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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 2 | 1 |
Foundations of Music and Dance
|
Music Notation Software - Sharing and appraising digital compositions
|
By the end of the
lesson, the learner
should be able to:
- Share music files with peers - Play back and appraise own and others' music - Value constructive feedback on digital work |
- Share music in print and audio formats with peers
- Play back and listen to peers' compositions - Appraise each other's work and give constructive feedback |
How can digital music be effectively shared and appraised?
|
- ICT devices
- Audio playback equipment - Printed scores - Evaluation forms |
- Peer assessment
- Self-assessment
- Portfolio review
|
|
| 2 | 2 |
Performing
|
Kenyan Folk Songs - Characteristics of Kenyan folk songs
|
By the end of the
lesson, the learner
should be able to:
- Define Kenyan folk songs - Identify characteristics of Kenyan folk songs - Appreciate the cultural heritage in folk music |
- Listen to folk songs from different Kenyan communities
- Discuss characteristics such as call and response, repetition, and improvisation - Identify cultural elements in folk songs |
What characteristics distinguish Kenyan folk songs from other music genres?
|
- Audio/visual recordings of folk songs
- Traditional musical instruments - ICT devices - Resource persons |
- Observation
- Oral questions
- Aural tests
|
|
| 2 | 3 |
Performing
|
Kenyan Folk Songs - Characteristics of Kenyan folk songs
|
By the end of the
lesson, the learner
should be able to:
- Define Kenyan folk songs - Identify characteristics of Kenyan folk songs - Appreciate the cultural heritage in folk music |
- Listen to folk songs from different Kenyan communities
- Discuss characteristics such as call and response, repetition, and improvisation - Identify cultural elements in folk songs |
What characteristics distinguish Kenyan folk songs from other music genres?
|
- Audio/visual recordings of folk songs
- Traditional musical instruments - ICT devices - Resource persons |
- Observation
- Oral questions
- Aural tests
|
|
| 2 | 4 |
Performing
|
Kenyan Folk Songs - Themes and functions of folk songs
|
By the end of the
lesson, the learner
should be able to:
- Analyse themes in Kenyan folk songs - Explain functions of folk songs in communities - Value the social role of folk music |
- Listen to folk songs and identify themes (work, celebration, initiation, lullaby)
- Discuss the functions of folk songs in different contexts - Research folk songs from own community |
What functions do folk songs serve in Kenyan communities?
|
- Audio recordings
- Resource persons - ICT devices - Reference materials |
- Observation
- Written assignments
- Group discussions
|
|
| 2 | 5 |
Performing
|
Kenyan Folk Songs - Costumes and props
|
By the end of the
lesson, the learner
should be able to:
- Identify costumes used in folk song performance - Select appropriate props for performance - Appreciate cultural authenticity in costumes |
- View performances and identify costumes and props used
- Discuss significance of costumes in different communities - Select appropriate costumes and props for planned performance |
How do costumes and props enhance folk song performance?
|
- Costumes and props
- Video recordings - Resource persons - Reference materials |
- Observation
- Oral questions
- Practical assessment
|
|
| 3 | 1 |
Performing
|
Kenyan Folk Songs - Staging and formations
|
By the end of the
lesson, the learner
should be able to:
- Explain staging requirements for folk songs - Demonstrate appropriate formations for group performance - Show coordination in group arrangements |
- Discuss staging considerations for folk song performance
- Practice different formations (circular, linear, semi-circular) - Rehearse transitions between formations |
What staging and formations are appropriate for Kenyan folk songs?
|
- Open space
- Video recordings - Markers - Resource persons |
- Observation
- Practical assessment
- Peer evaluation
|
|
| 3 | 2 |
Performing
|
Kenyan Folk Songs - Staging and formations
|
By the end of the
lesson, the learner
should be able to:
- Explain staging requirements for folk songs - Demonstrate appropriate formations for group performance - Show coordination in group arrangements |
- Discuss staging considerations for folk song performance
- Practice different formations (circular, linear, semi-circular) - Rehearse transitions between formations |
What staging and formations are appropriate for Kenyan folk songs?
|
- Open space
- Video recordings - Markers - Resource persons |
- Observation
- Practical assessment
- Peer evaluation
|
|
| 3 | 3 |
Performing
|
Kenyan Folk Songs - Body adornment and movement
|
By the end of the
lesson, the learner
should be able to:
- Describe body adornment in folk song performance - Execute appropriate body movements for folk songs - Embrace cultural expression through movement |
- Discuss body adornment practices in different communities
- Learn and practice body movements associated with selected folk songs - Integrate adornment with movement in practice |
How does body adornment complement movement in folk song performance?
|
- Body adornment items
- Video recordings - Open space - Resource persons |
- Observation
- Practical assessment
- Participatory assessment
|
|
| 3 | 4 |
Performing
|
Kenyan Folk Songs - Roles and responsibilities in rehearsal
|
By the end of the
lesson, the learner
should be able to:
- Identify various roles during folk song rehearsal - Execute assigned roles during rehearsal sessions - Value teamwork in group performance preparation |
- Discuss roles such as lead singer, chorus, instrumentalist, dancer
- Assign and practice various roles in groups - Apply appropriate techniques for each role |
What roles are involved in preparing a folk song performance?
|
- Open space
- Traditional instruments - Costumes - Props |
- Observation
- Participatory assessment
- Peer evaluation
|
|
| 3 | 5 |
Performing
|
Kenyan Folk Songs - Rehearsing for performance
|
By the end of the
lesson, the learner
should be able to:
- Rehearse a Kenyan folk song applying all techniques - Coordinate roles effectively in group practice - Demonstrate commitment to quality performance |
- Rehearse selected folk song with costumes, props, and formations
- Apply safety procedures during rehearsal - Refine performance based on feedback |
How can rehearsal improve the quality of folk song performance?
|
- Costumes and props
- Traditional instruments - Open space - Audio equipment |
- Observation
- Participatory assessment
- Practical assessment
|
|
| 4 | 1 |
Performing
|
Kenyan Folk Songs - Performing and recording folk songs
|
By the end of the
lesson, the learner
should be able to:
- Perform a Kenyan folk song before an audience - Record performance using digital devices - Appreciate feedback for improvement |
- Perform the rehearsed folk song before an audience
- Apply all performance aspects learned - Record and share performance for feedback |
How can folk song performances be documented and shared?
|
- Performance venue
- Costumes and props - Digital recording devices - Traditional instruments |
- Practical assessment
- Peer assessment
- Recording quality
|
|
| 4 | 2 |
Performing
|
Kenyan Folk Songs - Performing and recording folk songs
|
By the end of the
lesson, the learner
should be able to:
- Perform a Kenyan folk song before an audience - Record performance using digital devices - Appreciate feedback for improvement |
- Perform the rehearsed folk song before an audience
- Apply all performance aspects learned - Record and share performance for feedback |
How can folk song performances be documented and shared?
|
- Performance venue
- Costumes and props - Digital recording devices - Traditional instruments |
- Practical assessment
- Peer assessment
- Recording quality
|
|
| 4 | 3 |
Performing
|
Western Style Solo Songs - Performance style of Western solo songs
|
By the end of the
lesson, the learner
should be able to:
- Describe the performance style of Western solo songs - Distinguish between lieder, arias, and folk songs - Appreciate diversity in Western vocal music |
- Listen to or watch performances of lieder, arias, and folk songs
- Discuss characteristics of each genre - Compare performance styles across genres |
What distinguishes the performance styles of different Western solo songs?
|
- Audio/visual recordings
- Sheet music - ICT devices - Song books |
- Observation
- Oral questions
- Written assignments
|
|
| 4 | 4 |
Performing
|
Western Style Solo Songs - Lieder and art songs
|
By the end of the
lesson, the learner
should be able to:
- Explain the characteristics of lieder - Identify vocal styles in art song performance - Value the artistic expression in lieder |
- Listen to examples of German lieder and art songs
- Discuss the relationship between text and music in lieder - Practice executing vocal styles used in art songs |
What makes lieder a unique form of solo vocal music?
|
- Audio recordings
- Sheet music - Pitching device - ICT devices |
- Observation
- Aural tests
- Oral questions
|
|
| 4 | 5 |
Performing
|
Western Style Solo Songs - Lieder and art songs
|
By the end of the
lesson, the learner
should be able to:
- Explain the characteristics of lieder - Identify vocal styles in art song performance - Value the artistic expression in lieder |
- Listen to examples of German lieder and art songs
- Discuss the relationship between text and music in lieder - Practice executing vocal styles used in art songs |
What makes lieder a unique form of solo vocal music?
|
- Audio recordings
- Sheet music - Pitching device - ICT devices |
- Observation
- Aural tests
- Oral questions
|
|
| 5 | 1 |
Performing
|
Western Style Solo Songs - Arias from operas and oratorios
|
By the end of the
lesson, the learner
should be able to:
- Describe the performance style of arias - Identify characteristics of operatic singing - Appreciate dramatic expression in arias |
- Watch performances of arias from operas and oratorios
- Discuss dramatic and vocal elements in aria performance - Practice vocal projection and dramatic expression |
How do arias differ from other Western solo song forms?
|
- Audio/visual recordings
- Sheet music - ICT devices - Song books |
- Observation
- Aural tests
- Written assignments
|
|
| 5 | 2 |
Performing
|
Western Style Solo Songs - Pitch and rhythm accuracy
|
By the end of the
lesson, the learner
should be able to:
- Perform with accurate pitch - Execute rhythms correctly in solo songs - Value precision in musical performance |
- Practice sight-singing exercises for pitch accuracy
- Rehearse rhythmic patterns in selected songs - Record and evaluate pitch and rhythm accuracy |
Why is accuracy in pitch and rhythm essential for solo song performance?
|
- Pitching device
- Sheet music - Metronome - Digital recording devices |
- Practical assessment
- Observation
- Self-assessment
|
|
| 5 | 3 |
Performing
|
Western Style Solo Songs - Tempo, dynamics, and repeats
|
By the end of the
lesson, the learner
should be able to:
- Interpret tempo markings in solo songs - Apply dynamic variations correctly - Execute repeats and reiterations as prescribed |
- Discuss common tempo and dynamic markings
- Practice songs observing tempo and dynamic directions - Identify and execute repeats and reiterations in music |
How do tempo and dynamics contribute to expressive performance?
|
- Sheet music
- Metronome - Audio recordings - Song books |
- Observation
- Practical assessment
- Aural tests
|
|
| 5 | 4 |
Performing
|
Western Style Solo Songs - Tempo, dynamics, and repeats
|
By the end of the
lesson, the learner
should be able to:
- Interpret tempo markings in solo songs - Apply dynamic variations correctly - Execute repeats and reiterations as prescribed |
- Discuss common tempo and dynamic markings
- Practice songs observing tempo and dynamic directions - Identify and execute repeats and reiterations in music |
How do tempo and dynamics contribute to expressive performance?
|
- Sheet music
- Metronome - Audio recordings - Song books |
- Observation
- Practical assessment
- Aural tests
|
|
| 5 | 5 |
Performing
|
Western Style Solo Songs - Phrasing and diction
|
By the end of the
lesson, the learner
should be able to:
- Apply correct phrasing in solo songs - Demonstrate clear diction in performance - Value text clarity in vocal music |
- Discuss the importance of phrasing and breath management
- Practice diction exercises for clear text delivery - Apply phrasing and diction in selected songs |
How do phrasing and diction affect the communication of text in songs?
|
- Sheet music
- Audio recordings - Song books - Pitching device |
- Observation
- Practical assessment
- Peer evaluation
|
|
| 6 | 1 |
Performing
|
Western Style Solo Songs - Posture, poise, and musicianship
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate correct posture for singing - Display poise during performance - Show overall musicianship in solo performance |
- Practice correct singing posture and stance
- Develop stage presence and confidence - Integrate all performance techniques in rehearsal |
Why are posture and poise important for solo performance?
|
- Open space
- Mirror (if available) - Video recordings - Reference materials |
- Observation
- Practical assessment
- Self-assessment
|
|
| 6 | 2 |
Performing
|
Western Style Solo Songs - Performing and evaluating solo songs
|
By the end of the
lesson, the learner
should be able to:
- Perform a Western solo song before an audience - Record and upload performance to digital portfolio - Evaluate performances respectfully |
- Perform selected Western solo song applying all techniques
- Record performance using digital devices - Evaluate own and peers' performances giving constructive feedback |
How can solo song performances be evaluated for improvement?
|
- Performance venue
- Digital recording devices - Song books - Evaluation forms |
- Practical assessment
- Peer assessment
- Portfolio review
|
|
| 6 | 3 |
Performing
|
Western Style Solo Songs - Performing and evaluating solo songs
|
By the end of the
lesson, the learner
should be able to:
- Perform a Western solo song before an audience - Record and upload performance to digital portfolio - Evaluate performances respectfully |
- Perform selected Western solo song applying all techniques
- Record performance using digital devices - Evaluate own and peers' performances giving constructive feedback |
How can solo song performances be evaluated for improvement?
|
- Performance venue
- Digital recording devices - Song books - Evaluation forms |
- Practical assessment
- Peer assessment
- Portfolio review
|
|
| 6 | 4 |
Performing
|
Kenyan Indigenous Musical Instrument - Types and classification
|
By the end of the
lesson, the learner
should be able to:
- Identify Kenyan indigenous musical instruments - Classify instruments by type (strings, wind, percussion) - Appreciate the diversity of Kenyan instruments |
- Listen to or watch performances involving indigenous instruments
- Discuss classification of instruments (fiddle, lyre, harp, flute, drum) - Identify instruments from different Kenyan communities |
How are Kenyan indigenous musical instruments classified?
|
- Indigenous instruments
- Audio/visual recordings - Resource persons - ICT devices |
- Observation
- Oral questions
- Written assignments
|
|
| 6 | 5 |
Performing
|
Kenyan Indigenous Musical Instrument - Sound production mechanisms
|
By the end of the
lesson, the learner
should be able to:
- Explain sound production on selected instruments - Demonstrate how sound is produced on chosen instrument - Value the science behind instrument sound |
- Determine how sound is produced on different instruments
- Discuss the physics of sound production - Practice producing sound on selected instrument |
How is sound produced on Kenyan indigenous instruments?
|
- Selected indigenous instrument
- Audio/visual recordings - Resource persons - Reference materials |
- Observation
- Oral questions
- Practical assessment
|
|
| 7 | 1 |
Performing
|
Kenyan Indigenous Musical Instrument - Parts and handling
|
By the end of the
lesson, the learner
should be able to:
- Identify parts of selected indigenous instrument - Handle the instrument correctly - Show respect for cultural artifacts |
- Familiarize with selected instrument to identify parts
- Practice correct holding and handling techniques - Discuss cultural protocols for instrument handling |
What are the parts of indigenous instruments and how should they be handled?
|
- Selected indigenous instrument
- Charts showing instrument parts - Resource persons - Reference materials |
- Observation
- Oral questions
- Practical assessment
|
|
| 7 | 2 |
Performing
|
Kenyan Indigenous Musical Instrument - Parts and handling
|
By the end of the
lesson, the learner
should be able to:
- Identify parts of selected indigenous instrument - Handle the instrument correctly - Show respect for cultural artifacts |
- Familiarize with selected instrument to identify parts
- Practice correct holding and handling techniques - Discuss cultural protocols for instrument handling |
What are the parts of indigenous instruments and how should they be handled?
|
- Selected indigenous instrument
- Charts showing instrument parts - Resource persons - Reference materials |
- Observation
- Oral questions
- Practical assessment
|
|
| 7 | 3 |
Performing
|
Kenyan Indigenous Musical Instrument - Tuning the instrument
|
By the end of the
lesson, the learner
should be able to:
- Explain tuning techniques for selected instrument - Tune the instrument correctly - Appreciate the importance of proper tuning |
- Watch videos or interact with resource persons to learn tuning
- Practice tuning techniques on selected instrument - Verify tuning accuracy through sound production |
Why is proper tuning essential for instrument performance?
|
- Selected indigenous instrument
- Resource persons - Audio/visual recordings - ICT devices |
- Observation
- Practical assessment
- Oral questions
|
|
| 7 | 4 |
Performing
|
Kenyan Indigenous Musical Instrument - Basic playing techniques
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate basic playing techniques - Produce musical tones on selected instrument - Show patience in skill development |
- Learn basic playing techniques from resource persons or videos
- Practice producing individual tones on the instrument - Develop finger or hand coordination for playing |
What basic techniques are required to play indigenous instruments?
|
- Selected indigenous instrument
- Resource persons - Audio/visual recordings - Practice space |
- Observation
- Practical assessment
- Participatory assessment
|
|
| 7 | 5 |
Performing
|
Kenyan Indigenous Musical Instrument - Basic playing techniques
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate basic playing techniques - Produce musical tones on selected instrument - Show patience in skill development |
- Learn basic playing techniques from resource persons or videos
- Practice producing individual tones on the instrument - Develop finger or hand coordination for playing |
What basic techniques are required to play indigenous instruments?
|
- Selected indigenous instrument
- Resource persons - Audio/visual recordings - Practice space |
- Observation
- Practical assessment
- Participatory assessment
|
|
| 8 | 1 |
Performing
|
Kenyan Indigenous Musical Instrument - Playing tunes from cultural idiom
|
By the end of the
lesson, the learner
should be able to:
- Play tunes from the cultural idiom of chosen instrument - Apply appropriate playing techniques - Value cultural authenticity in performance |
- Learn traditional tunes associated with the instrument
- Rehearse playing tunes using correct techniques - Discuss the cultural context of the music |
How does cultural context influence music played on indigenous instruments?
|
- Selected indigenous instrument
- Audio recordings of traditional music - Resource persons - Practice space |
- Practical assessment
- Observation
- Participatory assessment
|
|
| 8 | 2 |
Performing
|
Kenyan Indigenous Musical Instrument - Maintaining the instrument
|
By the end of the
lesson, the learner
should be able to:
- Explain maintenance procedures for selected instrument - Care for the instrument appropriately - Take responsibility for instrument preservation |
- Discuss proper storage and cleaning of the instrument
- Practice maintenance procedures - Identify signs of wear and needed repairs |
How should indigenous instruments be maintained for longevity?
|
- Selected indigenous instrument
- Maintenance materials - Resource persons - Reference materials |
- Observation
- Oral questions
- Practical assessment
|
|
| 8 | 3 |
Performing
|
Kenyan Indigenous Musical Instrument - Solo performance and recording
|
By the end of the
lesson, the learner
should be able to:
- Perform music on selected indigenous instrument before an audience - Record and share performance for feedback - Appreciate constructive critique for growth |
- Perform tunes or rhythmic patterns from cultural idiom
- Record performance using digital devices - Share with peers, parents, and guardians for feedback |
How can solo instrumental performances be shared for feedback?
|
- Selected indigenous instrument
- Performance venue - Digital recording devices - Audience |
- Practical assessment
- Peer assessment
- Portfolio upload
|
|
| 8 | 4 |
Performing
|
Kenyan Indigenous Musical Instrument - Solo performance and recording
|
By the end of the
lesson, the learner
should be able to:
- Perform music on selected indigenous instrument before an audience - Record and share performance for feedback - Appreciate constructive critique for growth |
- Perform tunes or rhythmic patterns from cultural idiom
- Record performance using digital devices - Share with peers, parents, and guardians for feedback |
How can solo instrumental performances be shared for feedback?
|
- Selected indigenous instrument
- Performance venue - Digital recording devices - Audience |
- Practical assessment
- Peer assessment
- Portfolio upload
|
|
| 8 | 5 |
Performing
|
Western Musical Instruments - Types of Western instruments
|
By the end of the
lesson, the learner
should be able to:
- Identify Western musical instruments - Classify instruments into families - Appreciate the variety of Western instruments |
- Listen to and watch performances on Western instruments
- Discuss classification (strings, woodwind, brass, percussion, keyboard) - Compare Western and Kenyan indigenous instruments |
How are Western musical instruments classified?
|
- Audio/visual recordings
- Western instruments (if available) - ICT devices - Reference materials |
- Observation
- Oral questions
- Written assignments
|
|
| 9 | 1 |
Performing
|
Western Musical Instruments - Selecting and familiarizing with instrument
|
By the end of the
lesson, the learner
should be able to:
- Select a Western instrument for solo performance - Identify parts and features of selected instrument - Show interest in instrument mastery |
- Choose a Western instrument based on interest and availability
- Familiarize with parts and handling of selected instrument - Research the history and repertoire of the instrument |
What factors should guide selection of a Western instrument for study?
|
- Selected Western instrument
- Reference materials - ICT devices - Resource persons |
- Observation
- Oral questions
- Written assignments
|
|
| 9 | 2 |
Performing
|
Western Musical Instruments - Sound production and basic techniques
|
By the end of the
lesson, the learner
should be able to:
- Explain sound production on selected instrument - Demonstrate basic playing techniques - Value proper technique development |
- Learn how sound is produced on the instrument
- Practice basic techniques (fingering, bowing, blowing, striking) - Develop correct posture and hand position |
How is sound produced on Western instruments?
|
- Selected Western instrument
- Instructional videos - Resource persons - Practice space |
- Observation
- Practical assessment
- Participatory assessment
|
|
| 9 | 3 |
Performing
|
Western Musical Instruments - Sound production and basic techniques
|
By the end of the
lesson, the learner
should be able to:
- Explain sound production on selected instrument - Demonstrate basic playing techniques - Value proper technique development |
- Learn how sound is produced on the instrument
- Practice basic techniques (fingering, bowing, blowing, striking) - Develop correct posture and hand position |
How is sound produced on Western instruments?
|
- Selected Western instrument
- Instructional videos - Resource persons - Practice space |
- Observation
- Practical assessment
- Participatory assessment
|
|
| 9 | 4 |
Performing
|
Western Musical Instruments - Developing playing skills
|
By the end of the
lesson, the learner
should be able to:
- Execute scales and exercises on selected instrument - Develop finger dexterity and coordination - Show commitment to regular practice |
- Practice scales and technical exercises
- Work on tone production and control - Follow a structured practice routine |
How can technical skills be developed on Western instruments?
|
- Selected Western instrument
- Sheet music (scales, exercises) - Metronome - Practice space |
- Practical assessment
- Observation
- Progress tracking
|
|
| 9 | 5 |
Performing
|
Western Musical Instruments - Learning solo pieces
|
By the end of the
lesson, the learner
should be able to:
- Select appropriate solo pieces for performance - Learn and practice selected repertoire - Value musical interpretation |
- Select solo pieces appropriate for skill level
- Study and practice selected music - Work on musical expression and interpretation |
How do you select and prepare solo pieces for performance?
|
- Selected Western instrument
- Sheet music - Audio recordings - Resource persons |
- Practical assessment
- Observation
- Repertoire review
|
|
| 10 | 1 |
Performing
|
Western Musical Instruments - Rehearsing for performance
|
By the end of the
lesson, the learner
should be able to:
- Rehearse solo pieces for performance - Apply dynamics and expression in playing - Demonstrate performance readiness |
- Rehearse selected pieces from memory or score
- Focus on musical expression and stage presence - Receive feedback and make improvements |
What makes an effective rehearsal for solo instrumental performance?
|
- Selected Western instrument
- Sheet music - Practice space - Audience (peers) |
- Practical assessment
- Observation
- Peer feedback
|
|
| 10 | 2 |
Performing
|
Western Musical Instruments - Rehearsing for performance
|
By the end of the
lesson, the learner
should be able to:
- Rehearse solo pieces for performance - Apply dynamics and expression in playing - Demonstrate performance readiness |
- Rehearse selected pieces from memory or score
- Focus on musical expression and stage presence - Receive feedback and make improvements |
What makes an effective rehearsal for solo instrumental performance?
|
- Selected Western instrument
- Sheet music - Practice space - Audience (peers) |
- Practical assessment
- Observation
- Peer feedback
|
|
| 10 | 3 |
Performing
|
Western Musical Instruments - Stage presence and musicianship
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate appropriate stage presence - Display overall musicianship in performance - Value professional presentation |
- Practice entering and exiting stage
- Work on communication with audience - Integrate technical skill with musical expression |
How does stage presence enhance instrumental performance?
|
- Performance space
- Selected Western instrument - Video recordings - Reference materials |
- Observation
- Practical assessment
- Self-assessment
|
|
| 10 | 4 |
Performing
|
Western Musical Instruments - Solo performance and feedback
|
By the end of the
lesson, the learner
should be able to:
- Perform a solo piece on Western instrument before audience - Record performance for portfolio - Evaluate performances constructively |
- Perform selected solo piece before an audience
- Record performance using digital devices - Give and receive constructive feedback |
How can solo instrumental performances be evaluated for growth?
|
- Performance venue
- Selected Western instrument - Digital recording devices - Evaluation forms |
- Practical assessment
- Peer assessment
- Portfolio review
|
|
| 10 | 5 |
Performing
|
Contemporary Dance from Kenya - Contemporary dance styles
|
By the end of the
lesson, the learner
should be able to:
- Define contemporary dance in Kenyan context - Identify popular contemporary dance styles from Kenya - Appreciate the evolution of dance in Kenya |
- Watch videos of contemporary Kenyan dance performances
- Discuss characteristics of contemporary dance styles - Identify influences on Kenyan contemporary dance |
What characterizes contemporary dance from Kenya?
|
- Video recordings
- ICT devices - Open space - Popular music from Kenya |
- Observation
- Oral questions
- Written assignments
|
|
| 11 | 1 |
Performing
|
Contemporary Dance from Kenya - Elements of contemporary dance
|
By the end of the
lesson, the learner
should be able to:
- Analyse elements of contemporary Kenyan dance - Identify movement vocabulary in contemporary dance - Show interest in contemporary dance forms |
- Discuss elements such as rhythm, space, energy, and expression
- Observe and analyse movement patterns in videos - Practice basic contemporary dance movements |
What elements define contemporary Kenyan dance?
|
- Video recordings
- Open space - Popular music - ICT devices |
- Observation
- Practical assessment
- Group discussions
|
|
| 11 | 2 |
Performing
|
Contemporary Dance from Kenya - Elements of contemporary dance
|
By the end of the
lesson, the learner
should be able to:
- Analyse elements of contemporary Kenyan dance - Identify movement vocabulary in contemporary dance - Show interest in contemporary dance forms |
- Discuss elements such as rhythm, space, energy, and expression
- Observe and analyse movement patterns in videos - Practice basic contemporary dance movements |
What elements define contemporary Kenyan dance?
|
- Video recordings
- Open space - Popular music - ICT devices |
- Observation
- Practical assessment
- Group discussions
|
|
| 11 | 3 |
Performing
|
Contemporary Dance from Kenya - Principles of choreography
|
By the end of the
lesson, the learner
should be able to:
- Explain principles of dance choreography - Identify choreographic techniques in contemporary dance - Value creative expression in choreography |
- Discuss principles such as unity, variety, contrast, and climax
- Analyse choreography in video performances - Begin planning original choreography |
What principles guide effective dance choreography?
|
- Video recordings
- Reference materials - Open space - Stationery |
- Observation
- Oral questions
- Written assignments
|
|
| 11 | 4 |
Performing
|
Contemporary Dance from Kenya - Creating choreography
|
By the end of the
lesson, the learner
should be able to:
- Create original contemporary dance choreography - Apply choreographic principles in creation - Demonstrate creativity in dance composition |
- Select appropriate music for choreography
- Create movement sequences matching the music - Structure choreography with beginning, middle, and end |
How do you create original contemporary dance choreography?
|
- Popular music from Kenya
- Open space - ICT devices - Stationery |
- Practical assessment
- Observation
- Project work
|
|
| 11 | 5 |
Performing
|
Contemporary Dance from Kenya - Creating choreography
|
By the end of the
lesson, the learner
should be able to:
- Create original contemporary dance choreography - Apply choreographic principles in creation - Demonstrate creativity in dance composition |
- Select appropriate music for choreography
- Create movement sequences matching the music - Structure choreography with beginning, middle, and end |
How do you create original contemporary dance choreography?
|
- Popular music from Kenya
- Open space - ICT devices - Stationery |
- Practical assessment
- Observation
- Project work
|
|
| 12 | 1 |
Performing
|
Contemporary Dance from Kenya - Costumes for contemporary dance
|
By the end of the
lesson, the learner
should be able to:
- Select appropriate costumes for contemporary dance - Coordinate costumes with dance theme - Appreciate visual elements in dance performance |
- Discuss costume selection for contemporary dance
- Choose costumes that allow movement and express theme - Consider décor and staging elements |
How do costumes enhance contemporary dance performance?
|
- Costume samples
- Video recordings - Reference materials - Décor items |
- Observation
- Oral questions
- Practical assessment
|
|
| 12 | 2 |
Performing
|
Contemporary Dance from Kenya - Dance techniques and expression
|
By the end of the
lesson, the learner
should be able to:
- Execute contemporary dance techniques correctly - Express emotion through movement - Value technical skill combined with expression |
- Practice contemporary dance techniques (isolation, contraction, release)
- Work on facial expression and body language - Combine technique with emotional expression |
How do technique and expression work together in contemporary dance?
|
- Open space
- Popular music - Mirror (if available) - Video recordings |
- Practical assessment
- Observation
- Participatory assessment
|
|
| 12 | 3 |
Performing
|
Contemporary Dance from Kenya - Rehearsing the dance
|
By the end of the
lesson, the learner
should be able to:
- Rehearse contemporary dance performance - Coordinate with group members effectively - Show commitment to performance quality |
- Rehearse created choreography in costumes
- Practice synchronization and formations - Refine movements based on feedback |
How can effective rehearsal improve dance performance quality?
|
- Open space
- Costumes - Popular music - Audio equipment |
- Observation
- Participatory assessment
- Practical assessment
|
|
| 12 | 4 |
Performing
|
Contemporary Dance from Kenya - Rehearsing the dance
|
By the end of the
lesson, the learner
should be able to:
- Rehearse contemporary dance performance - Coordinate with group members effectively - Show commitment to performance quality |
- Rehearse created choreography in costumes
- Practice synchronization and formations - Refine movements based on feedback |
How can effective rehearsal improve dance performance quality?
|
- Open space
- Costumes - Popular music - Audio equipment |
- Observation
- Participatory assessment
- Practical assessment
|
|
| 12 | 5 |
Performing
|
Contemporary Dance from Kenya - Performing and recording
|
By the end of the
lesson, the learner
should be able to:
- Perform contemporary dance before an audience - Record performance using digital devices - Accept feedback for improvement |
- Perform contemporary dance before an audience
- Record performance for portfolio - Share recording and receive constructive feedback |
How can contemporary dance performances be documented and evaluated?
|
- Performance venue
- Costumes and décor - Digital recording devices - Popular music |
- Practical assessment
- Peer assessment
- Portfolio review
|
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