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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 2-3 |
REPORTING AND ORIENTATION |
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| 4 | 1 |
Foundations of Music and Dance
|
Rhythmic Patterns - Semiquavers in simple time
|
By the end of the
lesson, the learner
should be able to:
- Define rhythmic patterns in music - Identify semiquavers in simple time signatures - Appreciate the role of rhythm in music |
- Listen to musical excerpts and identify rhythmic patterns
- Discuss the value and grouping of semiquavers - Clap or tap rhythmic patterns containing semiquavers |
What is the role of semiquavers in creating rhythmic interest?
|
- Audio/visual recordings
- Percussion instruments - ICT devices - Music scores |
- Observation
- Oral questions
- Aural tests
|
|
| 4 | 2-3 |
Foundations of Music and Dance
|
Rhythmic Patterns - Semiquavers in simple time
|
By the end of the
lesson, the learner
should be able to:
- Define rhythmic patterns in music - Identify semiquavers in simple time signatures - Appreciate the role of rhythm in music |
- Listen to musical excerpts and identify rhythmic patterns
- Discuss the value and grouping of semiquavers - Clap or tap rhythmic patterns containing semiquavers |
What is the role of semiquavers in creating rhythmic interest?
|
- Audio/visual recordings
- Percussion instruments - ICT devices - Music scores |
- Observation
- Oral questions
- Aural tests
|
|
| 4 | 4 |
Foundations of Music and Dance
|
Rhythmic Patterns - Semiquavers in simple time
|
By the end of the
lesson, the learner
should be able to:
- Define rhythmic patterns in music - Identify semiquavers in simple time signatures - Appreciate the role of rhythm in music |
- Listen to musical excerpts and identify rhythmic patterns
- Discuss the value and grouping of semiquavers - Clap or tap rhythmic patterns containing semiquavers |
What is the role of semiquavers in creating rhythmic interest?
|
- Audio/visual recordings
- Percussion instruments - ICT devices - Music scores |
- Observation
- Oral questions
- Aural tests
|
|
| 4 | 5 |
Foundations of Music and Dance
|
Rhythmic Patterns - Triplets in simple time
|
By the end of the
lesson, the learner
should be able to:
- Explain the concept of triplets in simple time - Perform rhythmic patterns incorporating triplets - Value the use of triplets for rhythmic variety |
- Listen to and identify triplets in musical excerpts
- Discuss how triplets create rhythmic interest - Clap or play rhythmic patterns with triplets |
How do triplets add variety to rhythmic patterns?
|
- Audio recordings
- Percussion instruments - Music scores - ICT devices |
- Observation
- Aural tests
- Practical assessment
|
|
| 5 | 1 |
Foundations of Music and Dance
|
Rhythmic Patterns - Factors to consider in creating rhythms
|
By the end of the
lesson, the learner
should be able to:
- Analyse factors to consider when creating rhythmic patterns - Apply time signature rules in rhythm creation - Show understanding of rhythmic composition principles |
- Discuss factors such as time signature, note values, and accent
- Analyse existing rhythmic patterns for compositional techniques - Experiment with different rhythmic combinations |
What factors should be considered when creating rhythmic patterns?
|
- Music scores
- Audio recordings - Stationery - ICT devices |
- Observation
- Written assignments
- Group discussions
|
|
| 5 | 2-3 |
Foundations of Music and Dance
|
Rhythmic Patterns - Factors to consider in creating rhythms
|
By the end of the
lesson, the learner
should be able to:
- Analyse factors to consider when creating rhythmic patterns - Apply time signature rules in rhythm creation - Show understanding of rhythmic composition principles |
- Discuss factors such as time signature, note values, and accent
- Analyse existing rhythmic patterns for compositional techniques - Experiment with different rhythmic combinations |
What factors should be considered when creating rhythmic patterns?
|
- Music scores
- Audio recordings - Stationery - ICT devices |
- Observation
- Written assignments
- Group discussions
|
|
| 5 | 4 |
Foundations of Music and Dance
|
Rhythmic Patterns - Composing 4-bar original rhythms
|
By the end of the
lesson, the learner
should be able to:
- Compose 4-bar original rhythms in simple time - Incorporate semiquavers and triplets in compositions - Demonstrate creativity in rhythm composition |
- Compose 4-bar rhythms incorporating semiquavers and triplets
- Notate composed rhythms correctly - Share compositions with peers for feedback |
How can semiquavers and triplets be effectively combined in a 4-bar rhythm?
|
- Manuscript paper
- Stationery - Percussion instruments - ICT devices |
- Written assignments
- Practical assessment
- Peer evaluation
|
|
| 5 | 5 |
Foundations of Music and Dance
|
Rhythmic Patterns - Composing 4-bar original rhythms
|
By the end of the
lesson, the learner
should be able to:
- Compose 4-bar original rhythms in simple time - Incorporate semiquavers and triplets in compositions - Demonstrate creativity in rhythm composition |
- Compose 4-bar rhythms incorporating semiquavers and triplets
- Notate composed rhythms correctly - Share compositions with peers for feedback |
How can semiquavers and triplets be effectively combined in a 4-bar rhythm?
|
- Manuscript paper
- Stationery - Percussion instruments - ICT devices |
- Written assignments
- Practical assessment
- Peer evaluation
|
|
| 6 | 1 |
Foundations of Music and Dance
|
Rhythmic Patterns - Performing and recording rhythms
|
By the end of the
lesson, the learner
should be able to:
- Perform created rhythms accurately - Record performances using digital devices - Take responsibility in using digital resources |
- Rehearse and perform composed 4-bar rhythms
- Use digital devices to record performances - Save recordings to digital portfolio |
How can digital devices enhance rhythm performance and documentation?
|
- Digital recording devices
- Percussion instruments - ICT devices - Audio equipment |
- Practical assessment
- Observation
- Recording quality
|
|
| 6 | 2-3 |
Foundations of Music and Dance
|
Rhythmic Patterns - Performing and recording rhythms
Rhythmic Patterns - Sharing performances for critique |
By the end of the
lesson, the learner
should be able to:
- Perform created rhythms accurately - Record performances using digital devices - Take responsibility in using digital resources - Share recorded performances with peers - Critique rhythmic compositions constructively - Appreciate diverse rhythmic ideas from others |
- Rehearse and perform composed 4-bar rhythms
- Use digital devices to record performances - Save recordings to digital portfolio - Share recorded rhythmic performances with class - Provide constructive feedback on peers' compositions - Reflect on feedback received and identify areas for improvement |
How can digital devices enhance rhythm performance and documentation?
How can peer feedback improve rhythmic compositions? |
- Digital recording devices
- Percussion instruments - ICT devices - Audio equipment - Digital devices - Audio playback equipment - Evaluation forms - Stationery |
- Practical assessment
- Observation
- Recording quality
- Peer assessment - Self-assessment - Oral presentations |
|
| 6 | 4 |
Foundations of Music and Dance
|
Rhythmic Patterns - Sharing performances for critique
|
By the end of the
lesson, the learner
should be able to:
- Share recorded performances with peers - Critique rhythmic compositions constructively - Appreciate diverse rhythmic ideas from others |
- Share recorded rhythmic performances with class
- Provide constructive feedback on peers' compositions - Reflect on feedback received and identify areas for improvement |
How can peer feedback improve rhythmic compositions?
|
- Digital devices
- Audio playback equipment - Evaluation forms - Stationery |
- Peer assessment
- Self-assessment
- Oral presentations
|
|
| 6 | 5 |
Foundations of Music and Dance
|
Rhythmic Patterns - Sharing performances for critique
|
By the end of the
lesson, the learner
should be able to:
- Share recorded performances with peers - Critique rhythmic compositions constructively - Appreciate diverse rhythmic ideas from others |
- Share recorded rhythmic performances with class
- Provide constructive feedback on peers' compositions - Reflect on feedback received and identify areas for improvement |
How can peer feedback improve rhythmic compositions?
|
- Digital devices
- Audio playback equipment - Evaluation forms - Stationery |
- Peer assessment
- Self-assessment
- Oral presentations
|
|
| 7 | 1 |
Foundations of Music and Dance
|
Melody in Major Keys - Scalic motion and arpeggios
|
By the end of the
lesson, the learner
should be able to:
- Define melodic devices used in melody writing - Identify scalic motion and arpeggios in melodies - Appreciate how melodic devices create interest |
- Listen to simple tunes and identify melodic devices
- Sing or play examples of scalic motion and arpeggios - Discuss how these devices create melodic interest |
How do scalic motion and arpeggios create melodic interest?
|
- Audio/visual recordings
- Pitching device - Melodic instruments - Sheet music |
- Observation
- Aural tests
- Oral questions
|
|
| 7 | 2-3 |
Foundations of Music and Dance
|
Melody in Major Keys - Major scales of D and A
|
By the end of the
lesson, the learner
should be able to:
- Construct major scales of D and A on the staff - Write scales ascending and descending with key signatures - Value accuracy in scale construction |
- Discuss the structure of major scales
- Construct D major and A major scales on treble and bass staves - Sing or play the constructed scales |
How are major scales of D and A constructed on the staff?
|
- Manuscript paper
- Pitching device - Melodic instruments - Stationery |
- Written tests
- Practical assessment
- Observation
|
|
| 7 | 4 |
Foundations of Music and Dance
|
Melody in Major Keys - Major scales of D and A
|
By the end of the
lesson, the learner
should be able to:
- Construct major scales of D and A on the staff - Write scales ascending and descending with key signatures - Value accuracy in scale construction |
- Discuss the structure of major scales
- Construct D major and A major scales on treble and bass staves - Sing or play the constructed scales |
How are major scales of D and A constructed on the staff?
|
- Manuscript paper
- Pitching device - Melodic instruments - Stationery |
- Written tests
- Practical assessment
- Observation
|
|
| 7 | 2-5 |
Foundations of Music and Dance
|
Melody in Major Keys - Major scales of D and A
|
By the end of the
lesson, the learner
should be able to:
- Construct major scales of D and A on the staff - Write scales ascending and descending with key signatures - Value accuracy in scale construction |
- Discuss the structure of major scales
- Construct D major and A major scales on treble and bass staves - Sing or play the constructed scales |
How are major scales of D and A constructed on the staff?
|
- Manuscript paper
- Pitching device - Melodic instruments - Stationery |
- Written tests
- Practical assessment
- Observation
|
|
| 8 |
MID TERM BREAK |
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| 12 |
END TERM ASSESSMENT |
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| 13 |
CLOSING TERM ONE |
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