Home






SCHEME OF WORK
Creative Arts & Sports
Grade 9 2026
TERM II
School


To enable/disable signing area for H.O.D & Principal, click here to update signature status on your profile.




To enable/disable showing Teachers name and TSC Number, click here to update teacher details status on your profile.












Did you know that you can edit this scheme? Just click on the part you want to edit!!! (Shift+Enter creates a new line)


WK LSN STRAND SUB-STRAND LESSON LEARNING OUTCOMES LEARNING EXPERIENCES KEY INQUIRY QUESTIONS LEARNING RESOURCES ASSESSMENT METHODS REFLECTION
1 1
Creating and Performing in Creative Arts and Sports
Melody - Introduction to variation
By the end of the lesson, the learner should be able to:

- Define variation in musical composition
- Identify variations in musical examples
- Show interest in melodic development
- Watch videos demonstrating melody variation
- Observe how melodies can be varied
- Discuss types of variation in music
How can a melody be made interesting?
- KLB Top Scholar (pg. 64)
- Digital resources
- Audio examples
- Video demonstrations
- Observation - Oral questions - Written assignments
1 2
Creating and Performing in Creative Arts and Sports
Melody - Rhythmic variation
By the end of the lesson, the learner should be able to:

- Explain rhythmic variation technique
- Identify rhythmic variations in examples
- Show interest in rhythmic modification
- Study examples of rhythmic variation
- Analyze how note lengths are altered
- Compare original and varied melodies
How can rhythm changes affect a melody?
- KLB Top Scholar (pg. 65)
- Music notation examples
- Audio demonstrations
- Staff paper
- Observation - Written exercises - Listening assessment
1 3
Creating and Performing in Creative Arts and Sports
Melody - Melodic variation
Melody - Dynamic variation
By the end of the lesson, the learner should be able to:

- Explain melodic variation technique
- Identify pitch changes in varied melodies
- Show interest in pitch modification
- Study examples of melodic variation
- Analyze how pitches are altered
- Compare original and varied melodies
How can changing pitch intervals affect a melody?
- KLB Top Scholar (pg. 65)
- Music notation examples
- Audio demonstrations
- Staff paper
- KLB Top Scholar (pg. 66)
- Musical instruments
- Observation - Written exercises - Listening assessment
1 4-5
Creating and Performing in Creative Arts and Sports
Melody - Variation demonstrations
Melody - Variation practice
By the end of the lesson, the learner should be able to:

- Perform melodies with variations
- Identify variation techniques in performance
- Show interest in musical expression

- Vary given melodies using different techniques
- Create appropriate variations for musical context
- Show confidence in melodic variation
- Sing familiar tunes with tonic sol-fa
- Vary melodies using different techniques
- Describe variations used in performances
- Vary given melodies using different techniques
- Create rhythmic variations of melodies
- Create melodic variations of given tunes
- Apply dynamic variations to performances
Which variation techniques are most effective for specific melodies?
How can variation techniques be combined effectively?
- KLB Top Scholar (pg. 67)
- Familiar tunes
- Musical instruments
- Performance space
- KLB Top Scholar (pg. 67)
- Given melodies
- Staff paper
- Musical instruments
- Observation - Practical assessment - Performance evaluation
- Observation - Written exercises - Performance evaluation
2 1
Creating and Performing in Creative Arts and Sports
Melody - Melodic structure
By the end of the lesson, the learner should be able to:

- Identify characteristics of good melodies
- Analyze stepwise motion and leaps
- Show interest in melody construction
- Watch videos on melodic structure
- Discuss characteristics of good melodies
- Analyze examples of well-constructed melodies
What are the characteristics of a good melody?
- KLB Top Scholar (pg. 68)
- Digital resources
- Music notation examples
- Audio demonstrations
- Observation - Oral questions - Written assignments
2 2
Creating and Performing in Creative Arts and Sports
Melody - Incomplete and complete endings
By the end of the lesson, the learner should be able to:

- Distinguish between incomplete and complete endings
- Identify ending notes in melodies
- Show interest in melodic resolution
- Study examples of incomplete and complete endings
- Identify supertonic, dominant, and leading note endings
- Analyze complete endings on tonic
Why is the distinction between incomplete and complete endings important?
- KLB Top Scholar (pg. 69)
- Music notation examples
- Audio demonstrations
- Musical instruments
- Observation - Written exercises - Listening assessment
2 3
Creating and Performing in Creative Arts and Sports
Melody - Repetition in melodies
Melody - Answering phrases
By the end of the lesson, the learner should be able to:

- Explain the role of repetition in melodies
- Identify repeated sections in musical examples
- Show interest in melodic development
- Study examples of melodic repetition
- Analyze how repetition creates unity
- Discuss how to balance repetition and variation
How does repetition contribute to melodic unity?
- KLB Top Scholar (pg. 69)
- Music notation examples
- Audio demonstrations
- Staff paper
- KLB Top Scholar (pg. 70)
- Given opening phrases
- Musical instruments
- Observation - Written exercises - Listening assessment
2 4-5
Creating and Performing in Creative Arts and Sports
Melody - Opening phrases
Melody - Four-bar melody composition
By the end of the lesson, the learner should be able to:

- Improvise opening phrases for given answers
- Create varied opening phrases
- Show confidence in melody creation

- Compose a four-bar melody in F major
- Apply appropriate phrase structure
- Show confidence in melody composition
- Improvise opening phrases for given answering phrases
- Vary pitches to create interesting openings
- Ensure compatibility with answering phrases
- Compose four-bar melodies in F major and 4/4 time
- Include opening and answering phrases
- Apply appropriate endings
- Add phrase marks and dynamics
How should opening phrases prepare for answering phrases?
How can phrase structure enhance a four-bar melody?
- KLB Top Scholar (pg. 70)
- Given answering phrases
- Staff paper
- Musical instruments
- KLB Top Scholar (pg. 71)
- Staff paper
- Musical instruments
- F major scale reference
- Observation - Written exercises - Composition assessment
- Observation - Written composition - Performance assessment
3 1
Creating and Performing in Creative Arts and Sports
Melody - Melody notation
By the end of the lesson, the learner should be able to:

- Notate melodies correctly on staff paper
- Apply proper notation conventions
- Show interest in music notation
- Notate four-bar melodies on treble staff
- Apply key and time signatures correctly
- Include phrase marks and dynamics
- Use proper note grouping
Why is proper notation important for melody writing?
- KLB Top Scholar (pg. 71)
- Staff paper
- Music notation examples
- F major scale reference
- Observation - Written exercises - Notation assessment
3 2
Creating and Performing in Creative Arts and Sports
Melody - Melody performance
By the end of the lesson, the learner should be able to:

- Perform technical exercises in F major
- Sight sing or play composed melodies
- Show confidence in musical performance
- Perform the F major scale and tonic arpeggio
- Sight sing or play composed melodies
- Perform melodies with proper phrasing and dynamics
How do technical exercises improve melody performance?
- KLB Top Scholar (pg. 72)
- Composed melodies
- Musical instruments
- Performance space
- Observation - Performance assessment - Peer feedback
3 3
Creating and Performing in Creative Arts and Sports
Rugby - Introduction to passes
Rugby - Basic pass
By the end of the lesson, the learner should be able to:

- Identify different passes in Rugby
- Describe the position and hand placement for passes
- Show interest in Rugby passing techniques
- Observe pictures of Rugby passes
- Discuss positions of players passing and receiving
- Analyze hand placement for effective passes
What are the best ways to advance a ball in a game of Rugby?
- KLB Top Scholar (pg. 72)
- Digital resources
- Pictures of Rugby passes
- Videos of Rugby games
- KLB Top Scholar (pg. 73)
- Rugby balls
- Open space for practice
- Video demonstrations
- Observation - Oral questions - Written assignments
3 4-5
Creating and Performing in Creative Arts and Sports
Rugby - Pop pass
Rugby - Spin pass
By the end of the lesson, the learner should be able to:

- Demonstrate proper grip for pop pass
- Execute correct stance for pop passing
- Show interest in pop passing technique

- Demonstrate proper grip for spin pass
- Execute correct technique for spin passing
- Show interest in spin passing technique
- Practice proper grip for pop pass
- Demonstrate stance with chest toward target
- Execute the pop pass with proper release
- Perform pop pass while stationary
- Practice proper grip with fingers across seam
- Demonstrate stance with feet apart
- Execute the spin pass with flicking motion
- Perform spin pass while stationary
When is a pop pass most effective in Rugby?
Why is the spin pass used for long-distance passing?
- KLB Top Scholar (pg. 74)
- Rugby balls
- Open space for practice
- Video demonstrations
- KLB Top Scholar (pg. 75)
- Rugby balls
- Open space for practice
- Video demonstrations
- Observation - Practical assessment - Peer assessment
4 1
Creating and Performing in Creative Arts and Sports
Rugby - Pass demonstrations
By the end of the lesson, the learner should be able to:

- Demonstrate all types of Rugby passes
- Provide constructive feedback on passes
- Show interest in passing improvement
- Demonstrate basic, pop, and spin passes
- Take turns performing different passes
- Provide feedback using polite language
- Use feedback to improve technique
How can proper technique improve passing accuracy?
- KLB Top Scholar (pg. 76)
- Rugby balls
- Open space for practice
- Feedback guidelines
- Observation - Practical assessment - Peer assessment
4 2
Creating and Performing in Creative Arts and Sports
Rugby - Pass practice activities
By the end of the lesson, the learner should be able to:

- Perform passing activities for skill development
- Execute passes while in motion
- Show interest in dynamic passing practice
- Perform basic pass activities in pairs
- Execute pop pass activities with defenders
- Practice spin pass with partners
- Increase passing distance progressively
How do passing drills improve game performance?
- KLB Top Scholar (pg. 77)
- Rugby balls
- Open space for practice
- Marking cones
- Observation - Practical assessment - Skill development evaluation
4 3
Creating and Performing in Creative Arts and Sports
Rugby - Kicking techniques
Rugby - Drop kick
By the end of the lesson, the learner should be able to:

- Identify different kicks in Rugby
- Analyze the stance and ball placement for kicks
- Show interest in Rugby kicking techniques
- Study pictures of different Rugby kicks
- Discuss ball placement during kicks
- Analyze stance at the start of kicks
What is the difference between place and drop kicks?
- KLB Top Scholar (pg. 78)
- Digital resources
- Pictures of Rugby kicks
- Videos of kicking techniques
- KLB Top Scholar (pg. 79)
- Rugby balls
- Open space for practice
- Video demonstrations
- Observation - Oral questions - Written assignments
4 4-5
Creating and Performing in Creative Arts and Sports
Rugby - Place kick
Rugby - Kicking demonstrations
By the end of the lesson, the learner should be able to:

- Demonstrate proper ball placement for place kick
- Execute correct place kick technique
- Show interest in place kicking technique

- Demonstrate place and drop kicks
- Provide constructive feedback on kicks
- Show interest in kicking improvement
- Practice proper ball placement on tee/mound
- Demonstrate run-up technique
- Execute place kick with proper foot contact
- Perform follow-through motion
- Demonstrate place and drop kicks
- Take turns performing different kicks
- Provide feedback using polite language
- Use feedback to improve technique
How does the run-up affect place kick accuracy?
How can proper technique improve kicking accuracy?
- KLB Top Scholar (pg. 80)
- Rugby balls
- Kicking tees/mounds
- Open space for practice
- KLB Top Scholar (pg. 81)
- Rugby balls
- Kicking tees/mounds
- Open space for practice
- Observation - Practical assessment - Peer assessment
5 1
Creating and Performing in Creative Arts and Sports
Rugby - Kick practice activities
By the end of the lesson, the learner should be able to:

- Perform kicking activities for skill development
- Execute kicks with increasing accuracy
- Show interest in targeted kicking practice
- Practice drop kick activities with markers
- Execute place kick activities with tees
- Increase kicking distance progressively
- Aim at specific targets
How do kicking drills improve game performance?
- KLB Top Scholar (pg. 82)
- Rugby balls
- Kicking tees/mounds
- Marking cones/targets
- Observation - Practical assessment - Skill development evaluation
5 2
Creating and Performing in Creative Arts and Sports
Rugby - Mini game
By the end of the lesson, the learner should be able to:

- Apply passing and kicking skills in a game
- Follow modified Rugby rules
- Show interest in team play and sportsmanship
- Play a mini Rugby game with modified rules
- Apply passing and kicking skills in the game
- Observe safety and game rules
- Demonstrate teamwork and sportsmanship
How can passing and kicking skills be effectively applied in a game?
- KLB Top Scholar (pg. 83)
- Rugby balls
- Field markings
- Rule guidelines
- Safety equipment
- Observation - Game performance assessment - Teamwork evaluation
5 3
Creating and Performing in Creative Arts and Sports
Photography - Viewpoints in photography
Photography - Bird's eye view
By the end of the lesson, the learner should be able to:

- Define viewpoint in photography
- Identify different viewpoints in photography
- Show interest in photography techniques
- Study pictures showing different viewpoints
- Discuss differences observed in pictures
- Identify photographer positions in relation to subjects
What differences do you see in photographs taken from different positions?
- KLB Top Scholar (pg. 86)
- Digital resources
- Sample photographs
- Pictures showing different viewpoints
- KLB Top Scholar (pg. 87)
- Pictures taken from bird's eye view
- Observation - Oral questions - Written assignments
5 4-5
Creating and Performing in Creative Arts and Sports
Photography - Normal eye view
Photography - Worm's eye view
By the end of the lesson, the learner should be able to:

- Define normal eye view in photography
- Identify photographs taken from normal eye view
- Show interest in different photography angles

- Define worm's eye view in photography
- Identify photographs taken from worm's eye view
- Show interest in different photography angles
- Examine the normal eye view technique
- Study examples of normal eye view photographs
- Discuss the effect of normal eye view on subjects
- Examine the worm's eye view technique
- Study examples of worm's eye view photographs
- Discuss the effect of worm's eye view on subjects
Which digital devices can you use to take photographs?
How does a worm's eye view affect the appearance of subjects?
- KLB Top Scholar (pg. 87)
- Digital resources
- Sample photographs
- Pictures taken from normal eye view
- KLB Top Scholar (pg. 88)
- Digital resources
- Sample photographs
- Pictures taken from worm's eye view
- Observation - Oral questions - Picture analysis
6 1
Creating and Performing in Creative Arts and Sports
Photography - Research on viewpoints
By the end of the lesson, the learner should be able to:

- Research viewpoints in photography
- Identify examples of different viewpoints
- Show interest in photography techniques
- Use digital devices to research viewpoints
- Find examples of different viewpoint photographs
- Identify viewpoints used in sample photographs
Which viewpoint is most effective for different subjects?
- KLB Top Scholar (pg. 88)
- Digital resources
- Internet access
- Sample photographs
- Observation - Research reports - Oral presentations
6 2
Creating and Performing in Creative Arts and Sports
Photography - Scenery photography
By the end of the lesson, the learner should be able to:

- Define scenery photography
- Explain tips for taking clear photographs
- Show interest in nature photography
- Discuss scenery photography techniques
- Learn tips for taking clear photographs
- Examine sample scenery photographs
How can you take clear scenery photographs?
- KLB Top Scholar (pg. 89)
- Digital resources
- Sample scenery photographs
- Photography tips
- Observation - Oral questions - Written assignments
6 3
Creating and Performing in Creative Arts and Sports
Photography - Taking photographs
Photography - E-folder creation
By the end of the lesson, the learner should be able to:

- Take photographs from different viewpoints
- Apply proper camera techniques
- Show interest in practical photography
- Identify available digital devices for photography
- Take nature walks to identify scenic points
- Take photographs from different viewpoints
What scenic points showcase the beauty of our country?
- KLB Top Scholar (pg. 89)
- Digital devices with cameras
- Scenic locations
- Photography tips
- KLB Top Scholar (pg. 90)
- Digital devices
- Taken photographs
- File management instructions
- Observation - Practical assessment - Photograph quality
6 4-5
Creating and Performing in Creative Arts and Sports
Photography - Captioning photographs
Photography - Slide presentation
By the end of the lesson, the learner should be able to:

- Explain the purpose of captioning photographs
- Add appropriate captions to photographs
- Show interest in descriptive information

- Create a slideshow presentation
- Present photographs effectively
- Show interest in digital presentation
- Discuss the purpose of captioning
- Examine examples of captioned photographs
- Practice adding captions to photographs
- Create a slide presentation of photographs
- Add captions and transitions
- Present photographs for appreciation
Why is captioning important for photographs?
How can photographs be effectively presented in a slideshow?
- KLB Top Scholar (pg. 91)
- Digital devices
- Photograph collection
- Captioning examples
- KLB Top Scholar (pg. 92)
- Digital devices
- Presentation software
- Organized photographs
- Observation - Practical assessment - Caption quality
- Observation - Practical assessment - Presentation quality
7 1
Creating and Performing in Creative Arts and Sports
Photography - Saving presentations
By the end of the lesson, the learner should be able to:

- Save presentations properly
- Create backups of photo collections
- Show interest in digital preservation
- Learn how to save presentations
- Practice file management techniques
- Create backups of digital content
Why is proper file management important for digital content?
- KLB Top Scholar (pg. 93)
- Digital devices
- Storage media
- File management instructions
- Observation - Practical assessment - File organization
7 2
Creating and Performing in Creative Arts and Sports
Photography - Critique and appreciation
By the end of the lesson, the learner should be able to:

- Critique photography slide shows
- Provide constructive feedback
- Show appreciation for photography work
- Watch photo slideshows
- Discuss themes and scenic sites
- Provide suggestions for improvement
How can you improve your photo slide show presentation?
- KLB Top Scholar (pg. 93)
- Digital devices
- Completed slideshows
- Critique guidelines
- Observation - Peer assessment - Self-assessment - Teacher assessment
7 3
Creating and Performing in Creative Arts and Sports
Descant Recorder - F major scale fingering
Descant Recorder - Recorder types
By the end of the lesson, the learner should be able to:

- Identify fingering for notes in F major scale
- Explain the importance of correct fingering
- Show interest in recorder technique
- Watch video on F major scale fingering
- Study fingering chart for F major
- Discuss importance of correct fingering
Why is observing the correct fingering important when playing melodies?
- KLB Top Scholar (pg. 94)
- Digital resources
- Descant recorders
- Fingering charts
- KLB Top Scholar (pg. 95)
- Recorder samples (if available)
- Observation - Oral questions - Practical assessment
7 4-5
Creating and Performing in Creative Arts and Sports
Descant Recorder - Random note practice
Descant Recorder - Pinching technique
By the end of the lesson, the learner should be able to:

- Play random notes on the descant recorder
- Apply correct fingering technique
- Show interest in note accuracy

- Demonstrate the pinching technique
- Explain the purpose of pinching
- Show interest in advanced techniques
- Practice playing random notes (C, F, G, D, A, B♭, E)
- Apply correct fingering
- Focus on sound quality
- Study the pinching technique
- Watch tutorial demonstrating pinching
- Practice pinching technique on note F
What is the importance of applying technique when playing instrumental music?
How does the pinching technique affect the sound quality?
- KLB Top Scholar (pg. 95)
- Descant recorders
- Note charts
- Music stands
- KLB Top Scholar (pg. 96)
- Digital resources
- Descant recorders
- Video tutorials
- Observation - Practical assessment - Sound quality evaluation
8

Midterm exam

9 1
Creating and Performing in Creative Arts and Sports
Descant Recorder - F major scale
By the end of the lesson, the learner should be able to:

- Play the F major scale ascending
- Play the F major scale descending
- Show interest in scale performance
- Practice F major scale with key signature
- Practice F major scale without key signature
- Focus on finger coordination and breath control
How does playing scales help develop recorder technique?
- KLB Top Scholar (pg. 96)
- Descant recorders
- F major scale notation
- Music stands
- Observation - Practical assessment - Performance evaluation
9 2
Creating and Performing in Creative Arts and Sports
Descant Recorder - Scale performance
By the end of the lesson, the learner should be able to:

- Perform F major scale with fluency
- Apply correct fingering throughout
- Show confidence in scale performance
- Practice F major scale individually
- Focus on smooth transitions between notes
- Apply proper breath control
What challenges arise when playing the F major scale?
- KLB Top Scholar (pg. 97)
- Descant recorders
- F major scale notation
- Music stands
- Observation - Practical assessment - Performance evaluation
9 3
Creating and Performing in Creative Arts and Sports
Descant Recorder - Solo preparation
Descant Recorder - Solo piece practice
By the end of the lesson, the learner should be able to:

- Explain the process of preparing for a solo
- Identify steps in solo performance
- Show interest in performance preparation
- Discuss solo performance preparation
- Identify selection, study, practice steps
- Explore interpretation and memorization
What are the steps involved in preparing for a solo performance?
- KLB Top Scholar (pg. 97)
- Digital resources
- Solo repertoire examples
- Performance guides
- Descant recorders
- "In the Bleak Midwinter" score
- Music stands
- Observation - Oral questions - Written assignments
9 4-5
Creating and Performing in Creative Arts and Sports
Descant Recorder - Group rehearsal
Descant Recorder - Solo performance
By the end of the lesson, the learner should be able to:

- Rehearse a solo piece in groups
- Apply dynamics and tempo markings
- Show interest in expressive performance

- Perform a solo piece in F major
- Apply appropriate playing techniques
- Show confidence in performance
- Rehearse "In the Bleak Midwinter" in groups
- Apply indicated tempo and dynamics
- Focus on musical expression
- Perform "In the Bleak Midwinter" individually
- Apply all learned techniques
- Demonstrate musical expression
How do dynamics and tempo affect musical expression?
How can a performance be made more expressive?
- KLB Top Scholar (pg. 98)
- Descant recorders
- "In the Bleak Midwinter" score
- Music stands
- KLB Top Scholar (pg. 98)
- Descant recorders
- "In the Bleak Midwinter" score
- Performance space
- Observation - Group assessment - Performance evaluation
- Observation - Performance assessment - Peer evaluation
10 1
Creating and Performing in Creative Arts and Sports
Play - Format of a play script
By the end of the lesson, the learner should be able to:

- Identify elements of a play script
- Describe the format of a play script
- Show interest in play structure
- Read an extract of a play script
- Identify title, playwright, characters, acts, scenes
- Discuss stage directions and dialogue
What distinguishes a play script from other forms of writing?
- KLB Top Scholar (pg. 99)
- Sample play scripts
- Digital resources
- Extract of "Tijani's Courage"
- Observation - Oral questions - Written assignments
10 2
Creating and Performing in Creative Arts and Sports
Play - Script analysis
By the end of the lesson, the learner should be able to:

- Analyze a play script extract
- Identify script elements in performance
- Show interest in script structure
- Watch a live or recorded play performance
- Identify format elements in the performance
- Note examples of dialogue and characters
How does the format of a play script support performance?
- KLB Top Scholar (pg. 100)
- Digital resources
- Recorded play performances
- Script analysis guidelines
- Observation - Oral presentations - Analysis reports
10 3
Creating and Performing in Creative Arts and Sports
Play - Script elements
Play - One act play structure
By the end of the lesson, the learner should be able to:

- Match play script elements with descriptions
- Explain the purpose of each element
- Show interest in play construction
- Match elements with their descriptions
- Discuss the purpose of playwright, characters, setting
- Explain acts, scenes, and stage directions
What is the purpose of stage directions in a play script?
- KLB Top Scholar (pg. 101)
- Play script examples
- Element description cards
- Matching exercise
- Sample one act plays
- Digital resources
- Structure diagrams
- Observation - Oral questions - Matching assessment
10 4-5
Creating and Performing in Creative Arts and Sports
Play - Theme selection
Play - Plot creation
By the end of the lesson, the learner should be able to:

- Select themes for one act plays
- Identify contemporary societal issues
- Show interest in social commentary

- Create a plot for a one act play
- Incorporate trigger action and conflict
- Show interest in story development
- Research current societal issues
- Brainstorm theme ideas
- Select themes for play development
- Identify beginning, trigger action, middle, resolution
- Create logical sequence of events
- Develop conflict and resolution
What societal issues can be addressed through plays?
What makes a compelling plot in a one act play?
- KLB Top Scholar (pg. 102)
- Digital resources
- News articles
- Social issue information
- KLB Top Scholar (pg. 103)
- Plot structure diagrams
- Story development guides
- Sample plots
- Observation - Brainstorming results - Theme selection
- Observation - Plot outlines - Peer review
11 1
Creating and Performing in Creative Arts and Sports
Play - Character development
By the end of the lesson, the learner should be able to:

- Create characters for a one act play
- Develop protagonist and antagonist roles
- Show interest in character complexity
- Design characters for the play
- Develop character backgrounds and motivations
- Create character relationships
How do characters drive the action in a play?
- KLB Top Scholar (pg. 104)
- Character development guides
- Character profile templates
- Sample character descriptions
- Observation - Character profiles - Peer review
11 2
Creating and Performing in Creative Arts and Sports
Play - Setting and dialogue
By the end of the lesson, the learner should be able to:

- Establish setting for a one act play
- Create appropriate dialogue
- Show interest in play elements
- Determine time and place for the play
- Develop conversational dialogue
- Consider language and style
How does setting influence the action of a play?
- KLB Top Scholar (pg. 104)
- Setting examples
- Dialogue writing guides
- Sample dialogues
- Observation - Setting descriptions - Dialogue samples
11 3
Creating and Performing in Creative Arts and Sports
Play - Script creation
Play - Music and costumes
By the end of the lesson, the learner should be able to:

- Create a complete one act play script
- Apply proper script format
- Show interest in creative writing
- Write script with proper formatting
- Include characters, dialogue, stage directions
- Follow plot structure
What factors should be considered when creating a one act play?
- KLB Top Scholar (pg. 105)
- Script templates
- Writing materials
- Format guidelines
- KLB Top Scholar (pg. 106)
- Music samples
- Costume design materials
- Prop creation supplies
- Observation - Completed scripts - Format assessment
11 4-5
Creating and Performing in Creative Arts and Sports
Play - Acting preparation
Play - Movement and voice
By the end of the lesson, the learner should be able to:

- Understand the process of acting a role
- Analyze script for character development
- Show interest in performance preparation

- Demonstrate use of body movement
- Apply voice variation techniques
- Show interest in physical expression
- Discuss acting preparation steps
- Analyze scripts for character insights
- Participate in casting process
- Practice body movements to express emotions
- Experiment with voice pitch and tempo
- Practice role playing different emotions
How can a play performance be made believable to an audience?
How can voice and movement enhance character portrayal?
- KLB Top Scholar (pg. 107)
- Acting guides
- Script analysis worksheets
- Performance tips
- KLB Top Scholar (pg. 108)
- Movement exercise guides
- Voice training resources
- Performance space
- Observation - Oral discussions - Written analyses
- Observation - Practical assessment - Peer feedback
12 1
Creating and Performing in Creative Arts and Sports
Play - Rehearsal techniques
By the end of the lesson, the learner should be able to:

- Demonstrate rehearsal processes
- Apply polishing, technical, and dress rehearsals
- Show interest in performance improvement
- Practice line rehearsals
- Implement voice projection exercises
- Conduct polishing, technical and dress rehearsals
What types of rehearsals are needed for an effective performance?
- KLB Top Scholar (pg. 109)
- Rehearsal guides
- Performance space
- Performance materials
- Observation - Rehearsal participation - Progress assessment
12 2
Creating and Performing in Creative Arts and Sports
Play - Warm-up activities
By the end of the lesson, the learner should be able to:

- Perform breathing and vocal exercises
- Conduct physical warm-up activities
- Show interest in performance preparation
- Practice breathing exercises
- Implement vocal warm-ups
- Perform physical preparation activities
Why are warm-up activities important before a performance?
- KLB Top Scholar (pg. 110)
- Warm-up exercise guides
- Performance space
- Exercise demonstrations
- Observation - Practical assessment - Technique evaluation
12 3
Creating and Performing in Creative Arts and Sports
Play - Performance preparation
Play - Performance analysis
By the end of the lesson, the learner should be able to:

- Apply performance strategies
- Implement stage presence techniques
- Show interest in audience engagement
- Discuss stage behavior and presence
- Learn strategies for forgetting lines
- Practice voice projection and listening
What should actors do when they forget their lines?
- KLB Top Scholar (pg. 110)
- Performance strategy guides
- Performance space
- Scenario practice
- Recorded play performances
- Analysis worksheets
- Discussion guides
- Observation - Practical assessment - Scenario responses
12 4-5
Creating and Performing in Creative Arts and Sports
Play - Role allocation
Play - Performance
By the end of the lesson, the learner should be able to:

- Allocate roles for a one act play
- Select appropriate roles for group members
- Show interest in collaborative performance

- Perform a role in a one act play
- Apply all learned performance techniques
- Show confidence in theatrical performance
- Allocate roles from created play scripts
- Ensure all group members have roles
- Begin memorizing lines
- Perform allocated roles in plays
- Apply voice, movement, and character techniques
- Engage with the audience
What criteria should be used for role allocation?
How effectively does the performance address the chosen societal issue?
- KLB Top Scholar (pg. 111)
- Created play scripts
- Role allocation guidelines
- Cast lists
- KLB Top Scholar (pg. 111)
- Performance space
- Costumes and props
- Music resources
- Observation - Role distribution - Group cooperation
- Observation - Performance evaluation - Peer and teacher assessment
14

End term assessment and closing


Your Name Comes Here


Download

Feedback