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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 2 |
Creating and Execution
|
Rounders
|
By the end of the
lesson, the learner
should be able to:
Observe illustrations/actual samples of bats to identify the (knob, handle, grip, head, length and thickness) Identify the features of a rounders bat through practice. Appreciate the features of a rounders bat. |
In groups, pairs or individually learners are guided to:
Observe illustrations/actual samples of bats to identify the (knob, handle, grip, head, length and thickness) Identify the features of a rounders bat through practice. |
Why is it important to follow-through after hitting the ball?
|
Creative Arts Curriculum Design Grade 5
Wood, carving tools, sandpaper, polish, marked field, carved bats, posts, balls, whistle |
Oral questions Oral Report Observation
Written exercise
|
|
| 1 | 3 |
Creating and Execution
|
Rounders
|
By the end of the
lesson, the learner
should be able to:
Identify the features of a rounders bat through practice. Carve a bat for playing the game of rounders from wood. Appreciate the features of a rounders bat. |
In groups, pairs or individually learners are guided to:
Identify the features of a rounders bat through practice. Carve a bat for playing the game of rounders from wood. |
Why is it important to follow-through after hitting the ball?
|
Creative Arts Curriculum Design Grade 5
Wood, carving tools, sandpaper, polish, marked field, carved bats, posts, balls, whistle |
Oral questions Oral Report Observation
Written exercise
|
|
| 1 | 4-5 |
Creating and Execution
|
Rounders
|
By the end of the
lesson, the learner
should be able to:
Identify the features of a rounders bat through practice. Carve a bat for playing the game of rounders from wood. Appreciate the features of a rounders bat. Collect locally available materials for marking a rounder’s post Use locally available materials to mark and improvise rounders’ posts Observe caution while collecting locally available |
In groups, pairs or individually learners are guided to:
Identify the features of a rounders bat through practice. Carve a bat for playing the game of rounders from wood. In groups, pairs or individually learners are guided to: Collect locally available materials for marking a rounder’s post Use locally available materials to mark and improvise rounders’ posts |
Why is it important to follow-through after hitting the ball?
|
Creative Arts Curriculum Design Grade 5
Wood, carving tools, sandpaper, polish, marked field, carved bats, posts, balls, whistle |
Oral questions Oral Report Observation
Written exercise
|
|
| 1 |
Labour day |
||||||||
| 2 | 1 |
Creating and Execution
|
Rounders
|
By the end of the
lesson, the learner
should be able to:
Improvise a ball using recyclable materials (papers/ papier mache, rubber bands, plastic among others) for playing rounders. Decorate the ball using suitable techniques (spray painting) Display safety measures while handling spray painting for self and others. |
In groups, pairs or individually learners are guided to:
Improvise a ball using recyclable materials (papers/ papier mache, rubber bands, plastic among others) for playing rounders. Decorate the ball using suitable techniques (spray painting) |
Why is it important to follow-through after hitting the ball?
|
Creative Arts Curriculum Design Grade 5
Wood, carving tools, sandpaper, polish, marked field, carved bats, posts, balls, whistle |
Oral questions Oral Report Observation
Written exercise
|
|
| 2 | 2 |
Creating and Execution
|
Rounders
|
By the end of the
lesson, the learner
should be able to:
Improvise a ball using recyclable materials (papers/ papier mache, rubber bands, plastic among others) for playing rounders. Decorate the ball using suitable techniques (spray painting) Display their improvised balls for peer feedback. |
In groups, pairs or individually learners are guided to:
Improvise a ball using recyclable materials (papers/ papier mache, rubber bands, plastic among others) for playing rounders. Decorate the ball using suitable techniques (spray painting) |
Why is it important to follow-through after hitting the ball?
|
Creative Arts Curriculum Design Grade 5
Wood, carving tools, sandpaper, polish, marked field, carved bats, posts, balls, whistle |
Oral questions Oral Report Observation
Written exercise
|
|
| 2 | 3 |
Creating and Execution
|
Rounders
|
By the end of the
lesson, the learner
should be able to:
Warm-up while singing appropriate songs observing expressive elements-dynamics, gestures, facial expressions Execute batting (stance) using the improvised bat -observing safety rules Value the safety of other players when playing the game of rounders. |
In groups, pairs or individually learners are guided to:
Warm-up while singing appropriate songs observing expressive elements-dynamics, gestures, facial expressions Execute batting (stance) using the improvised bat -observing safety rules |
Why is it important to follow-through after hitting the ball?
|
Creative Arts Curriculum Design Grade 5
Wood, carving tools, sandpaper, polish, marked field, carved bats, posts, balls, whistle |
Oral questions Oral Report Observation
Written exercise
|
|
| 2 | 4-5 |
Creating and Execution
|
Rounders
|
By the end of the
lesson, the learner
should be able to:
Warm-up while singing appropriate songs observing expressive elements-dynamics, gestures, facial expressions Execute batting (grip) using the improvised bat -observing safety rules Value the safety of other players when playing the game of rounders. Warm-up while singing appropriate songs observing expressive elements-dynamics, gestures, facial expressions Execute batting follow-through and post running) using the improvised bat -observing safety rules Value the safety of other players when playing the game of rounders. |
In groups, pairs or individually learners are guided to:
Warm-up while singing appropriate songs observing expressive elements-dynamics, gestures, facial expressions Execute batting (grip) using the improvised bat -observing safety rules In groups, pairs or individually learners are guided to: Warm-up while singing appropriate songs observing expressive elements-dynamics, gestures, facial expressions Execute batting follow-through and post running) using the improvised bat -observing safety rules |
Why is it important to follow-through after hitting the ball?
|
Creative Arts Curriculum Design Grade 5
Wood, carving tools, sandpaper, polish, marked field, carved bats, posts, balls, whistle |
Oral questions Oral Report Observation
Written exercise
|
|
| 2 | 6 |
Creating and Execution
|
Rounders
|
By the end of the
lesson, the learner
should be able to:
Warm-up while singing appropriate songs observing expressive elements-dynamics, gestures, facial expressions Execute batting follow-through and post running) using the improvised bat -observing safety rules Value the safety of other players when playing the game of rounders. |
In groups, pairs or individually learners are guided to:
Warm-up while singing appropriate songs observing expressive elements-dynamics, gestures, facial expressions Execute batting follow-through and post running) using the improvised bat -observing safety rules |
Why is it important to follow-through after hitting the ball?
|
Creative Arts Curriculum Design Grade 5
Wood, carving tools, sandpaper, polish, marked field, carved bats, posts, balls, whistle |
Oral questions Oral Report Observation
Written exercise
|
|
| 3 | 1 |
Creating and Execution
|
Rounders
|
By the end of the
lesson, the learner
should be able to:
Distribute rounders bats equitably among themselves Demonstrate fielding in the game of rounders Value the safety of other players when playing the game of rounders. |
In groups, pairs or individually learners are guided to:
equitably among themselves Demonstrate fielding in the game of rounders |
Why is it important to follow-through after hitting the ball?
|
Creative Arts Curriculum Design Grade 5
Wood, carving tools, sandpaper, polish, marked field, carved bats, posts, balls, whistle |
Oral questions Oral Report Observation
Written exercise
|
|
| 3 | 2 |
Creating and Execution
|
Rounders
|
By the end of the
lesson, the learner
should be able to:
Distribute rounders bats equitably among themselves Demonstrate fielding in the game of rounders Value the safety of other players when playing the game of rounders. |
In groups, pairs or individually learners are guided to:
equitably among themselves Demonstrate fielding in the game of rounders |
Why is it important to follow-through after hitting the ball?
|
Creative Arts Curriculum Design Grade 5
Wood, carving tools, sandpaper, polish, marked field, carved bats, posts, balls, whistle |
Oral questions Oral Report Observation
Written exercise
|
|
| 3 | 3 |
Creating and Execution
|
Rounders
|
By the end of the
lesson, the learner
should be able to:
Practise the skills of batting and fielding in the game of rounders Execute fielding, (bowling) in the game of rounders for skill acquisition Value the safety of other players when playing the game of rounders. |
In groups, pairs or individually learners are guided to:
Practise the skills of batting and fielding in the game of rounders Execute fielding, (bowling) in the game of rounders for skill acquisition |
Why is it important to follow-through after hitting the ball?
|
Creative Arts Curriculum Design Grade 5
Wood, carving tools, sandpaper, polish, marked field, carved bats, posts, balls, whistle |
Oral questions Oral Report Observation
Written exercise
|
|
| 3 | 4-5 |
Creating and Execution
|
Rounders
|
By the end of the
lesson, the learner
should be able to:
Practise the skills of batting and fielding in the game of rounders for skill acquisition Execute fielding, (tagging) in the game of rounders for skill acquisition Value the safety of other players when playing the game of rounders. Demarcate the field of play Play a rounders game Maintain the safety of others when batting in the game of rounders. |
In groups, pairs or individually learners are guided to:
Practise the skills of batting and fielding in the game of rounders for skill acquisition Execute fielding, (tagging) in the game of rounders for skill acquisition In groups, pairs or individually learners are guided to: Demarcate the field of play Play a rounders game |
Why is it important to follow-through after hitting the ball?
|
Creative Arts Curriculum Design Grade 5
Wood, carving tools, sandpaper, polish, marked field, carved bats, posts, balls, whistle Creative Arts Curriculum Design Grade 5 Marked field, carved bats, posts, balls, whistle |
Oral questions Oral Report Observation
Written exercise
|
|
| 3 | 6 |
Creating and Execution
|
Rounders
|
By the end of the
lesson, the learner
should be able to:
Demarcate the field of play Play a rounders game Maintain the safety of others when batting in the game of rounders. |
In groups, pairs or individually learners are guided to:
Demarcate the field of play Play a rounders game |
Why is it important to follow-through after hitting the ball?
|
Creative Arts Curriculum Design Grade 5
Marked field, carved bats, posts, balls, whistle |
Oral questions Oral Report Observation
Written exercise
|
|
| 4 | 1 |
Performance and Display
|
Athletics - Visual baton exchange
Nonvisual baton exchange
|
By the end of the
lesson, the learner
should be able to:
Discuss how relay is performed Identify appropriate materials for plaiting a skipping rope and for making a relay baton Have fun collecting appropriate locally available materials for plaiting a rope (sisal, leather, recycled bag, old fabric) |
In groups, pairs or individually learners are guided to:
Discuss how relay is performed Identify appropriate materials for plaiting a skipping rope and for making a relay baton |
How is a relay performed?
|
Creative Arts Curriculum Design Grade 5
Wood, carving/cutting tools, sand papers, paints, polish, sisal, leather, fabric, recyclable |
Oral questions Oral Report Observation
Written exercise
|
|
| 4 | 2 |
Performance and Display
|
Athletics - Visual baton exchange
Nonvisual baton exchange
|
By the end of the
lesson, the learner
should be able to:
Explore virtual samples of plaited basketry items Discuss how plaiting materials is prepared Appreciate plaited items |
In groups, pairs or individually learners are guided to:
Explore actual samples of plaited basketry items Prepare and decorate the material for plaiting by dyeing / painting. |
How are plaiting materials prepared?
|
Creative Arts Curriculum Design Grade 5
Sand papers, paints, polish, sisal, leather, fabric, recyclable Paints, polish, sisal, leather, fabric, recyclable |
Oral questions Oral Report Observation
Written exercise
|
|
| 4 | 3 |
Performance and Display
|
Athletics - Visual baton exchange
Nonvisual baton exchange
|
By the end of the
lesson, the learner
should be able to:
Plait a 3 strand rope for warm up activity in a relay race Use the skipping rope for warm-up before skill demonstration Enjoy warming up using the plaited skipping rope |
In groups, pairs or individually learners are guided to:
Plait a 3 strand rope for warm up activity in a relay race Use the skipping rope for warm-up before skill demonstration |
How are plaiting materials prepared?
|
Creative Arts Curriculum Design Grade 5
Wood, carving/cutting tools, sand papers, paints, polish, sisal, leather, fabric, recyclable |
Oral questions Oral Report Observation
Written exercise
|
|
| 4 | 4-5 |
Performance and Display
|
Athletics - Visual baton exchange
Nonvisual baton exchange
|
By the end of the
lesson, the learner
should be able to:
Plait a 3 strand rope for warm up activity in a relay race Use the skipping rope for warm-up before skill demonstration Enjoy warming up using the plaited skipping rope Collect locally available resources (cutting, peeling the bark, drying, decorate by painting, smoking, incising) Make a baton for use in a relay. Appreciate their own and others baton for use in a relay. |
In groups, pairs or individually learners are guided to:
Plait a 3 strand rope for warm up activity in a relay race Use the skipping rope for warm-up before skill demonstration In groups, pairs or individually learners are guided to: Collect locally available resources (cutting, peeling the bark, drying, decorate by painting, smoking, incising) Make a baton for use in a relay. |
How are plaiting materials prepared?
|
Creative Arts Curriculum Design Grade 5
Wood, carving/cutting tools, sand papers, paints, polish, sisal, leather, fabric, recyclable |
Oral questions Oral Report Observation
Written exercise
|
|
| 4 | 6 |
Performance and Display
|
Athletics - Visual baton exchange
Nonvisual baton exchange
|
By the end of the
lesson, the learner
should be able to:
Collect locally available resources (cutting, peeling the bark, drying, decorate by painting, smoking, incising) Make a baton for use in a relay. Appreciate their own and others baton for use in a relay. |
In groups, pairs or individually learners are guided to:
Collect locally available resources (cutting, peeling the bark, drying, decorate by painting, smoking, incising) Make a baton for use in a relay. |
How is a relay performed?
|
Creative Arts Curriculum Design Grade 5
Wood, carving/cutting tools, sand papers, paints, polish, sisal, leather, fabric, recyclable |
Oral questions Oral Report Observation
Written exercise
|
|
| 5 | 1 |
Performance and Display
|
Athletics - Visual baton exchange
Nonvisual baton exchange
|
By the end of the
lesson, the learner
should be able to:
Demonstrate the skill of baton exchange Practise the skill of visual baton exchange in a relay race while safely maintaining own lane. Appraise peers’ performance in a relay. |
In groups, pairs or individually learners are guided to:
Demonstrate the skill of baton exchange Practise the skill of visual baton exchange in a relay race while safely maintaining own lane. |
How are plaiting materials prepared?
|
Creative Arts Curriculum Design Grade 5
Cutting tools, sand papers, paints, polish, sisal, leather, fabric, recyclable Wood, carving/cutting tools, sand papers, paints, polish, sisal, leather, fabric, recyclable |
Oral questions Oral Report Observation
Written exercise
|
|
| 5 | 2 |
Performance and Display
|
Athletics - Visual baton exchange
Nonvisual baton exchange
|
By the end of the
lesson, the learner
should be able to:
Demonstrate the skill of baton exchange Practise the skill of visual baton exchange in a relay race while safely maintaining own lane. Appraise peers’ performance in a relay. |
In groups, pairs or individually learners are guided to:
Demonstrate the skill of baton exchange Practise the skill of visual baton exchange in a relay race while safely maintaining own lane. |
How are plaiting materials prepared?
|
Creative Arts Curriculum Design Grade 5
Wood, carving/cutting tools, sand papers, paints, polish, sisal, leather, fabric, recyclable |
Oral questions Oral Report Observation
Written exercise
|
|
| 5 | 3 |
Performance and Display
|
Athletics - Visual baton exchange
Nonvisual baton exchange
|
By the end of the
lesson, the learner
should be able to:
Demonstrate the skill of baton exchange Practise the skill of non-visual baton exchange in a relay race while safely maintaining own lane. Appraise peers’ performance in a relay. |
In groups, pairs or individually learners are guided to:
Demonstrate the skill of baton exchange Practise the skill of non-visual baton exchange in a relay race while safely maintaining own lane. Participate in a relay race. |
How is a relay performed?
|
Creative Arts Curriculum Design Grade 5
Wood, carving/cutting tools, sand papers, paints, polish, sisal, leather, fabric, recyclable |
Oral questions Oral Report Observation
Written exercise
|
|
| 5 | 4-5 |
Performance and Display
|
Athletics - Visual baton exchange
Nonvisual baton exchange
|
By the end of the
lesson, the learner
should be able to:
Demonstrate the skill of baton exchange Practise the skill of non-visual baton exchange in a relay race while safely maintaining own lane. Appraise peers’ performance in a relay. |
In groups, pairs or individually learners are guided to:
Demonstrate the skill of baton exchange Practise the skill of non-visual baton exchange in a relay race while safely maintaining own lane. Participate in a relay race. |
How are plaiting materials prepared?
How is a relay performed? |
Creative Arts Curriculum Design Grade 5
Wood, carving/cutting tools, sand papers, paints, polish, sisal, leather, fabric, recyclable |
Oral questions Oral Report Observation
Written exercise
|
|
| 5 | 6 |
Performance and Display
|
Athletics - Visual baton exchange
Nonvisual baton exchange
|
By the end of the
lesson, the learner
should be able to:
Sing the three verses of the EastAfrican Community Anthem observing etiquette. Discuss the East African Community Anthem focusing on message, value and occasions when it is performed. Appreciate the East African Anthem as a song of unity and oneness. |
In groups, pairs or individually learners are guided to:
Sing the three verses of the EastAfrican Community Anthem observing etiquette. Discuss the East African Community Anthem focusing on message, value and occasions when it is performed. |
How are plaiting materials prepared?
|
Creative Arts Curriculum Design Grade 5
Wood, carving/cutting tools, sand papers, paints, polish, sisal, leather, fabric, recyclable Sand papers, paints, polish, sisal, leather, fabric, recyclable |
Oral questions Oral Report Observation
Written exercise
|
|
| 6 |
Madaraka day |
||||||||
| 6 | 2 |
Performance and Display
|
Puppetry
|
By the end of the
lesson, the learner
should be able to:
Discuss the role of puppetry in society Identify materials used in making puppets Have fun exploring the environment to gather recyclable materials for making glove puppets, (found objects) |
In groups, pairs or individually learners are guided to:
Discuss the role of puppetry in society Identify materials used in making puppets Explore the environment to gather recyclable materials for making glove puppets, (found objects) |
What is the role of puppetry in society?
|
Creative Arts Curriculum Design Grade 5
Found objects, dyes/paints, threads, needles, glue, topical songs. |
Oral questions Oral Report Observation
Written exercise
|
|
| 6 | 3 |
Performance and Display
|
Puppetry
|
By the end of the
lesson, the learner
should be able to:
Make a glove puppet using recyclable materials with emphasis on functionality and exaggeration Decorate the puppet to bring out features and for aesthetic effects Appreciate own and other’s hand puppets. |
In groups, pairs or individually learners are guided to:
Make a glove puppet using recyclable materials with emphasis on functionality and exaggeration Decorate the puppet to bring out features and for aesthetic effects |
What is the role of puppetry in society?
|
Creative Arts Curriculum Design Grade 5
Found objects, dyes/paints, threads, needles, glue, topical songs. |
Oral questions Oral Report Observation
Written exercise
|
|
| 6 | 4-5 |
Performance and Display
|
Puppetry
|
By the end of the
lesson, the learner
should be able to:
Make a glove puppet using recyclable materials with emphasis on functionality and exaggeration Decorate the puppet to bring out features and for aesthetic effects Appreciate own and other’s hand puppets. |
In groups, pairs or individually learners are guided to:
Make a glove puppet using recyclable materials with emphasis on functionality and exaggeration Decorate the puppet to bring out features and for aesthetic effects |
What is the role of puppetry in society?
|
Creative Arts Curriculum Design Grade 5
Found objects, dyes/paints, threads, needles, glue, topical songs. |
Oral questions Oral Report Observation
Written exercise
|
|
| 6 | 6 |
Performance and Display
|
Puppetry
|
By the end of the
lesson, the learner
should be able to:
Perform a puppet show while singing topical songs with proper voice blending Talk about your own and peers’ puppets fairly. Appreciate own and other’s hand puppets. |
By the end of the lesson, the learner should be able to:
Perform a puppet show while singing topical songs with proper voice blending Talk about your own and peers’ puppets fairly. |
What is the role of puppetry in society?
|
Creative Arts Curriculum Design Grade 5
Found objects, dyes/paints, threads, needles, glue, topical songs. |
Oral questions Oral Report Observation
Written exercise
|
|
| 7 | 1 |
Performance and Display
|
Performing a Kenyan Folk Dance
|
By the end of the
lesson, the learner
should be able to:
Watch a Kenyan folk dance performance. Discuss the components Kenyan folk dance performance: participants and body movement. Appreciate the components of a Kenyan folk dance |
In groups, pairs or individually learners are guided to:
Watch a Kenyan folk dance performance. Discuss the components Kenyan folk dance performance: participants and body movement. |
Why is it important to perform a folk song?
|
Creative Arts Curriculum Design Grade 5
Pictures, audio recording, digital devices, sheet music, pitching device |
Oral questions Oral Report Observation
Written exercise
|
|
| 7 | 2 |
Performance and Display
|
Performing a Kenyan Folk Dance
|
By the end of the
lesson, the learner
should be able to:
Identify the role of costumes and body decorations in a dance. Discuss the components Kenyan folk dance performance: costumes and body decorations. Appreciate the components of a Kenyan folk dance |
In groups, pairs or individually learners are guided to:
Identify the role of costumes and body decorations in a dance. Discuss the components Kenyan folk dance performance: costumes and body decorations. |
What is the role of costumes, body adornment and ornaments in a dance?
|
Creative Arts Curriculum Design Grade 5
Pictures, audio recording, digital devices, sheet music, pitching device |
Oral questions Oral Report Observation
Written exercise
|
|
| 7 | 3 |
Performance and Display
|
Performing a Kenyan Folk Dance
|
By the end of the
lesson, the learner
should be able to:
Identify the role of ornaments and formation. Discuss the components Kenyan folk dance performance: ornaments and formations. Appreciate the components of a Kenyan folk dance |
In groups, pairs or individually learners are guided to:
Identify the role of ornaments and formation. Discuss the components Kenyan folk dance performance: ornaments and formations. |
How do the aspects of a folk dance contribute to its performance?
|
Creative Arts Curriculum Design Grade 5
Pictures, audio recording, digital devices, sheet music, pitching device |
Oral questions Oral Report Observation
Written exercise
|
|
| 7 | 4-5 |
Performance and Display
|
Performing a Kenyan Folk Dance
|
By the end of the
lesson, the learner
should be able to:
Identify the role of occasion and songs. Discuss the components Kenyan folk dance performance: occasion and songs. Appreciate the components of a Kenyan folk dance Watch a Kenyan folk dance performance. Discuss the components Kenyan folk dance performance: props and instruments Appreciate the components of a Kenyan folk dance |
In groups, pairs or individually learners are guided to:
Identify the role of occasion and songs. Discuss the components Kenyan folk dance performance: occasion and songs. In groups, pairs or individually learners are guided to: Watch a Kenyan folk dance performance. Discuss the components Kenyan folk dance performance: props and instruments |
Why is it important to perform a folk song?
What is the role of costumes, body adornment and ornaments in a dance? |
Creative Arts Curriculum Design Grade 5
Pictures, audio recording, digital devices, sheet music, pitching device |
Oral questions Oral Report Observation
Written exercise
|
|
| 7 | 6 |
Performance and Display
|
Performing a Kenyan Folk Dance
|
By the end of the
lesson, the learner
should be able to:
Identify types of folk songs performed by indigenous Kenyan communities Describe components of a Kenyan folk dance: participants (soloist, chorus/response, instrumentalist, dancers), body movement, costumes. Appreciate the role of folk dance in the society. |
In groups, pairs or individually learners are guided to:
Identify types of folk songs performed by indigenous Kenyan communities Describe components of a Kenyan folk dance: participants (soloist, chorus/response, instrumentalist, dancers), body movement, costumes. |
What is the role costumes of in Kenyan folk dance?
|
Creative Arts Curriculum Design Grade 5
Swimming facility, inflatable pool clothing and gear, safety equipment swimming aids |
Portfolio, observation schedule, exit tickets, skill progression charts, swimming performance analysis
|
|
| 8 | 1 |
Performance and Display
|
Performing a Kenyan Folk Dance
|
By the end of the
lesson, the learner
should be able to:
Identify types of folk songs performed by indigenous Kenyan communities Describe components of a Kenyan folk dance: body decorations, ornaments and formations Appreciate the role of folk dance in the society. |
In groups, pairs or individually learners are guided to:
Identify types of folk songs performed by indigenous Kenyan communities Describe components of a Kenyan folk dance: body decorations, ornaments and formations |
What is the role body decorations of in Kenyan folk dance?
|
Creative Arts Curriculum Design Grade 5
Swimming facility, inflatable pool clothing and gear, safety equipment swimming aids |
Portfolio, observation schedule, exit tickets, skill progression charts, swimming performance analysis
|
|
| 8 | 2 |
Performance and Display
|
Performing a Kenyan Folk Dance
|
By the end of the
lesson, the learner
should be able to:
Identify types of folk songs performed by indigenous Kenyan communities Describe components of a Kenyan folk dance: occasion, songs, props and instruments Appreciate the role of folk dance in the society. |
In groups, pairs or individually learners are guided to:
Identify types of folk songs performed by indigenous Kenyan communities Describe components of a Kenyan folk dance: occasion, songs, props and instruments |
What is the role props and instruments of in Kenyan folk dance?
|
Creative Arts Curriculum Design Grade 5
Swimming facility, inflatable pool clothing and gear, safety equipment swimming aids |
Portfolio, observation schedule, exit tickets, skill progression charts, swimming performance analysis
|
|
| 8 | 3 |
Performance and Display
|
Performing a Kenyan Folk Dance
|
By the end of the
lesson, the learner
should be able to:
Discuss the roles of costumes, ornaments and body adornment in a folk dance. Make ornaments (necklace) using recyclable materials to enhance performance of a kenyan folk dance Appreciate the role of folk dance in the society. |
In groups, pairs or individually learners are guided to:
Discuss the roles of costumes, ornaments and body adornment in a folk dance. Make ornaments (necklace) using recyclable materials to enhance performance of a kenyan folk dance |
Why is it important to perform a folk song?
|
Creative Arts Curriculum Design Grade 5
Swimming facility, inflatable pool clothing and gear, safety equipment swimming aids |
Portfolio, observation schedule, exit tickets, skill progression charts, swimming performance analysis
|
|
| 8 | 4-5 |
Performance and Display
|
Performing a Kenyan Folk Dance
|
By the end of the
lesson, the learner
should be able to:
Discuss the roles of costumes, ornaments and body adornment in a folk dance. Make ornaments (earrings) using recyclable materials to enhance performance of a kenyan folk dance Appreciate the role of folk dance in the society. Warm up activities (stretching) before a folk dance performance Take up different roles and practise a kenyan folk dance Enjoy performing Kenyan folk dances. |
In groups, pairs or individually learners are guided to:
Discuss the roles of costumes, ornaments and body adornment in a folk dance. Make ornaments (earrings) using recyclable materials to enhance performance of a kenyan folk dance In groups, pairs or individually learners are guided to: Warm up activities (stretching) before a folk dance performance Take up different roles and practise a kenyan folk dance |
Which materials do you need to make earrings for folk dance performance?
Why should you warm up before a folk dance performance? |
Creative Arts Curriculum Design Grade 5
Swimming facility, inflatable pool clothing and gear, safety equipment swimming aids |
Portfolio, observation schedule, exit tickets, skill progression charts, swimming performance analysis
|
|
| 8 | 6 |
Performance and Display
|
Performing a Kenyan Folk Dance
|
By the end of the
lesson, the learner
should be able to:
Identify the role of folk dance in the society. Describe the importance of Kenyan folk dance. Appreciate the role of folk dance in the society. |
In groups, pairs or individually learners are guided to:
Identify the role of folk dance in the society. Describe the importance of Kenyan folk dance. |
Why is it important to perform a folk song?
|
Creative Arts Curriculum Design Grade 5
Swimming facility, inflatable pool clothing and gear, safety equipment swimming aids |
Portfolio, observation schedule, exit tickets, skill progression charts, swimming performance analysis
|
|
| 9 | 1 |
Performance and Display
|
Performing a Kenyan Folk Dance
|
By the end of the
lesson, the learner
should be able to:
Identify the aspects of a folk dance. Explain how to care for costumes, props and ornaments used during folk dance. Appreciate the compopnents of a folk dance. |
In groups, pairs or individually learners are guided to:
Identify the aspects of a folk dance. Explain how to care for costumes, props and ornaments used during folk dance. |
What are the aspects of a folk dance?
|
Creative Arts Curriculum Design Grade 5
Recording of sacred, patriotic and topical and Kenyan folk songs |
Observation schedule, aural and oral tests.
|
|
| 9 | 2 |
Performance and Display
|
Performing a Kenyan Folk Dance
|
By the end of the
lesson, the learner
should be able to:
Practise the use of songs, body movements, and formations in a folk dance. Perform a kenyan folk dance wearing ornaments Appreciate the role of folk dance in the society. |
In groups, pairs or individually learners are guided to:
Practise the use of songs, body movements, and formations in a folk dance. Perform a kenyan folk dance wearing ornaments. |
How do the aspects of body in a folk dance contribute to its performance?
|
Creative Arts Curriculum Design Grade 5
Recording of sacred, patriotic and topical and Kenyan folk songs |
Observation schedule, aural and oral tests.
|
|
| 9 |
Mid-term break |
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| 10 | 1 |
Performance and Display
|
Performing a Kenyan Folk Dance
|
By the end of the
lesson, the learner
should be able to:
Practise the use of patterns, instruments and costumes in a folk dance. Perform a kenyan folk dance wearing costumes Appreciate the role of folk dance in the society. |
In groups, pairs or individually learners are guided to:
Practise the use of patterns, instruments and costumes in a folk dance. Perform a kenyan folk dance wearing costumes |
How do the aspects of energy in a folk dance contribute to its performance?
|
Creative Arts Curriculum Design Grade 5
Recording of sacred, patriotic and topical and Kenyan folk songs Recording of sacred, patriotic and topical and Kenyan folk songs, pitching instrument |
Observation schedule, aural and oral tests.
|
|
| 10 | 2 |
Performance and Display
|
Playing the Descant recorder
|
By the end of the
lesson, the learner
should be able to:
Mention the parts of a descant recorder. Draw a descant reccorder Appreciate the descant recorder |
Learners are guided in pairs, in groups or individually to:
Look at the picture of the descant recorder and say what they see on it Mention the parts of a descant recorder |
What can you see on a descant recorder?
|
Creative Arts Curriculum Design Grade 5
Recording of sacred, patriotic and topical and pitching instrument |
Observation schedule, aural and oral tests.
|
|
| 10 | 3 |
Performance and Display
|
Playing the Descant recorder
|
By the end of the
lesson, the learner
should be able to:
Sit and hold the descant recorder correctly Make sounds on the descant recorder playing notes G A B C’ D’ Enjoy playing the pitches G A B C’ D’ with a partner |
Learners are guided in pairs, in groups or individually to:
Sit and hold the descant recorder correctly Make sounds on the descant recorder playing notes G A B C’ D’ Play the pitches G A B C’ D’ with a partner |
Where should you place your left and right hands when playing the descant recorder?
What is the role of the holes in the descant recorder?
|
Creative Arts Curriculum Design Grade 5
Recording of sacred, patriotic and topical and pitching instrument |
Observation schedule, aural and oral tests.
|
|
| 10 | 4-5 |
Performance and Display
|
Playing the Descant recorder
|
By the end of the
lesson, the learner
should be able to:
Listen to the notes G A B C’ D’ played by the teacher and play them back Play the notes G A B C’ D’ Have fun playing different tunes using the descant recorder Play the notes shown on the observe the baroque fingering chart for note C’ and D’ Practice fingering the notes C’ and D’ on the descant recorder Enjoy making their own tunes using the notes G A B C’ D’ |
Learners are guided in pairs, in groups or individually to:
Listen to the notes G A B C’ D’ played by the teacher and play them back Play the notes G A B C’ D’ Play different tunes using the descant recorder Learners are guided in pairs, in groups or individually to: Play the notes shown on the observe the baroque fingering chart for note C’ and D’ Practice fingering the notes C’ and D’ on the descant recorder Name he song of the tune they have just played |
Which is the four-step process of playing the descant recorder?
Which notes are shown on the drawings? What is the name to the song you have just played? |
Creative Arts Curriculum Design Grade 5
Recording of sacred, patriotic and topical and pitching instrument Creative Arts Curriculum Design Grade 5 Recording of sacred, patriotic and topical and Kenyan folk songs, resource person, pitching instrument |
Observation schedule, aural and oral tests.
|
|
| 10 | 6 |
Performance and Display
|
Playing the Descant recorder
|
By the end of the
lesson, the learner
should be able to:
- s : Identify notes B A G C D on the descant recorder Play notes B A G C D on the descant recorder Enjoy playing notes B A G C D on the descant recorder |
Learners are guided in pairs, in groups or individually to:
Identify notes B A G C D on the descant recorder Play notes B A G C D on the descant recorder |
How are different pitches produced on a descant recorder?
|
Creative Arts Curriculum Design Grade 5
Recording of sacred, patriotic and topical and songs, pitching instrument Recording of sacred, patriotic and topical and Kenyan folk songs, pitching instrument |
Observation schedule, aural and oral tests.
|
|
| 11 | 1 |
Performance and Display
|
Playing the Descant recorder
|
By the end of the
lesson, the learner
should be able to:
- : Play a melody built on the notes B A G C D on the descant recorder Practice proper fingering while playing melodies based on the notes G A B C’ D’ on the descant recorder Have fun playing melodies using the descant recorder |
Learners are guided in pairs, in groups or individually to:
Play a melody built on the notes B A G C D on the descant recorder Practice proper fingering while playing melodies based on the notes G A B C’ D’ on the descant recorder |
How is a good tone produced while playing the descant recorder?
|
Creative Arts Curriculum Design Grade 5
Recording of sacred, patriotic and topical and Kenyan folk songs, resource person, pitching instrument |
Observation schedule, aural and oral tests.
|
|
| 11 | 2 |
Performance and Display
|
Playing the Descant recorder
|
By the end of the
lesson, the learner
should be able to:
- : Identify notes B A G C D on the descant recorder Practice proper breathe control while playing melodies based on the notes G A B C’ D’ on the descant recorder Have fun playing melodies using the descant recorder |
Learners are guided in pairs, in groups or individually to:
Identify notes B A G C D on the descant recorder Practice proper breathe control while playing melodies based on the notes G A B C’ D’ on the descant recorder |
How is a good tone produced while playing the descant recorder?
|
Creative Arts Curriculum Design Grade 5
Recording of sacred, patriotic and topical and Kenyan folk songs, pitching instrument |
Observation schedule, aural and oral tests.
|
|
| 11 | 3 |
Performance and Display
|
Playing the Descant recorder
|
By the end of the
lesson, the learner
should be able to:
- : Identify notes B A G C D on the descant recorder Practice proper breathe control while playing melodies based on the notes G A B C’ D’ on the descant recorder Have fun playing melodies using the descant recorder |
Learners are guided in pairs, in groups or individually to:
Identify notes B A G C D on the descant recorder Practice proper breathe control while playing melodies based on the notes G A B C’ D’ on the descant recorder |
How is a good tone produced while playing the descant recorder?
|
Creative Arts Curriculum Design Grade 5
Recording of sacred, patriotic and topical and Kenyan folk songs, pitching instrument |
Observation schedule, aural and oral tests.
|
|
| 11 | 4-5 |
Performance and Display
|
Playing the Descant recorder
|
By the end of the
lesson, the learner
should be able to:
- : Identify notes B A G C D on the descant recorder Practice proper tone quality while playing melodies based on the notes G A B C’ D’ on the descant recorder Have fun playing melodies using the descant recorder |
Learners are guided in pairs, in groups or individually to:
Identify notes B A G C D on the descant recorder Practice proper tone quality while playing melodies based on the notes G A B C’ D’ on the descant recorder |
How is a good tone produced while playing the descant recorder?
|
Creative Arts Curriculum Design Grade 5
Recording of sacred, patriotic and topical and Kenyan folk songs, resource person, pitching instrument |
Observation schedule, aural and oral tests.
|
|
| 11 | 6 |
Performance and Display
|
Playing the Descant recorder
|
By the end of the
lesson, the learner
should be able to:
Create a random repeat pattern based on the notes G A B C’ D’. Print random repeat patterns on paper with the stencils using contrasting colours (dabbing/ spraying method) Appreciate playing melodies using the descant recorder. |
In groups, pairs or individually learners are guided to:
Create a random repeat pattern based on the notes G A B C’ D’. Print random repeat patterns on paper with the stencils using contrasting colours (dabbing/ spraying method) |
How is a good tone produced on the descant recorder?
|
Creative Arts Curriculum Design Grade 5
Recording of sacred, patriotic and topical and Kenyan folk songs, resource person, pitching instrument |
Observation schedule, aural and oral tests.
|
|
| 12 | 1 |
Performance and Display
|
Playing the Descant recorder
|
By the end of the
lesson, the learner
should be able to:
Explain how to play notes G A B C’ D’ ascending on a descant recorder. Play notes G A B C’ D’ ascending on a descant recorder. Appreciate playing melodies using the descant recorder. |
Learners are guided in pairs, in groups or individually to:
Explain how to play notes G A B C’ D’ ascending on a descant recorder. Play notes G A B C’ D’ ascending during a cool down after a gymnastic session. |
How are notes G A B C’ D’ played ascending on the descant recorder?
|
Creative Arts Curriculum Design Grade 5
Recording of sacred, patriotic and topical and Kenyan folk songs, pitching instrument |
Observation schedule, aural and oral tests.
|
|
| 12 | 2 |
Performance and Display
|
Playing the Descant recorder
|
By the end of the
lesson, the learner
should be able to:
Explain how to play notes G A B C’ D’ ascending on a descant recorder. Play notes G A B C’ D’ ascending on a descant recorder. Appreciate playing melodies using the descant recorder. |
Learners are guided in pairs, in groups or individually to:
Explain how to play notes G A B C’ D’ ascending on a descant recorder. Play notes G A B C’ D’ ascending during a cool down after a gymnastic session. |
How are notes G A B C’ D’ played ascending on the descant recorder?
|
Creative Arts Curriculum Design Grade 5
Recording of sacred, patriotic and topical and Kenyan folk songs, pitching instrument |
Observation schedule, aural and oral tests.
|
|
| 12 | 3 |
Performance and Display
|
Playing the Descant recorder
|
By the end of the
lesson, the learner
should be able to:
Explain how to play notes G A B C’ D’ descending on a descant recorder. Play notes G A B C’ D’ descending on a descant recorder. Appreciate playing melodies using the descant recorder. |
Learners are guided in pairs, in groups or individually to:
Explain how to play notes G A B C’ D’ descending on a descant recorder. Play notes G A B C’ D’ descending during a cool down after a gymnastic session. |
How are notes G A B C’ D’ played descending on the descant recorder?
|
Creative Arts Curriculum Design Grade 5
Recording of sacred, patriotic and topical and Kenyan folk songs, resource person, pitching instrument |
Observation schedule, aural and oral tests.
|
|
| 12 | 4-5 |
Performance and Display
|
Playing the Descant recorder
|
By the end of the
lesson, the learner
should be able to:
Explain how to play notes G A B C’ D’ descending on a descant recorder. Play notes G A B C’ D’ descending on a descant recorder. Appreciate playing melodies using the descant recorder. Mention the parts of a descant recorder Explain how to care for a descant recorder Appreciate the descant recorder |
Learners are guided in pairs, in groups or individually to:
Explain how to play notes G A B C’ D’ descending on a descant recorder. Play notes G A B C’ D’ descending during a cool down after a gymnastic session. Learners are guided in pairs, in groups or individually to: Mention the parts of a descant recorder Explain how to care for a descant recorder |
How are notes G A B C’ D’ played descending on the descant recorder?
Which are the parts of a descant recorder? |
Creative Arts Curriculum Design Grade 5
Audio visual equipment, display boards, display props, mounting papers, masking tapes/glue Creative Arts Curriculum Design Grade 5 Audio visual equipment, display boards, display props |
Portfolio, observation schedule, exit tickets, analysis, display and critique
|
|
| 12 | 6 |
Performance and Display
|
Playing the Descant recorder
|
By the end of the
lesson, the learner
should be able to:
Mention the parts of a descant recorder Explain how to observe hygiene when playing the descant recorder Appreciate the descant recorder |
Learners are guided in pairs, in groups or individually to:
Mention the parts of a descant recorder Observe hygiene when playing the descant recorder Write down hygiene measures to observe |
Which hygiene measures should you observe?
|
Creative Arts Curriculum Design Grade 5
Audio visual equipment, display boards, display props, mounting papers, |
Portfolio, observation schedule, exit tickets, analysis, display and critique
|
|
| 13-14 |
END OF TERM TWO ASSESSMENT AND SCHOOL CLOSURE |
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