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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 3 |
Creating and Execution
|
Composing Melody - Introduction to melody
|
By the end of the
lesson, the learner
should be able to:
- Sing a lullaby - Hum the melody of a song - Identify high and low sounds in a song |
- Sing the song "Go to sleep"
-Hum the song -Compare singing and humming the song -Identify parts of the song that sound high -Identify parts of the song that sound low -Learn about pitch in music |
How are high and low sounds identified in a melody?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 65
-Song charts |
- Observation
-Performance assessment
-Oral questions
|
|
| 2 | 1 |
Creating and Execution
|
Composing Melody - Sol-fa syllables and ladder
Composing Melody - Performing melodies |
By the end of the
lesson, the learner
should be able to:
- Identify sol-fa syllables d, r, m - Sing up and down the sol-fa ladder - Value the importance of sol-fa in music |
- Observe the sol-fa ladder
-Sing d r m up the ladder -Sing m r d down the ladder -Identify which sol-fa syllable sounds the highest -Identify which sol-fa syllable sounds the lowest |
How does the sol-fa ladder represent pitch?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 66
-Sol-fa ladder chart -Charts showing melodies |
- Observation
-Performance assessment
-Oral questions
|
|
| 2 | 2 |
Creating and Execution
|
Composing Melody - Sol-fa in "Go to sleep"
Composing Melody - Sol-fa in "Hot cross bun" |
By the end of the
lesson, the learner
should be able to:
- Identify sol-fa syllables in "Go to sleep" - Sing the song using sol-fa syllables - Hum the melody of the song |
- Study the sol-fa syllables for "Go to sleep"
-Sing the song -Sing the sol-fa syllables for the song -Hum the song -Discuss patterns in the sol-fa syllables |
How are sol-fa syllables used in lullabies?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 67
-Song charts with sol-fa syllables - Mentor Creative Arts Grade 4 Learner's Book, pg. 68 -Digital devices -Song charts |
- Observation
-Performance assessment
-Oral questions
|
|
| 2 | 3 |
Creating and Execution
|
Composing Melody - Hand signs for sol-fa syllables
Composing Melody - Practicing sol-fa with hand signs |
By the end of the
lesson, the learner
should be able to:
- Watch a video of Kodaly hand signs - Imitate hand signs for sol-fa syllables - Show correct hand signs to friends |
- Watch a video of Kodaly hand signs
-Imitate the hand signs for sol-fa syllables d, r, m -Show friends the hand signs for sol-fa syllables -Learn the correct hand position for each sol-fa syllable |
How do hand signs help in learning sol-fa syllables?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 69
-Digital devices -Charts showing hand signs |
- Observation
-Demonstration
-Peer assessment
|
|
| 3 | 1 |
Creating and Execution
|
Composing Melody - Hand signs in "Mary had a little lamb"
Composing Melody - Free hand lettering of sol-fa |
By the end of the
lesson, the learner
should be able to:
- Sing "Mary had a little lamb" with hand signs - Follow sol-fa syllables in the song - Appreciate hand signs as learning tools |
- Sing "Mary had a little lamb" while performing hand signs
-Follow the sol-fa syllables provided for the song -Perform the song in groups -Give feedback on each other's performance |
How can hand signs be applied to familiar songs?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 70
-Song charts with sol-fa syllables - Mentor Creative Arts Grade 4 Learner's Book, pg. 71 -Writing materials |
- Observation
-Performance assessment
-Peer assessment
|
|
| 3 | 2 |
Creating and Execution
|
Composing Melody - Identifying sol-fa in songs
Composing Melody - Steps to identify sol-fa Composing Melody - Stepwise motion |
By the end of the
lesson, the learner
should be able to:
- Sing a simple song to classmates - Identify sol-fa syllables in the song - Record self using digital device |
- Sing a simple song to classmates
-Let friends identify the sol-fa syllables -Sing the sol-fa pitches using hand signs -Record self using a digital device -Share recording with teacher |
How can sol-fa syllables be identified in songs?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 71
-Digital devices - Mentor Creative Arts Grade 4 Learner's Book, pg. 72 -Song recordings -Song charts with sol-fa syllables |
- Observation
-Performance assessment
-Project work
|
|
| 3 | 3 |
Creating and Execution
|
Composing Melody - Sound duration in melody
Composing Melody - Starting and ending melodies |
By the end of the
lesson, the learner
should be able to:
- Identify short and long sounds in a song - Clap the rhythm of a song - Understand sound duration in melody |
- Study the words of "Pease porridge hot"
-Sing the first line of the song -Clap the rhythm of the song while reading the words -Identify short and long sounds in the song -Learn about sound duration in melody |
How does sound duration affect melody?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 73
-Song charts - Mentor Creative Arts Grade 4 Learner's Book, pg. 74 -Song charts with sol-fa syllables |
- Observation
-Performance assessment
-Oral questions
|
|
| 4 | 1 |
Creating and Execution
|
Composing Melody - Creating short melodies
Composing Melody - Creating melodies with rhythm |
By the end of the
lesson, the learner
should be able to:
- Follow guidelines for creating melodies - Complete given melody patterns - Create original melodies using d, r, m |
- Learn guidelines for creating melodies using d, r, m
-Complete given melody patterns -Compose original melodies using d, r, m -Ensure melodies start and end on 'd' -Share melodies with classmates |
How can short melodies be created using d, r, m?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 75
-Writing materials |
- Observation
-Project work
-Peer assessment
|
|
| 4 | 2 |
Creating and Execution
Performance and Display |
Composing Melody - Making clay slabs (1)
Composing Melody - Making clay slabs (2) Athletics - Introduction to sprint starts and sprinting techniques |
By the end of the
lesson, the learner
should be able to:
- Identify techniques for making sol-fa syllables with clay - Prepare clay for making slabs - Show interest in clay work |
- Learn about two techniques for making sol-fa syllables
-Prepare clay by kneading to make it smooth -Cut a lump of clay and place on polythene paper -Discuss clay preparation techniques |
What techniques are used for making sol-fa syllables with clay?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 76
-Clay -Polythene paper -Ruler -Rolling pin -Cutting tools - Mentor Creative Arts pg. 80 - Digital devices for video demonstrations - Open space for practical activities |
- Observation
-Project work
-Oral questions
|
|
| 4 | 3 |
Performance and Display
|
Athletics - Medium sprint start technique demonstration
Athletics - Medium sprint start technique practice Athletics - Elongated sprint start technique demonstration |
By the end of the
lesson, the learner
should be able to:
- Describe the steps of medium sprint start - Demonstrate "on your marks" position in medium sprint start - Appreciate the importance of proper body positioning in sprinting |
- Watch video clip/demonstration of medium sprint start
- Observe body positioning, foot placement, and hand positioning - Practice the "on your marks" position with proper stance and body alignment - Discuss safety measures when practicing sprint starts |
What is the importance of proper positioning in "on your marks" command?
|
- Mentor Creative Arts pg. 82
- Open space with marked lines - Digital devices for recording performances - Mentor Creative Arts pg. 83 - Open space with marked starting line - Whistle - Mentor Creative Arts pg. 84 - Open space with marked starting and finishing lines - Mentor Creative Arts pg. 85 - Digital devices for video demonstrations - Open space for practice |
- Observation
- Skill progression chart
- Peer assessment
|
|
| 5 | 1 |
Performance and Display
|
Athletics - Elongated sprint start technique practice
Athletics - Body posture, acceleration, transition, and finish in sprinting Athletics - Sprinting techniques practice Athletics - Reading and understanding the Kenya National Anthem |
By the end of the
lesson, the learner
should be able to:
- Demonstrate the "on your marks" position in elongated sprint start - Execute the "set" and "go" positions in elongated sprint start - Show interest in mastering different sprint start techniques |
- Practice the elongated sprint start "on your marks" position
- Practice the "set" position with raised hips and bent knees - Practice the "go" command with proper takeoff technique - Mark starting and finishing lines for practice |
Which sprint start technique provides better acceleration?
|
- Mentor Creative Arts pg. 86
- Open space with marked starting and finishing lines - Whistle - Mentor Creative Arts pg. 87 - Digital devices for video clips - Open space for demonstration - Mentor Creative Arts pg. 88 - Open space with marked lines - Stopwatch - Mentor Creative Arts pg. 91 - Chart with Kenya National Anthem words - Audio recording of Kenya National Anthem |
- Observation
- Performance analysis
- Peer assessment
|
|
| 5 | 2 |
Performance and Display
|
Athletics - Singing the Kenya National Anthem in groups
Athletics - Studying the Kenyan flag colors and arrangement |
By the end of the
lesson, the learner
should be able to:
- Sing the Kenya National Anthem with proper pronunciation - Apply appropriate tempo when singing the anthem - Show respect while singing the national anthem |
- Practice singing the Kenya National Anthem in groups
- Focus on accuracy in tune and proper pronunciation - Maintain appropriate tempo during singing - Observe appropriate etiquette during anthem performance |
How does singing the national anthem promote patriotism?
|
- Mentor Creative Arts pg. 91
- Audio recording of Kenya National Anthem - Chart with Kenya National Anthem words - Mentor Creative Arts pg. 90 - Digital devices for searching images - Chart showing the Kenyan flag |
- Observation
- Performance analysis
- Peer assessment
|
|
| 5 | 3 |
Performance and Display
|
Athletics - Sketching and painting the Kenyan flag
Athletics - Attaching the flag to a suitable handle |
By the end of the
lesson, the learner
should be able to:
- Sketch the Kenyan flag on paper - Paint the flag using the correct colors - Value the importance of neatness in artwork |
- Sketch the Kenyan flag on paper
- Paint the flag observing the correct color arrangement - Apply proper painting techniques for neat results - Display completed flags for peer feedback |
How should colors be arranged on the Kenyan flag?
|
- Mentor Creative Arts pg. 91
- Paper, pencils, rulers - Paints (black, red, green, white) - Brushes - Mentor Creative Arts pg. 92 - Completed painted flags - Materials for handles (sticks, dowels) - Glue |
- Observation
- Project assessment
- Peer critique
|
|
| 6 | 1 |
Performance and Display
|
Athletics - Practicing medium starts in pairs
Athletics - Practicing sprinting technique in pairs Athletics - Participating in sprint competitions |
By the end of the
lesson, the learner
should be able to:
- Demonstrate medium start technique in pairs - Give constructive feedback to peers on their technique - Show willingness to improve through practice |
- Work in pairs to practice medium sprint starts
- Focus on proper arm and leg action during starts - Give feedback to partners on their technique - Refine technique based on feedback received |
How does partnered practice improve sprint start technique?
|
- Mentor Creative Arts pg. 89
- Open space with marked starting lines - Whistle - Open space with marked lines - Stopwatch - Open space with marked track - Whistle |
- Observation
- Peer assessment
- Skill progression charts
|
|
| 6 | 2 |
Performance and Display
|
Athletics - Participating in sprint competitions
Athletics - Recording and critiquing sprint performances |
By the end of the
lesson, the learner
should be able to:
- Apply learned techniques in sprint races - Run to and from marked points with maximum speed - Show enthusiasm for athletic competitions |
- Mark starting and finishing lines for races
- Take turns to run races with maximum speed - Cheer for classmates during races - Use a stopwatch to time performances |
How can timing performances help improve sprint technique?
|
- Mentor Creative Arts pg. 90
- Open space with marked lines - Stopwatch - Whistle - Digital devices for recording - Open space for sprint activities - Playback equipment |
- Observation
- Performance analysis
- Timed results
|
|
| 6 | 3 |
Performance and Display
|
Athletics - Importance of the flag and anthem during events
Athletics - Sprint competition with flag and anthem |
By the end of the
lesson, the learner
should be able to:
- Explain why the flag is raised during athletic events - Describe the importance of singing the anthem at events - Value national symbols during sporting events |
- Study pictures of flag raising during athletic events
- Discuss the significance of raising the flag during events - Explore the importance of singing the anthem at events - Role-play a flag raising and anthem singing ceremony |
Why is flying the flag important during athletics events?
|
- Mentor Creative Arts pg. 92
- Pictures of athletic events with flag raising - Painted flags with handles - Audio recording of Kenya National Anthem - Open space with marked track - Kenyan flags - Audio equipment for anthem - Stopwatch |
- Observation
- Oral questions
- Written assignments
|
|
| 7 | 1 |
Performance and Display
|
Athletics - Athletic event appreciation
Athletics - Sprint skills assessment |
By the end of the
lesson, the learner
should be able to:
- Identify the sprint starts learned in sprinting - Describe the sprinting techniques learned - Appreciate the value of athletics in physical development |
- Review different sprint starts learned (medium, elongated)
- Summarize sprinting techniques learned throughout the unit - Discuss the importance of recovery after athletic activities - Share experiences from participating in sprint events |
What have we learned about sprint techniques that can help us in future athletic activities?
|
- Mentor Creative Arts pg. 92
- Charts showing sprint techniques - Digital devices with recorded performances - Open space with marked track - Kenyan flags - Assessment sheets |
- Observation
- Oral questions
- Written assignments
|
|
| 7 | 2 |
Performance and Display
|
Gymnastics - Introduction to balances and rolls in gymnastics
Gymnastics - Crab balance demonstration and practice |
By the end of the
lesson, the learner
should be able to:
- Define gymnastic balances and rolls - Identify different types of balances and rolls - Show interest in learning gymnastic skills |
- Observe pictures/videos of gymnastic balances and rolls
- Discuss different types of balances (head, crab) and rolls (backward, side) - Share personal experiences with gymnastics - Explore safety considerations in gymnastics |
How does performance of rolls and balances enhance gymnastics?
|
- Mentor Creative Arts pg. 94
- Digital devices for video demonstrations - Pictures of gymnastic positions - Safe practice area with mats - Mentor Creative Arts pg. 95 |
- Observation
- Oral questions
- Written assignments
|
|
| 7 | 3 |
Performance and Display
|
Gymnastics - Crab balance technique practice
Gymnastics - Side roll demonstration and practice Gymnastics - Side roll technique practice |
By the end of the
lesson, the learner
should be able to:
- Demonstrate pushing up into crab balance position - Maintain the crab balance position for several seconds - Show confidence in performing gymnastic skills |
- Practice placing hands below shoulders with fingers pointing to feet
- Practice lifting hips up into full crab position - Maintain the position while shifting weight to hands and legs - Practice lowering from the position safely |
What muscles are engaged during the crab balance?
|
- Mentor Creative Arts pg. 95
- Safe practice area with mats - Demonstration charts - Mentor Creative Arts pg. 96 - Digital devices for video demonstrations - Safe practice area with mats - Mentor Creative Arts pg. 97 |
- Observation
- Performance analysis
- Self-assessment
|
|
| 8 | 1 |
Performance and Display
|
Gymnastics - Singing patriotic songs during warm-up
Gymnastics - Playing rhythmic percussion instruments |
By the end of the
lesson, the learner
should be able to:
- Identify patriotic songs suitable for warm-up - Sing patriotic songs with proper diction during warm-up - Appreciate the role of music in physical activities |
- Select appropriate patriotic songs for warm-up
- Practice singing songs with proper diction and rhythm - Perform general warm-up exercises while singing - Discuss how music enhances physical activities |
How does music support the performance of gymnastics?
|
- Mentor Creative Arts pg. 100
- Audio recordings of patriotic songs - Charts with song lyrics - Open space for warm-up activities - Mentor Creative Arts pg. 97 - Percussion instruments (shakers, rattles, drums) - Demonstration charts of rhythmic patterns |
- Observation
- Performance assessment
- Peer feedback
|
|
| 8 | 2 |
Performance and Display
|
Gymnastics - Practicing the crab balance and side roll in pairs
Gymnastics - Group performance with percussion |
By the end of the
lesson, the learner
should be able to:
- Perform crab balance with proper technique - Provide constructive feedback to peers - Value teamwork in learning gymnastics |
- Form pairs for practice of crab balance and side roll
- Take turns performing while partner observes - Provide feedback on technique and form - Use markers to create practice areas |
How does peer feedback improve gymnastic performance?
|
- Mentor Creative Arts pg. 97
- Safe practice area with mats - Markers (lime or ash) for circles - Assessment checklists - Mentor Creative Arts pg. 98 - Markers for circles - Percussion instruments |
- Observation
- Peer assessment
- Skill progression charts
|
|
| 8-9 |
Half term |
||||||||
| 10 | 1 |
Performance and Display
|
Gymnastics - Relay performance practice
Gymnastics - Reciting French rhythm names during roll performance |
By the end of the
lesson, the learner
should be able to:
- Perform crab balance as a mobility technique - Execute side roll as part of a sequence - Show enthusiasm for gymnastic activities |
- Mark two lines for relay activities
- Practice crab balance walk from one line to another - Perform side roll to return to starting position - Cheer for teammates during performances |
What coordination skills are needed for gymnastic sequences?
|
- Mentor Creative Arts pg. 98
- Safe practice area with mats - Markers for lines - Whistle - Cones for targets |
- Observation
- Performance analysis
- Team assessment
|
|
| 10 | 2 |
Performance and Display
|
Gymnastics - Crab balance with rhythmic patterns
Gymnastics - Peer assessment of gymnastics skills |
By the end of the
lesson, the learner
should be able to:
- Perform crab balance with rhythmic movement - Coordinate movement with French rhythm names - Value the integration of rhythm and gymnastics |
- Mark a square on the ground for activity
- Stand at corners of the square - Perform crab balance on command - Move in crab walk while chanting 'taa' and 'ta-te' - Match steps to rhythm pattern |
How does rhythmic chanting improve coordination during crab walk?
|
- Mentor Creative Arts pg. 99
- Safe practice area with mats - Markers for square - Rhythm charts - Assessment checklists - Pencils |
- Observation
- Performance analysis
- Coordination assessment
|
|
| 10 | 3 |
Performance and Display
|
Gymnastics - Group game with gymnastic skills
Gymnastics - Using digital devices to photograph gymnastics performances Gymnastics - Creating a portfolio of gymnastics photographs |
By the end of the
lesson, the learner
should be able to:
- Integrate gymnastic skills into group games - Sing songs during group activities - Show enjoyment in combining skills with games |
- Form two groups (taggers and runners)
- Sing "Watoto Wangu" song during activity - Run from taggers after song - Perform crab balance when tagged - Pass under crab balance to save tagged players |
How do games enhance the practice of gymnastic skills?
|
- Mentor Creative Arts pg. 100
- Safe practice area - Audio recording of song - Open space for game - Mentor Creative Arts pg. 97 - Digital devices with cameras - Safe practice area for gymnastics - Display equipment for reviewing photos - Mentor Creative Arts pg. 98 - Digital devices with photography - Computer for portfolio organization - Photographs from previous lesson |
- Observation
- Participation assessment
- Group dynamics evaluation
|
|
| 11 | 1 |
Performance and Display
|
Gymnastics - Home practice and documentation
Gymnastics - Skills assessment |
By the end of the
lesson, the learner
should be able to:
- Create a plan for home practice of gymnastic skills - Use digital devices to record performances - Value practice outside of school setting |
- Plan simple gymnastic activities for home practice
- Listen to patriotic songs to accompany exercises - Record performances using digital devices - Share recorded performances with parents/guardians |
How can home practice reinforce gymnastic skills?
|
- Mentor Creative Arts pg. 100
- Planning templates - Digital devices for recording - List of safe home activities - Safe practice area with mats - Assessment checklists - Percussion instruments |
- Observation
- Practice plan assessment
- Self-reporting
|
|
| 11 | 2 |
Performance and Display
|
Gymnastics - Self and peer assessment
Gymnastics - Skills integration |
By the end of the
lesson, the learner
should be able to:
- Evaluate own gymnastic performance - Assess peers' performances objectively - Appreciate the value of assessment in learning |
- Review criteria for successful gymnastic skills
- Perform crab balance and side roll for assessment - Complete self-assessment forms - Provide constructive feedback to peers |
How does assessment contribute to skill mastery?
|
- Mentor Creative Arts pg. 100
- Safe practice area with mats - Assessment forms - Pencils - Percussion instruments - Audio equipment |
- Self-assessment
- Peer assessment
- Teacher observation
|
|
| 11 | 3 |
Performance and Display
|
Descant Recorder - Exploring and identifying parts of a descant recorder
Descant Recorder - Learning to hold and blow the descant recorder |
By the end of the
lesson, the learner
should be able to:
- Identify the parts of a descant recorder - Name the function of each part - Show interest in learning about musical instruments |
- Observe pictures/actual descant recorder
- Identify front and back views of the recorder - Name the parts (head joint, middle joint, foot joint) - Discuss the function of each part |
How can one identify the parts of a descant recorder?
|
- Mentor Creative Arts pg. 125
- Descant recorders - Charts showing recorder parts - Pictures of recorders - Mentor Creative Arts pg. 129 - Charts showing correct posture - Disinfectant wipes |
- Observation
- Oral questions
- Labeling activities
|
|
| 12 | 1 |
Performance and Display
|
Descant Recorder - Assembling and disassembling the recorder
Descant Recorder - Learning care and maintenance of the recorder |
By the end of the
lesson, the learner
should be able to:
- Separate recorder into its component parts - Reassemble recorder correctly - Value careful handling of musical instruments |
- Practice separating recorder into three pieces
- Connect head joint to middle joint correctly - Attach foot joint to assembled parts - Position finger holes correctly for playing - Test assembled recorder by gentle blowing |
Why is correct assembly important for recorder playing?
|
- Mentor Creative Arts pg. 128
- Descant recorders - Charts showing assembly steps - Demonstration models - Mentor Creative Arts pg. 129 - Cleaning rods - Clean cloths - Storage cases |
- Observation
- Performance assessment
- Sequential task evaluation
|
|
| 12 | 2 |
Performance and Display
|
Descant Recorder - Health considerations with recorders
Descant Recorder - Practicing holding and blowing with appropriate fingering Descant Recorder - Collecting materials for making a recorder case |
By the end of the
lesson, the learner
should be able to:
- Explain the importance of hygiene with recorders - Identify diseases that can be caused by sharing - Value personal hygiene in music activities |
- Discuss importance of avoiding sharing recorders
- Identify communicable diseases related to sharing - Demonstrate proper cleaning before and after use - Practice proper storage to maintain hygiene |
Why is hygiene important when using the descant recorder?
|
- Mentor Creative Arts pg. 130
- Descant recorders - Cleaning supplies - Charts on hygiene - Storage cases - Finger position charts - Demonstration models - Mentor Creative Arts pg. 132 - Sample materials (fabric, leather, yarn) - Recyclable materials - Storage containers |
- Observation
- Oral questions
- Written assignments
|
|
| 12 | 3 |
Performance and Display
|
Descant Recorder - Making a decorated case
Descant Recorder - Embellishing the case with found objects |
By the end of the
lesson, the learner
should be able to:
- Create a case using appropriate technique - Apply color variation in case design - Value creativity in instrument accessories |
- Demonstrate stitching technique for fabric/leather case
- Practice crocheting technique for yarn case - Apply color variation in design - Size case appropriately for recorder |
What techniques can be used to create a functional recorder case?
|
- Mentor Creative Arts pg. 132
- Collected materials - Needles, thread - Crochet hooks - Scissors - Completed recorder cases - Found objects for decoration - Adhesives, thread |
- Observation
- Project assessment
- Creativity evaluation
|
|
| 13 | 1 |
Performance and Display
|
Descant Recorder - Learning to play note B
Descant Recorder - Learning to play note A |
By the end of the
lesson, the learner
should be able to:
- Position fingers correctly for note B - Produce correct sound for note B - Show interest in playing musical notes |
- Watch demonstrations/videos of playing note B
- Practice closing back hole with left thumb - Place first finger of left hand on first hole - Support recorder with right hand thumb - Blow gently to produce B note |
How is note B played on the descant recorder?
|
- Mentor Creative Arts pg. 133
- Descant recorders - Charts showing B fingering - Digital devices for demonstrations - Mentor Creative Arts pg. 134 - Charts showing A fingering |
- Observation
- Performance assessment
- Note accuracy evaluation
|
|
| 13 | 2 |
Performance and Display
|
Descant Recorder - Learning to play note G
Descant Recorder - Practicing appropriate playing techniques |
By the end of the
lesson, the learner
should be able to:
- Position fingers correctly for note G - Produce correct sound for note G - Value precision in musical performance |
- Watch demonstrations/videos of playing note G
- Practice closing back hole with left thumb - Place first, second, and third fingers on appropriate holes - Support recorder with right hand thumb - Blow gently to produce G note |
How is note G played on the descant recorder?
|
- Mentor Creative Arts pg. 135
- Descant recorders - Charts showing G fingering - Digital devices for demonstrations - Mentor Creative Arts pg. 136 - Charts showing proper technique - Mirror for self-observation |
- Observation
- Performance assessment
- Note accuracy evaluation
|
|
| 13 | 3 |
Performance and Display
|
Descant Recorder - Playing combined note patterns
Descant Recorder - Playing simple melodies Descant Recorder - Playing additional melodies Swimming - Introduction to crouch and standing surface dives |
By the end of the
lesson, the learner
should be able to:
- Play simple patterns combining G, A, B - Transition smoothly between notes - Demonstrate growing confidence in playing |
- Practice combined note patterns using G, A, B
- Focus on clean transitions between notes - Play simple exercises with alternating notes - Apply proper fingering technique |
How does finger movement affect note transitions?
|
- Mentor Creative Arts pg. 137
- Descant recorders - Combined note pattern charts - Transition exercises - Mentor Creative Arts pg. 138 - Notation for "Merrily We Roll Along" - Audio recording of melody - Mentor Creative Arts pg. 139 - Notation for "Hot Cross Buns" and other melodies - Audio recordings of melodies - Mentor Creative Arts pg. 144 - Digital devices for video demonstrations - Pictures of surface dives - Charts showing dive progressions |
- Observation
- Performance assessment
- Transition fluency evaluation
|
|
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