing patriotic songs with proper diction during warm-up - Appreciate the role of music in physical activities |
- Select appropriate patriotic songs for warm-up
- Practice singing songs with proper diction and rhythm - Perform general warm-up exercises while singing - Discuss how music enhances physical activities |
How does music support the performance of gymnastics?
|
- Mentor Creative Arts pg. 100
- Audio recordings of patriotic songs - Charts with song lyrics - Open space for warm-up activities - Mentor Creative Arts pg. 97 - Percussion instruments (shakers, rattles, drums) - Demonstration charts of rhythmic patterns |
- Observation
- Performance assessment
- Peer feedback
|
|
| 6 | 3 |
Performance and Display
|
Gymnastics - Practicing the crab balance and side roll in pairs
|
By the end of the
lesson, the learner
should be able to:
- Perform crab balance with proper technique - Provide constructive feedback to peers - Value teamwork in learning gymnastics |
- Form pairs for practice of crab balance and side roll
- Take turns performing while partner observes - Provide feedback on technique and form - Use markers to create practice areas |
How does peer feedback improve gymnastic performance?
|
- Mentor Creative Arts pg. 97
- Safe practice area with mats - Markers (lime or ash) for circles - Assessment checklists |
- Observation
- Peer assessment
- Skill progression charts
|
|
| 6 | 4 |
Performance and Display
|
Gymnastics - Group performance with percussion
Gymnastics - Relay performance practice |
By the end of the
lesson, the learner
should be able to:
- Perform crab balance and side roll in sequence - Accompany performances with percussion instruments - Demonstrate teamwork in group performances |
- Form two groups for alternate performances
- One group performs while the other plays percussion - Mark circles on the ground for performance areas - Alternate roles between performing and playing instruments |
How does group performance enhance individual skills?
|
- Mentor Creative Arts pg. 98
- Safe practice area with mats - Markers for circles - Percussion instruments - Markers for lines - Whistle |
- Observation
- Group performance assessment
- Peer feedback
|
|
| 6 | 5-6 |
Performance and Display
|
Gymnastics - Reciting French rhythm names during roll performance
Gymnastics - Crab balance with rhythmic patterns |
By the end of the
lesson, the learner
should be able to:
- Recite French rhythm names 'taa' and 'ta-te' - Coordinate recitation with side roll performance - Appreciate the connection between rhythm and movement - Perform crab balance with rhythmic movement - Coordinate movement with French rhythm names - Value the integration of rhythm and gymnastics |
- Form groups and stand in lines
- Mark line and place cones for activity - Recite 'taa' in ready position for side roll - Recite 'ta-te' while performing side roll - Repeat until reaching the cones - Mark a square on the ground for activity - Stand at corners of the square - Perform crab balance on command - Move in crab walk while chanting 'taa' and 'ta-te' - Match steps to rhythm pattern |
How do rhythmic patterns enhance gymnastic movements?
How does rhythmic chanting improve coordination during crab walk? |
- Mentor Creative Arts pg. 98
- Safe practice area with mats - Markers for lines - Cones for targets - Mentor Creative Arts pg. 99 - Safe practice area with mats - Markers for square - Rhythm charts |
- Observation
- Performance analysis
- Rhythmic coordination assessment
- Observation - Performance analysis - Coordination assessment |
|
| 7 | 1 |
Performance and Display
|
Gymnastics - Peer assessment of gymnastics skills
Gymnastics - Group game with gymnastic skills |
By the end of the
lesson, the learner
should be able to:
- Evaluate peers' performance of gymnastic skills - Provide constructive feedback - Demonstrate respect for others' efforts |
- Create assessment checklists for gymnastic skills
- Observe partners performing crab balance and side roll - Complete checklists indicating strengths and areas for improvement - Share feedback in supportive manner |
How does assessment contribute to skill development?
|
- Mentor Creative Arts pg. 99
- Safe practice area with mats - Assessment checklists - Pencils - Mentor Creative Arts pg. 100 - Safe practice area - Audio recording of song - Open space for game |
- Observation
- Peer assessment
- Written evaluation
|
|
| 7 | 2 |
Performance and Display
|
Gymnastics - Using digital devices to photograph gymnastics performances
|
By the end of the
lesson, the learner
should be able to:
- Take photographs of gymnastic performances - Focus on center of interest in photography - Show interest in documenting physical activities |
- Use digital devices to take photographs of crab balance and side roll
- Focus on center of interest in photographs - Take multiple shots from different angles - Review photographs for clarity and focus |
Why is the center of interest important in photography?
|
- Mentor Creative Arts pg. 97
- Digital devices with cameras - Safe practice area for gymnastics - Display equipment for reviewing photos |
- Observation
- Photo quality assessment
- Peer feedback
|
|
| 7 | 3 |
Performance and Display
|
Gymnastics - Creating a portfolio of gymnastics photographs
Gymnastics - Home practice and documentation |
By the end of the
lesson, the learner
should be able to:
- Select appropriate photographs for portfolio - Store photographs in organized manner - Appreciate visual documentation of physical activities |
- Review photographs taken of gymnastic activities
- Select best photographs showing clear technique - Create digital folder/portfolio for storage - Organize photographs by skill type |
How can photography help improve gymnastic technique?
|
- Mentor Creative Arts pg. 98
- Digital devices with photography - Computer for portfolio organization - Photographs from previous lesson - Mentor Creative Arts pg. 100 - Planning templates - Digital devices for recording - List of safe home activities |
- Observation
- Portfolio assessment
- Self-evaluation
|
|
| 7 | 4 |
Performance and Display
|
Gymnastics - Skills assessment
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate mastery of crab balance and side roll - Perform to rhythmic accompaniment - Show confidence in gymnastic abilities |
- Demonstrate crab balance and side roll individually
- Perform to rhythmic accompaniment of percussion or chanting - Evaluate own performance against criteria - Receive feedback from teacher and peers |
What progress have you made in gymnastics skills?
|
- Mentor Creative Arts pg. 100
- Safe practice area with mats - Assessment checklists - Percussion instruments |
- Observation
- Performance assessment
- Self-evaluation
|
|
| 7 | 5-6 |
Performance and Display
|
Gymnastics - Self and peer assessment
Gymnastics - Skills integration Descant Recorder - Exploring and identifying parts of a descant recorder |
By the end of the
lesson, the learner
should be able to:
- Evaluate own gymnastic performance - Assess peers' performances objectively - Appreciate the value of assessment in learning - Identify the parts of a descant recorder - Name the function of each part - Show interest in learning about musical instruments |
- Review criteria for successful gymnastic skills
- Perform crab balance and side roll for assessment - Complete self-assessment forms - Provide constructive feedback to peers - Observe pictures/actual descant recorder - Identify front and back views of the recorder - Name the parts (head joint, middle joint, foot joint) - Discuss the function of each part |
How does assessment contribute to skill mastery?
How can one identify the parts of a descant recorder? |
- Mentor Creative Arts pg. 100
- Safe practice area with mats - Assessment forms - Pencils - Percussion instruments - Audio equipment - Mentor Creative Arts pg. 125 - Descant recorders - Charts showing recorder parts - Pictures of recorders |
- Self-assessment
- Peer assessment
- Teacher observation
- Observation - Oral questions - Labeling activities |
|
| 8 | 1 |
Performance and Display
|
Descant Recorder - Learning to hold and blow the descant recorder
Descant Recorder - Assembling and disassembling the recorder |
By the end of the
lesson, the learner
should be able to:
- Demonstrate correct posture for holding recorder - Position mouth correctly on the mouthpiece - Appreciate the importance of proper technique |
- Study pictures of correct recorder holding position
- Practice holding the recorder with proper hand position - Position mouth correctly on the mouthpiece - Practice producing sound by gentle blowing |
How is a good tone produced on the descant recorder?
|
- Mentor Creative Arts pg. 129
- Descant recorders - Charts showing correct posture - Disinfectant wipes - Mentor Creative Arts pg. 128 - Charts showing assembly steps - Demonstration models |
- Observation
- Performance assessment
- Peer feedback
|
|
| 8 | 2 |
Performance and Display
|
Descant Recorder - Learning care and maintenance of the recorder
|
By the end of the
lesson, the learner
should be able to:
- Describe methods of caring for a descant recorder - Demonstrate cleaning of the recorder - Show responsibility in instrument care |
- Study pictures of recorder cleaning
- Discuss ways of caring for and maintaining recorder - Demonstrate using cleaning rod and cloth - Discuss importance of not sharing recorders - Practice safe storage techniques |
Why is proper care of the descant recorder important?
|
- Mentor Creative Arts pg. 129
- Descant recorders - Cleaning rods - Clean cloths - Storage cases |
- Observation
- Oral questions
- Demonstration assessment
|
|
| 8 | 3 |
Performance and Display
|
Descant Recorder - Health considerations with recorders
Descant Recorder - Practicing holding and blowing with appropriate fingering |
By the end of the
lesson, the learner
should be able to:
- Explain the importance of hygiene with recorders - Identify diseases that can be caused by sharing - Value personal hygiene in music activities |
- Discuss importance of avoiding sharing recorders
- Identify communicable diseases related to sharing - Demonstrate proper cleaning before and after use - Practice proper storage to maintain hygiene |
Why is hygiene important when using the descant recorder?
|
- Mentor Creative Arts pg. 130
- Descant recorders - Cleaning supplies - Charts on hygiene - Storage cases - Finger position charts - Demonstration models |
- Observation
- Oral questions
- Written assignments
|
|
| 8 | 4 |
Performance and Display
|
Descant Recorder - Collecting materials for making a recorder case
|
By the end of the
lesson, the learner
should be able to:
- Identify suitable materials for recorder case - Select appropriate materials based on function - Show creativity in resource selection |
- Discuss purposes of a recorder case
- Identify suitable materials (fabric, leather, yarn) - Collect recyclable materials for case making - Sort and prepare materials for use |
What materials are suitable for making a recorder case?
|
- Mentor Creative Arts pg. 132
- Sample materials (fabric, leather, yarn) - Recyclable materials - Storage containers |
- Observation
- Material selection assessment
- Resource collection evaluation
|
|
| 8 | 5-6 |
Performance and Display
|
Descant Recorder - Making a decorated case
Descant Recorder - Embellishing the case with found objects Descant Recorder - Learning to play note B |
By the end of the
lesson, the learner
should be able to:
- Create a case using appropriate technique - Apply color variation in case design - Value creativity in instrument accessories - Position fingers correctly for note B - Produce correct sound for note B - Show interest in playing musical notes |
- Demonstrate stitching technique for fabric/leather case
- Practice crocheting technique for yarn case - Apply color variation in design - Size case appropriately for recorder - Watch demonstrations/videos of playing note B - Practice closing back hole with left thumb - Place first finger of left hand on first hole - Support recorder with right hand thumb - Blow gently to produce B note |
What techniques can be used to create a functional recorder case?
How is note B played on the descant recorder? |
- Mentor Creative Arts pg. 132
- Collected materials - Needles, thread - Crochet hooks - Scissors - Completed recorder cases - Found objects for decoration - Adhesives, thread - Mentor Creative Arts pg. 133 - Descant recorders - Charts showing B fingering - Digital devices for demonstrations |
- Observation
- Project assessment
- Creativity evaluation
- Observation - Performance assessment - Note accuracy evaluation |
|
| 9 | 1 |
Performance and Display
|
Descant Recorder - Learning to play note A
Descant Recorder - Learning to play note G |
By the end of the
lesson, the learner
should be able to:
- Position fingers correctly for note A - Produce correct sound for note A - Show confidence in playing musical notes |
- Watch demonstrations/videos of playing note A
- Practice closing back hole with left thumb - Place first and second fingers on appropriate holes - Support recorder with right hand thumb - Blow gently to produce A note |
How is note A played on the descant recorder?
|
- Mentor Creative Arts pg. 134
- Descant recorders - Charts showing A fingering - Digital devices for demonstrations - Mentor Creative Arts pg. 135 - Charts showing G fingering |
- Observation
- Performance assessment
- Note accuracy evaluation
|
|
| 9 | 2 |
Performance and Display
|
Descant Recorder - Practicing appropriate playing techniques
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate correct posture when playing - Apply appropriate blowing technique - Show perseverance in developing skills |
- Practice correct sitting/standing posture
- Focus on gentle blowing for clear tone - Practice correct finger positioning for each note - Apply appropriate breath control |
What contributes to good tone production on the recorder?
|
- Mentor Creative Arts pg. 136
- Descant recorders - Charts showing proper technique - Mirror for self-observation |
- Observation
- Performance assessment
- Technique evaluation
|
|
| 9 |
Half-term break |
||||||||
| 10 | 1 |
Performance and Display
|
Descant Recorder - Playing combined note patterns
Descant Recorder - Playing simple melodies |
By the end of the
lesson, the learner
should be able to:
- Play simple patterns combining G, A, B - Transition smoothly between notes - Demonstrate growing confidence in playing |
- Practice combined note patterns using G, A, B
- Focus on clean transitions between notes - Play simple exercises with alternating notes - Apply proper fingering technique |
How does finger movement affect note transitions?
|
- Mentor Creative Arts pg. 137
- Descant recorders - Combined note pattern charts - Transition exercises - Mentor Creative Arts pg. 138 - Notation for "Merrily We Roll Along" - Audio recording of melody |
- Observation
- Performance assessment
- Transition fluency evaluation
|
|
| 10 | 2 |
Performance and Display
|
Descant Recorder - Playing additional melodies
|
By the end of the
lesson, the learner
should be able to:
- Play "Hot Cross Buns" and other simple melodies - Apply correct fingering for each note - Demonstrate growing musical confidence |
- Practice playing "Hot Cross Buns" and other melodies
- Form groups for practice and performance - Take turns playing the melodies - Focus on note transitions and rhythm accuracy - Provide feedback to group members |
How does group practice enhance melody learning?
|
- Mentor Creative Arts pg. 139
- Descant recorders - Notation for "Hot Cross Buns" and other melodies - Audio recordings of melodies |
- Observation
- Performance assessment
- Group participation evaluation
|
|
| 10 | 3 |
Performance and Display
|
Songs - Introduction to different types of songs
Songs - Sacred songs |
By the end of the
lesson, the learner
should be able to:
- Identify different types of songs - Discuss how songs are used to pass messages - Show interest in learning about songs |
- Discuss how songs are used to pass messages
- Identify different types of songs (sacred, patriotic, folk) - Study pictures of people singing in different settings - Share personal experiences with songs - Discuss occasions for different song types |
What contributes towards a good performance?
|
- Mentor Creative Arts pg. 101
- Pictures of people singing in different settings - Audio recordings of different song types - Chart showing song categories - Mentor Creative Arts pg. 102 - Audio recordings of sacred songs - Pictures of worship settings - Chart with song lyrics |
- Observation
- Oral questions
- Written assignments
|
|
| 10 | 4 |
Performance and Display
|
Songs - Singing sacred songs expressively
|
By the end of the
lesson, the learner
should be able to:
- Sing sacred songs with proper expression - Apply appropriate tempo and dynamics - Value expression in musical performance |
- Practice singing sacred songs with expression
- Explore fast/loud and slow/soft variations - Discuss feelings when singing different ways - Add hand clapping or table tapping for rhythm - Perform songs with appropriate expression |
How do tempo and dynamics affect the message of a song?
|
- Mentor Creative Arts pg. 102
- Audio recordings of sacred songs - Chart with song lyrics - Rhythm instruments |
- Observation
- Performance assessment
- Expression evaluation
|
|
| 10 | 5-6 |
Performance and Display
|
Songs - Patriotic songs
Songs - Singing patriotic songs expressively Songs - Introduction to folk songs |
By the end of the
lesson, the learner
should be able to:
- Identify patriotic songs and their purpose - Describe characteristics of patriotic songs - Show pride in national songs - Define folk songs as traditional songs - Identify types of folk songs - Show interest in cultural musical heritage |
- Study pictures of patriotic performances
- Listen to "Tuishangilie Kenya" and other patriotic songs - Discuss the message in patriotic songs - Explore the tempo and dynamics of patriotic songs - Learn about occasions for patriotic songs - Discuss meaning of folk songs - Explore different types of folk songs (work, funeral, naming, initiation, marriage, worship) - Listen to examples of various folk songs - Identify communities of origin for songs - Discuss occasions for different folk songs |
What messages are conveyed through patriotic songs?
How do Kenyan communities use folk songs? |
- Mentor Creative Arts pg. 104
- Audio recordings of patriotic songs - Chart with patriotic song lyrics - Pictures of national celebrations - Performance space - Mentor Creative Arts pg. 106 - Audio/video recordings of folk songs - Chart showing folk song categories - Map of Kenyan communities |
- Observation
- Oral questions
- Listening assessment
|
|
| 11 | 1 |
Performance and Display
|
Songs - Work folk songs
Songs - Naming folk songs |
By the end of the
lesson, the learner
should be able to:
- Identify work folk songs and their purpose - Sing a work folk song with appropriate expression - Value cultural traditions in music |
- Listen to examples of work folk songs
- Discuss the purpose of work songs - Learn a work folk song from a Kenyan community - Practice singing with appropriate expression - Perform work-related movements while singing |
What is the purpose of work folk songs?
|
- Mentor Creative Arts pg. 106
- Audio/video recordings of work folk songs - Chart with song lyrics - Pictures of traditional work activities - Audio/video recordings of naming folk songs - Pictures of naming ceremonies |
- Observation
- Performance assessment
- Movement coordination evaluation
|
|
| 11 | 2 |
Performance and Display
|
Songs - Initiation folk songs
|
By the end of the
lesson, the learner
should be able to:
- Identify initiation folk songs and their purpose - Sing an initiation folk song with proper expression - Respect cultural transition ceremonies |
- Study pictures of initiation ceremonies
- Listen to examples of initiation folk songs - Discuss the purpose of initiation songs - Learn an initiation folk song - Perform song with appropriate expression and gestures |
What messages are conveyed in initiation folk songs?
|
- Mentor Creative Arts pg. 108
- Audio/video recordings of initiation folk songs - Chart with song lyrics - Pictures of initiation ceremonies |
- Observation
- Performance assessment
- Cultural understanding evaluation
|
|
| 11 | 3 |
Performance and Display
|
Songs - Marriage folk songs
Songs - Worship folk songs |
By the end of the
lesson, the learner
should be able to:
- Identify marriage folk songs and their purpose - Sing a marriage folk song with appropriate expression - Value cultural marriage traditions |
- Study pictures of marriage ceremonies
- Listen to examples of marriage folk songs - Learn "Mueni" Akamba marriage folk song - Discuss the message of the song - Perform with appropriate expression and gestures |
What is the purpose of marriage folk songs?
|
- Mentor Creative Arts pg. 109
- Audio/video recordings of marriage folk songs - Chart with "Mueni" lyrics and translation - Pictures of marriage ceremonies - Mentor Creative Arts pg. 110 - Audio/video recordings of worship folk songs - Chart with "Geithia mundu" lyrics and translation - Pictures of traditional worship settings |
- Observation
- Performance assessment
- Cultural understanding evaluation
|
|
| 11 | 4 |
Performance and Display
|
Songs - Exploring indigenous methods of costume decoration
|
By the end of the
lesson, the learner
should be able to:
- Identify indigenous costume decoration methods - Describe tie-dye and beadwork techniques - Value traditional craft techniques |
- Watch videos/observe pictures of decorated costumes
- Identify decoration techniques (tie-dye, beadwork) - Explore materials used in traditional decoration - Discuss significance of designs and colors - Examine samples of decorated costumes |
How do Kenyan communities decorate costumes for performing folk songs?
|
- Mentor Creative Arts pg. 111
- Pictures of decorated costumes - Samples of decorated fabrics - Videos of costume decoration techniques - Charts showing decoration methods |
- Observation
- Oral questions
- Written assignments
|
|
| 11 | 5-6 |
Performance and Display
|
Songs - Learning tie-dye techniques for costume decoration
Songs - Applying dye to fabric for costume decoration Songs - Learning beadwork techniques for costume decoration |
By the end of the
lesson, the learner
should be able to:
- Explain the process of tie-dye - Prepare fabric for tie-dye decoration - Show interest in traditional craft techniques - Explain beadwork decoration techniques - Identify recyclable materials for beadwork - Value sustainability in craft making |
- Demonstrate tie-dye circle technique
- Prepare fabric by folding and tying - Discuss use of natural vs. artificial dyes - Practice tying techniques for different patterns - Prepare fabrics for dyeing - Explore traditional beadwork techniques - Identify recyclable materials for beads - Discuss color and pattern significance - Collect materials for beadwork - Practice simple beading techniques |
What traditional materials are used for dyeing fabrics?
What materials can be recycled to create decorative beads? |
- Mentor Creative Arts pg. 111
- Fabric for tie-dye - String/rubber bands for tying - Samples of tie-dye patterns - Demonstration charts - Prepared tied fabrics - Dye (artificial or natural) - Containers for dyeing - Protective gloves and aprons - Cleaning supplies - Mentor Creative Arts pg. 111 - Samples of beadwork - Recyclable materials for beads - Threading materials - Pictures of traditional beadwork |
- Observation
- Technique demonstration assessment
- Pattern preparation evaluation
- Observation - Material selection assessment - Technique demonstration evaluation |
|
| 12 | 1 |
Performance and Display
|
Songs - Creating beadwork decorations for costumes
Songs - Selecting folk songs for group performance |
By the end of the
lesson, the learner
should be able to:
- Create beadwork decorations using recyclable materials - Apply color patterns in beadwork - Show creativity in costume design |
- Create beads from recyclable materials
- String beads in patterns - Apply beadwork to costume pieces - Focus on color, type of beads, and function - Display completed beadwork decorations |
How do color patterns in beadwork convey meaning?
|
- Mentor Creative Arts pg. 111
- Prepared recyclable beads - Threading materials - Costume pieces for decoration - Display materials - Audio recordings of folk songs - Charts with song lyrics - Role assignment sheets - Performance planning templates |
- Observation
- Product assessment
- Pattern application evaluation
- Creativity assessment
|
|
| 12 | 2 |
Performance and Display
|
Songs - Group performance of folk songs with correct diction
|
By the end of the
lesson, the learner
should be able to:
- Sing folk songs with correct diction - Perform assigned roles in group - Show confidence in cultural performance |
- Practice singing selected folk songs in groups
- Focus on correct pronunciation of words - Apply appropriate facial expressions and gestures - Perform in assigned roles (soloist, chorus) - Provide constructive feedback to peers |
How does correct diction affect song meaning?
|
- Mentor Creative Arts pg. 111
- Charts with song lyrics - Audio recordings for reference - Performance space - Decorated costumes |
- Observation
- Performance assessment
- Diction evaluation
- Role fulfillment assessment
|
|
| 12 | 3 |
Performance and Display
|
Songs - Playing percussion instruments to accompany folk songs
Songs - Learning care and maintenance of instruments |
By the end of the
lesson, the learner
should be able to:
- Play simple rhythms on percussion instruments - Accompany folk songs with percussion - Value the role of instruments in performance |
- Select appropriate percussion instruments
- Demonstrate techniques (hitting, shaking, plucking) - Practice simple rhythmic patterns - Accompany folk songs with percussion - Coordinate instrumental parts with singing |
How do percussion instruments enhance folk song performances?
|
- Mentor Creative Arts pg. 111
- Percussion instruments (drums, shakers, rattles) - Charts showing rhythmic patterns - Audio recordings of accompanied songs - Mentor Creative Arts pg. 112 - Percussion instruments - Cleaning materials - Storage containers - Instrument care charts |
- Observation
- Performance assessment
- Rhythm accuracy evaluation
- Coordination assessment
|
|
| 12 | 4 |
Performance and Display
|
Songs - Integrated folk song performance
|
By the end of the
lesson, the learner
should be able to:
- Perform folk songs with instrumental accompaniment - Use decorated costumes in performance - Demonstrate cultural appreciation through performance |
- Rehearse folk songs with instrumental accompaniment
- Wear decorated costumes for performance - Apply all performance elements (expression, diction, gestures) - Perform for classmates - Receive and respond to feedback |
How do all performance elements work together in folk song presentation?
|
- Mentor Creative Arts pg. 112
- Percussion instruments - Decorated costumes - Performance space - Feedback forms |
- Observation
- Performance assessment
- Integration evaluation
- Audience feedback
|
|
| 12 | 5-6 |
Performance and Display
|
Songs - Recording folk song performances
Songs - Appreciation of percussion instruments in performances Songs - Cultural exchange through folk songs |
By the end of the
lesson, the learner
should be able to:
- Perform folk songs for recording - Evaluate recorded performances - Value technology in preserving cultural expressions - Perform folk songs from different communities - Compare folk song traditions across cultures - Value cultural diversity through music |
- Use digital devices to record performances
- Perform folk songs for recording - Review recordings for quality and improvement - Store recordings in digital portfolio - Discuss potential uses for recordings - Share folk songs from different communities - Identify similarities and differences in traditions - Learn elements of songs from other communities - Discuss values expressed in different traditions - Create cultural exchange performance |
How can recording technology preserve cultural heritage?
How do folk songs promote cultural understanding? |
- Mentor Creative Arts pg. 112
- Digital recording devices - Performance space - Playback equipment - Storage devices - Audio recordings with percussion - Percussion instruments - Pictures of traditional instruments - Poster-making materials - Mentor Creative Arts pg. 112 - Audio recordings from different communities - Charts comparing song traditions - Performance space - Cultural artifacts |
- Observation
- Recording quality assessment
- Performance evaluation
- Digital portfolio management
- Observation - Comparative analysis assessment - Performance evaluation - Cultural sensitivity observation |
|
| 13-14 |
End of term assessment and school closure. |
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